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Introduction ageism essay
How ageism affects society
Introduction ageism essay
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Introduction Society’s youthful norms on beauty hold power over women’s relations to their embodiment. Over the course of this semester, Professor Griffin explored alternative interpretations of the aging body. One proposition made was that in regards to females and the aging body, older women are less concerned with their bodily appearance. In this context, ageism works to undermine the confidence of older women and lower their expectations of themselves. As a consequence, it produces a ‘giving in’ effect as a method to cope with the aging process. Another interpretation explored was how older women become more concerned with their bodily appearance and take great efforts to counter the effects of aging. To manage bodily aging meant to fight …show more content…
against aging, followed by the disembodiment of the self, the transformation of physical appearance, and the fashioning of identity to age-appropriate expectations. Neither proposition holds an accurate depiction of older women’s relations to bodily appearance. These perspectives are too narrow in focus; recent research has shown considerable variability regarding older women’s physical perceptions and experiences. Older women’s relations to embodiment change over time, and influenced by individual economic and social circumstances. The aim of this paper is to discuss the embodiment concerning the level of participation different social classes of women partakes in beauty practices in later life. The levels of economic and cultural capital woman, who are old and growing older, have, are associated with differential relations to the bodily appearance on three major dimensions: spending power, time horizon, and the use of physical appearance as a means of social distinction. Theoretical Framework Social structures are embodied in everyday actions and practices, whereas the internalization of embodiment is to motivate by particular social, and material desires.
Thus, our social existence is shaped by classificatory actions and desires managed by specific distinctions in our case social classes. These assumptions are central to Pierre Bourdieu’s social theory of practice. Bourdieu composed the term ‘habitus’ to encompass how the constitutions of principles subjectively shape dispositions, demeanors, perceptions, and evaluations. So the habitus is prejudiced to social practices and lifestyles. Present day social status, values, and activities are centered on the consumption of goods and services. Thus, for women to claim existence in later life, they must participate in consumer societal practices on bodily appearance. Bourdieu argued that for women and their physical appearance; the attention devoted, time and effort invested, and the awareness of product benefits, are proportionate to material expenditure. Older women’s self-presentation can be intrinsically linked to quantifiable conditions used for maintaining the youthful self. Moreover, economic and cultural capitals validate certain fashions, tastes, and practices, to align with the current social structures, endorsing notions of materialization and bodily …show more content…
appearance. Bourdieu concentrated his research around the valuations of the body; beauty and body care that woman from different social classes encounters. He found that working-class women assigned a lower value on, and the investment put in, to bodily appearance than women from the upper class. Upper-class women were more inclined to appreciate their beauty and expended greater efforts to enhance it. Additionally, upper-class women attributed moral value to a well-groomed appearance. This moral value produced a divide between the two classes of women. Appearance used as an aging practice result in two distinctions. The first is that being neglectful of appearance suggests that the individual is unsuccessfully aging, whereas the second denotes that by being active and attentive to appearance indicated successful aging. Bourdieu’s principle of habitus emphasizes the discrepancy formed from social class; different social classes partake in various methods of managing bodily decline. Though it devalues age as a differentiating principle, it is important to recognize that the value an initially attached to certain bodily practices often change with age. Therefore, this essay shall work in tandem with an integrated Bourdieusian framework involving age, and social class to understand the aging women’s embodied experience and bodily appearance. Spending Power The first dimension refers to the distance older women are from economic hardships. Studies have revealed a functional relation between spending power as a significant determinant regarding bodily appearance. The greater the income, or distance from poverty, the more invested on the self. Also, it was found that those with lower incomes spent much less time and money on beauty practices, for they appeared less concerned over the cosmetic needs of their bodies. Additionally, this is the most popular representation of older women since changes in the economy have resulted in older adults occupying positions of lowered socioeconomic status. Working-class women placed a higher value on their overall wellbeing, such as being loved, stability with regards to family, friends, and work, and good mental and physical health. Here, the ‘natural appearance’ was the preferred beauty practice, because of its minimal time and energy constraints. These results reflect the significance social conditions have on women’s attitude toward bodily appearance. The low priority older working-class women have concerning their physical appearances, best understood in consideration of the opportunities and limitations of their social class. For working-class women, maintaining healthy relationships brought them satisfaction in later life, other than bodily aesthetics like the upper-class women. Women’s social conditions also account for distinctive dispositions in the workplace, for there is an emphasis on women to embody a certain level or model of attractiveness in the workplace. Looks have always been more important to women, regardless of social distinction or economic hardship. The fashion industry is accountable for creating this culture of ‘beautification’ through the persistent attentions to beauty practices, which groomed women to adhering to prideful appearances; to always ‘look one’s best’. Sustaining these dispositions were believed to spill over into later life, so retaining these practices was worth the investment of time, effort, and money. To look younger is our individual and social responsibility, we should take action and make fashionable choices to disembody ourselves from our aging body. Time horizons For the purpose of this paper, the working definition of a time horizon will refer to the evaluation of a fixed point in time with context to objective processes.
