More handpicked essays just for you.
Fundamental doctrine of karma
The portrayal of death in literature throughout the years
Essay on philosphy of karma
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Fundamental doctrine of karma
The short story The Appointment in Samarra is considered a parable for its moral aspects on karma and not being able to escape inevitable fate. When the servant goes back to the merchant to warn him about his occurrence Death, he tries to run away effortlessly. This can be interpreted in a more severe tense, like trying to run away from death, or can be interpreted in a less severe way, like running away from problems as a whole. The merchant then eventually goes to confront death, and she tells him that the servant’s future is inescapable; he has no power to avoid it. One of the biggest potentially confusing characteristic of Death is that the being is a female. Due to societal views, many would be surprise that death was interpreted as a
female, generally seen as nice hearted, instead of a strong male that generally portrays masculinity.
Christian mortality speaks highly on the subject of paradigms. These paradigms go into sub titles/ meanings like, egotistical, utilitarian, deontology, the golden rule, and majority rule. For each of these paradigms, they can show how we as humans act. For example, character Lady Macbeth, Norma Bates from Bates Motel, Jeremy Irons in Law and Order SVU, Mother Teresa, and Hanna from Pretty Little Liars, all resemble one of each of the five paradigms. Lady Macbeth represents paradigm one which is egotistical, for she acts to her own best advantage and focuses only on the end result of her actions. In the story of Macbeth badly wants to become queen and in order for that to happen the current king needs to die and her husband to take the throne. Lady Macbeth achieves this by getting her husband to kill King Duncan. She lies, and manipulates her husband, Macbeth into her dirty work. She did not care what it took to become queen as long as she eventually did some how, one way or another. She states, "you spirits / That tend on mortal thoughts, unsex me here, / And fill me from the crown to the toe top-full / Of direst cruelty” (1.5.38–41) Here Lady Macbeth says this in order to gain strength and
In his paper “The Makropulos case: reflections on the tedium of immortality” Bernard Williams asserts his central claim that when immortality is feasible it is intolerable; further, it is reasonable to regard death as an evil. He argues his position by utilization of The Makropulos case, or the case of E.M. This character and circumstance is derived from a play by Karel Capek. E.M. is a woman of three hundred and forty two years. She has survived so long due to an immortality draught concocted by her father, a physician, long before the play’s action. E.M. explains her problem with immortality is that her unending life has become incredibly dull, her emotions have become cold and indifferent. She feels that in the end, everything has happened before and life has become unsatisfying. She stops taking the immortality draught and death overtakes her. This invokes the optimistic thought that immortality may be rewarding, if certain desires continue to be satisfied. Williams expands on the idea of these desires, called categorical desires and inherent motivation, but first we should confirm the views of death that make the conversation of immortality desirable.
Betye Saar was born on July 30, 1926. Her parents were Jefferson Maze Brown and Beatrice Lillian Brown. She lived in Los Angeles, California with her family in the earlier childhood years of her life. Her father died from kidney failure when she was five years old. Her mother and her two siblings all moved to Pasadena, where they lived with Saar's great-aunt, Hattie Keys. Her mother started working as a seamstress to support the family. Her mother often made ends meet by recycling scraps of materials to create things her children needed. Economical use of everyday materials may have served as an inspiration in Saar's later works of art.
We are all condemned to death; it is inescapable. Even if a person doesn’t believe in the concept of destiny, it is undeniable that every person is fated to die at some point. Most people, however, are not aware of when exactly the inevitable will approach. Often in works of fiction, the reader, or sometimes even the character, is aware of their fate. There are many different understandings of destiny, which is one of the reasons why it has played such a large role in so many different literary works throughout the world and history. Fate is one of the principal literary devices used in Homer’s epic poem, The Iliad, Shakespeare’s tragic play, Antony and Cleopatra, and Tolstoy’s pedagogical novella, The Death of Ivan Ilych.
Most people view death as an evil force set out against all of humanity. In fact, in our present culture, the personification of death, the grim reaper, is one ...
