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Camera techniques in film
Shot techniques in film
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I recently took a trip down to Tennessee with my family over the summer. This was our first time going down to Tennessee, and also our first time going this far down south. We rented a giant log cabin high in the hills in Wears Valley. On this cabin, there was a long, wrap-around porch on the second floor, with an incredible view of the top of the mountains in the distance. It was a fantastic trip, and I wanted to bring the whole thing home with me, so I did. My parents brought our video camera, and, me, being a film major, ferociously volunteered to be the cameraman for the duration of the trip. The setting of Tennessee was almost perfect for filming, because it is mostly rolling hills and vistas and open valleys. Every morning I would wake up after the sun’s rays would pour into my bedroom and head out into the miles of land surrounding our cabin on the hills. I wandered and explored, with my camera in hand, taking in the crisp smell of the Tennessee morning air. I hiked until I found a family of deer. They were very large, and their brown fur looked lush and colorful. The swarming microscopic insects buzzing around them danced on their backs. I had a blast taking the old camera, finding my way into a vast, open farm, and filming the gorgeous deer, wacky squirrels, and even wild horses, sometimes twenty or more roaring down the plain, against the enormous hills in the background. Those animals were fun to film, but what I really wanted to shoot were black bears. They were much harder to find in the wild, but I had been hearing stories of black bears around my area. It took days and days, and countless miles of hiking, until I finally happened to stumble upon not just a black bear, but a mother and her two cubs. Luckily, they ... ... middle of paper ... ...ve of simply watching movies to a sharp intrigue for just how exactly these films are made. That family vacation down to the cabin in Wears Valley, Tennessee was my first peak into the keyhole to the world of filmmaking, and the near future only seems to show more and more opportunities to take what I love and put that to the best of use. Filming the extravagent views and scenery in Tennessee only raised my interest in filming beautiful, expansive vistas and gorgeous backdrops. It really makes you think about your place in the world, and it brings out the emotions particularly well. There are few things today that can do that to a person, especially without being a risk to your health or dangerous. That is why the idea of making an audience feel something they don’t typically feel is an idea I plan on persuing, and I aim to do it better than anyone else before me.
Modern day directors use a variety of methods to hold ones interest. Ethan Hawke and Kenneth Branagh’s created versions of Hamlet that shared some similarities, but ultimately had many differences in respects to an audience’s appeal. An appealing movie is one that has an alluring ambiance and an intellectual stimulus. With these two movie versions, a setting and a mood forced an audience to acquire specific emotions, but Ethan Hawke’s version generated emotions more strongly and effectively. Also, these movies had extremely different uses of music and visuals, but both movie versions incorporated them well for the ambiance it tried to obtain. Finally, both movie versions drew characters to captivate the audience; however in Ethan Hawke’s version, the characters were used so effectively that it was easy to feel involved with them. While both these versions of Hamlet had a captivating ambiance, Ethan Hawke’s version was more appealing due to the intellectual incentive that it offered.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
This film shows his artistic prowess, and helps inspire new film makers daily: creating storytellers that can spin tales that hypnotize audiences for generations to come.
As stated by _____, humans seem to have an odd and very salient fascination with the open body which initiates the desire of viewing horror films. The first person camera work of the horror films Friday the 13th and the Blair Witch Project convey the intimacy between the characters and the audience, allowing each individual to identify with the characters of the film in some way. Not only is the audience enabled to experience the horror first-hand, but they are allowed to satisfy their curiosity through the medium of movies.
