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Psycho film analysis
Horror film techniques essay
Analysis of psycho film
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The Analysis of the Film 'Psycho' by Alfred Hitchcock
Write a magazine article in which you discuss Psycho’s Enduring appeal
as one of the great films of cinema. Discuss some specific techniques
used by Hitchcock which create tension and suspense for the audience.
With lower budgets, very basic special effects and black and white
picture, Alfred Hitchcock’s psycho still manages to grind out the
suspense to compete with today’s blockbuster hits. With some of the
most memorable scenes in cinema history, it makes you wonder, will
this unique psychological thriller ever die out? The film cost one
million dollars to make, and amazingly made over fifteen times that
value within just one year of its release and with one million pounds
being so much back in 1960, Psycho was an outstanding hit and an
incredible achievement for British director Alfred Hitchcock. There is
no doubt that Hitchcock’s directory used the such basic equipment and
limited special effects to their full tension creating potential. Even
today when we have the choice of many up to date pragmatic movies to
choose from at the local film rental shop, Psycho still remains a
popular choice on the shelf. It is also a favourite for media courses
as it is packed with clever directory techniques, twists and memorable
scenes to comment on. Psycho is a prime example that a classic never
dies.
Psycho’s uniqueness and popularity is mostly down to the number of
genres it represents. This creates a vast target market of viewers to
enjoy this visual masterpiece. The film opens with a sexual frisson
where a couple appear to have secretly just had some kind of sexual
action in the m...
... middle of paper ...
...how the
lasting image of her dead body on the floor. The shocking thing about
it is the unexpectation of it. Norman seemed to like Marion and showed
no signs and had no reason to harm her, but as we find out, it is the
mother side of him which drove him to commit this murder. His mother
would not have been happy with him having another woman other than her
in his life so through sheer jealousy; the mother side of him forced
him to murder her.
I personally follow the opinion of most others in that psycho is a
classic film and really do give credit to Alfred Hitchcock for using
the bare basics of cinematic tools to create one of the greatest ever
films. My opinion suggests that Hitchcock’s directing was the
difference between this version of Psycho and the newer version that
was made and was what made it a success.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
In order to suit his needs Hitchcock transports the locale of Vertigo (1958) to the most vertical San Francisco city where the vertiginous geometry of the place entirely threatens verticality itself. The city with its steep hills, sudden rises and falls, of high climbs, dizzying drops is most appropriate for the vertiginous circularity of the film. The city is poised between a romantic Victorian past and the rush of present day life. We were able to see the wild chase of Scottie Ferguson (James Stewart) in search for the elusive Madeleine Elster (Kim Novak) and the ghost who haunts her, Carlotta Valdes in such spots as the Palace of the Legion of Honor, the underside of the Golden Gate Bridge at Fort Point, the Mission Dolores, Ernie’s restaurant,
know what was coming to her. She could not even give it a name. When she
Alfred Hitchcock’s film Shadow of a Doubt is a true masterpiece. Hitchcock brings the perfect mix of horror, suspense, and drama to a small American town. One of the scenes that exemplifies his masterful style takes place in a bar between the two main characters, Charlie Newton and her uncle Charlie. Hitchcock was quoted as saying that Shadow of a Doubt, “brought murder and violence back in the home, where it rightly belongs.” This quote, although humorous, reaffirms the main theme of the film: we find evil in the places we least expect it. Through careful analysis of the bar scene, we see how Hitchcock underlies and reinforces this theme through the setting, camera angles, and lighting.
bank. Marion went home there was a close up shot on the money then on
Coming from a wealthy family, being molested, and the death of his brother are all factors that have played a role in Holden Caulfield becoming the young man he has become. Psychoanalysis is the method of explaining and treating mental and emotional problems by talking about dreams, feelings, and memories. Throughout the novel, A Catcher in the Rye by J.D Salinger, Holden, the narrator, relives many of his experiences, both negative and positive, that have brought him to where he is now. He is hospitalized in a sanitarium due to his depression.
“When I reflected on his crimes and malice, my hatred and revenge burst all bounds of moderation.” In her novel, Frankenstein, Mary Shelley creates Victor Frankenstein, as a character who becomes psychologically unable to continue his normal life after he turns lifeless mater into a living creature through his studies of natural anatomy. Though many years have passed between the writing of Frankenstein and the making of the Television hit, Dexter, the creator of the show, James Manos Jr., created a character in Dexter that is psychologically very similar to Victor. Dexter is also unable to live a normal life after he realizes something about him is different from other human beings.
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
Sigmund Freud believed that he “occupies a special place in the history of psychoanalysis and marks a turning point, it was with it that analysis took the step from being a psychotherapeutic procedure to being in depth-psychology” (Jones). Psychoanalysis is a theory or therapy to decode the puzzle of neurotic disorders like hysteria. During the therapy sessions, the patients would talk about their dreams. Freud would analyze not only the manifest content (what the dreamer remembers) of the dreams, but the disguise that caused the repressions of the idea. During our dreams, the decision making part of personality’s defenses are lowered allowing some of the repressed material to become more aware in a distorted form. He distinguished between
PSYCHO is a unique film because it is a black and white film in the
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
Psychoanalysis is a science that deals with the interaction between conscious and unconscious processes and laws of mental functions of an individual. Psychoanalysis is used to understand subjects of semiotics. Psychoanalysis is also used to understand the unconscious development that comes into play in society and how that shapes us as humans and as a society. Sigmund Freud did not discover the unconscious mind set, rather he developed the concept the most thorough. Structural hypothesis is part of Freud 's mental functioning of id, ego, and superego. Id is the psychic drive, impulsive, that is the source of energy, yet lacks direction. Ego consists of functions that relate to an individuals environment, the mediator between id and superego, the reality checker. The superego consists of moral perceptions and aspirations of an individual. The superego is mostly an unconscious psyche.
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.
In the article “Visual Pleasure and Narrative Cinema,” Laura Mulvey discusses the relationships amongst psychoanalysis (primarily Freudian theory), cinema (as she observed it in the mid 1970s), and the symbolism of the female body. Taking some of her statements and ideas slightly out of their context, it is interesting to compare her thoughts to the continuum of oral-print-image cultures.