William Shakespeare commented on the length of life when he wrote that life is simply a march toward death in his play Macbeth. Characters known as femme fatales are well aware that life is short, and they will not waste it. These striking, driven, intelligent women are prepared to take life for all it has, and nothing will stop a true femme fatale from pursuing her course of action. Macabrely fascinating, these women appear again and again in both classical and modern literature. Perhaps the archetypical example of a femme fatale, the Lady Macbeth of Shakespeare’s Macbeth serves as a loose model for Serena Pemberton of Rash’s Serena. Lady Macbeth and Serena are both intelligent, self-servingly ambitious, and commanding femme fatales in their own right.
In Emily Dickinson’s poem #280, “I Felt a Funeral, in my Brain”, she compares her state of depression and madness with a funeral. In a predominant male society, Dickinson feels trapped in a coffin, where she is unable to make any decisions on her own. The women’s role in society during her time was to be a good “Angel of the House”, to be a good housewife. This captivity is the cause of her depression, which in turn causes her to slowly lose her sense of self. The “Mourners” seem to be the majority of society who demands her to take up her part in society as a respectable young woman. This peer pressure seems to draw her in:
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
She seems to believe that manhood is the ability to perform acts of “direst cruelty” without remorse. Throughout the play we see that she worries her husband will not be man enough to do what she and him deem necessary to attain the throne. “Yet do I fear thy nature; / It is too full o' th' milk of human kindness . . .” She says. Constantly we see her telling her husband to “man up” - to stop feeling remorse or guilt or fear and to start behaving like she believes a man should; like a being with no guilt or remorse. However, it is this wish for her to lose all “passage to remorse” that eventuates in her death - her corruption - from the madness that comes upon her i...
Life and death are but trails to eternity and are seen less important when viewed in the framework of eternity. Emily Dickinson’s poem Death is a gentleman taking a woman out for a drive.” Because I could not stop for death, He kindly stopped for me” (Dickinson 1-2). Emily describes being a busy woman who is caught up in everyday situations.
Things Fall Apart, Death and the King’s Horseman, and So Long a Letter all have similar and different qualities on how the concept of death is viewed in their respective cultures. A western English-speaking reader knows that death is the end of a biological, physical, and mental life. Western culture generally accepts end of life due to “natural” causes such as disease or old age. Any “human involvement” in taking a life is treated as a crime or sickness. In Death and the King’s Horseman, death is not the ‘end of life’ but rather a transfer to another land. In Things Fall Apart, death is taken extremely seriously by the culture, and is seen as the ‘end of life.’ Finally, in So Long a Letter, death is not taken seriously, as some of their traditions
Manhattan's Brecht Forum hosted three remarkable women, who reported on the conflicts and popular uprisings transforming the Middle East. First to speak was Dr. Nawal el-Saadawi, author of many books that explore Arab women's sexuality and legal status, including The Hidden Face of Eve, Daughter of Isis, and Woman at Point Zero. Her activism has led to threats on her life, loss of her position as Egypt's director of public health, imprisonment in 1981 and exile to the U.S. in 1988. “I have survived the events of my life because of the pleasures of writing. The revolution gives me the same pleasure." Saadawi enthusiastically threw her support behind those defending workers' rights in Madison, Wisconsin, but she encouraged Americans to demand even more change--Egyptian-style.
I’m Angel Samsuhadi. I am 13 years old and I live in America. Although, I am of Indonesian descent. In class we were assigned to read your book. I suppose you would get a plethora of letters just like this. Who knows if this letter will actually reach you. Regardless of if you see this letter or not, I would like to express my appreciation for you and your many sacrifices you have made. I’m not even saying this because I was assigned to. I genuinely appreciate what you do and your impact on, not just Pakistan, but the world.
In conclusion, control is seen as a power factor in Death in the Maiden and Punishment. Paulina and Chandara are considered inspirations for many women, because many may be in the same situations as they were and don’t know what to do, but Chandara and Paulina were able to do things their way and had control over their lives. Paulina and Chandara were outsiders in their country when it came to justice and laws, but that did not stop them from believing what was correct and getting justice from others actions.
This idea comes across in many different tales. In both tales, “She Died Long Ago” and “Astride the Corpse” the woman dies because the husband leaves her.