In all ages, when it comes to grizzly bears, people’s first thought was that they are dangerous, and get away from them if you met them. Nevertheless, different from the past, today’s humans especially children are exceedingly willing to visit grizzly bears in the zoo. Furthermore, bear watching becomes one of the most popular activities for animal lovers who come from all over the world, and a survey indicates that in Greater Yellowstone, a nature-based bear watching tourism economy is worth “more than $1 billion annually.” (Yellowstone's Grizzly Bears Should Not Be Hunted) Besides, if hunters fortuitously shoot a famous bear, this may “ignite public outrage, like the case of Cecil the Lion.” (Yellowstone's Grizzly Bears Should Not Be Hunted) Additionally, because of grizzly bears’ “rarity,” (Yellowstone's Grizzly Bears Should Not Be Hunted) their “economically worth far more alive than as a person's rug or trophy.” (Yellowstone's Grizzly Bears Should Not Be
It was the middle of October, and it was finally time for my long awaited moose hunt. I have waited ever since I was a little girl for this opportunity, and it was finally here. So, my father and I packed up our stuff and left the warmth of Phoenix. We were leaving the "Valley of the Sun" and headed for a place called Wyoming. After two days and fourteen long hours of driving, we made it to our hunting unit.
the film, to create a re-make that is worth going to see. The use of
With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
As an audience, we become involved in the plot not through learning about characters’ backgrounds and traits. Instead, we learn information at the same time through the mechanics of the plot and editing. We are made to work to understand the workings of the plot. As we watch the film unfold, the editing takes the along for the ride rather than watching from a distance. the audience and characters sweat together as surprises arise in the well-thought out plan and the way the movie ...
It was a beautiful October afternoon as I climbed to the top of my tree stand. The sun was shining, and a slight breeze was blowing from the northwest. I knew that the deer frequented the area around my stand since my step-dad had shot a nice doe two days earlier from the same stand, and signs of deer were everywhere in the area. I had been sitting for close to two hours when I decided to stand up and stretch my legs as well as smoke a cigarette.
Three inches of fresh snow fell last night, creating a blanket of freshness that reflects the last rays of moonlight. As we drive into our property we see fresh deer tracks and my heart starts pumping, I have been away from Wisconsin for a few months and this morning is the first time I entered these woods since September. A few hundred yards into the woods we jump three deer walking the road. They bound off into the darkness in flashes of brown silhouetted by snow. We park...
When you stop to think about it, our ability to understand what goes on in a typical Hollywood film is shocking. Images jump from one to the next with little to no linearity. Perspectives jump around as if a person is spinning and floating around, and music and sounds emanate from nowhere and everywhere at once. The lights dim. Your body shifts about to get comfortable. It’s not bed time however. It’s time for a movie! The strong correlation between our film watching setting, and our dream making setting is too closely tied to be considered mere coincidence. Colin McGinn, author of The Power of Movies, in chapter four titled “Dreams on Film”, says “A child has to learn to read before a literary narrative can be processed, but watching a film requires nothing much beyond the capacity to dream” (113). McGinn argues that the reasons we are able to understand film so easily and readily, is because of our ability to dream. In dreaming, we create visual fantasies that seem to reflect memories and images we experience in our own lives. We might wake up in a heavy sweat, a confused state of mind, or a smile on our face, and it is these same emotions that can be brought about by film. Our ability to create and consume film stems from our innate ability to imagine and understand dreams. Robert Rodriguez’s film adaptation “Sin City” is a perfect case study of how film and dreams are interrelated.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
The immense amount of detail in the setting gives us the ability to identify familiar elements in the story. For example, in the beginning sequence, we see an image of what seems to be like a neglected earth. When it zooms into what looks like a city, our mind registers the tall structures as metropolitan buildings, but as the shot goes on, we notice that not every structure is a building, but a pile of compressed garbage stacked sky high. This shot takes the viewer through a small progression of feelings; recognizing earth, acknowledging the city buildings, then going through a stunning realization that the planet they call home is destroyed. The manipulation of what the audience sees in the given setting allowed the filmmaker to also manipulate what the audience feels every time the shot changes.
Movies take us inside the skin of people quite different from ourselves and to places different from our routine surroundings. As humans, we always seek enlargement of our being and wanted to be more than ourselves. Each one of us, by nature, sees the world with a perspective and selectivity different from others. But, we want to see the world through other’s eyes; imagine with other’s imaginations; feel with other’s hearts, at a same time as with our own. Movies offer us a window onto the wider world, broadening our perspective and opening our eyes to new wonders.