The level of economic and cultural capital influenced the time horizon, sub-sequentially influencing women’s actions and decisions. In later life, the aging women’s dispositions were linked to attitudes about bodily appearance and the use of beauty enhancement practices. For working class women, short-term investments satisfied their aesthetic desires, such as clothing, jewelry, and make-up. The upper-class women adopted beauty practices with long-term returns because their economic capital was greater than that of the working-class
women. Their capacity to cope with the exigencies of beauty culture involves such practices like nutrition supplements, skincare, hair-care, and physical activity, good diction, manner, and ‘feminine’ demeanor and posture. The reason for participating in these behaviors and processes originated from the belief that efforts taken in the present would then be rewarded in later life. In contrast to the aspirations and expectations of the working-class women who valued their investments towards ‘inner beauty’. Bodily Appearance as a means of Social Distinction The deterioration of beauty, manifested by wrinkles, age/liver spots, sagging skin, thinning hair, receding hairline, and fluctuating weight, are associated with the increasing of age. Women of both social distinctions collectively share a sense of reduced physical and sexual attractiveness, often backed by criticisms from their environment and peers. Older women’s confidences are undermined, and their expectations of themselves are thus lowered. Women’s embodied experiences with aging are consequently influenced by appearance-related changes and how other perceived them. The participants shaped their identities, whether consciously or not, by following the social norms of their social class. Biological changes in bodily appearances, such as increasing physical frailty and reduced sensory perceptiveness, are seen as undeniable and unattractive indicators of aging. The image projected reveals the real self, and in the context of biological markers of aging, there is a betrayal of the true self. This made for a difficult adjustment for many perceived themselves as looking older than their internalized selves. Older women also dissociated from themselves by conforming to social youthful and beauty norms of bodily appearance. Eventually, their physical changes, brought on by aging, were accepted but only because they were otherwise powerless over biological aging and transformations. Conclusion Youthful norms of beauty are unattainable in the context of aging; being alive means to age. There is also a lack of studies exploring the significance of body image for women over 35 and the theories regarding body image and aging in the literature are mostly inaccurate. In reaction, social gerontologists should reassess the social norms of bodily appearance for older women, being more inclusive and active in their beauty ideals. The aim of this study was to draw from women’s narratives and Bourdieu’s social theory. It explored our understanding of older women’s relations to bodily appearance and, more specifically, to study a sample of approximately the same age, but with different social conditions of existence, to reveal the influence of social stratification processes. Bourdieu’s framework helped us to identify the influences of social class and age-related conditions of existence on older women’s dispositions. Since habitus is both structured and structuring, the age-related conceptions presented here are compelling examples of how older women both internalize a structure of age-norms and define and legitimize altered conceptions of bodily appearance in old age. The internalization of age-related norms presents an interesting avenue for future research, to understand how older women can maintain their social value in social contexts of omnipresent youthful ideals of beauty.
This phenomenon suggests that all women are required to remain loyal wives and stay at home mothers who aspire to achieve perfection. In “Mirrors of Masculinity: Representation and Identity in Advertising Images,” Jonathon E. Schroeder and Detlev Zwick claim that “highly abstract connections are made between the models, a lifestyle, and the brand” resulting in a need to associate these products with a specific way of living (25). Instead of simply displaying these luxurious bracelets and handbags, the ad creates an elegant environment through the incorporation of sophisticated items. The women are dressed elegantly in dresses and blouses, adding a conservative element to the ad. The ad presents a rather stereotypical image of the very successful heads-of-household type mothers who have brunch with other elite women in an exclusive circle. Everything from the merchandise they sport to the champagne glasses down to the neatly manicured fingernails provides insight into the class of women presented in this ad. The body language of the women strips the image of the reality element and instead appears to be staged or frozen in time. This directly contributes to the concept of the gendered American dream that urges women to put up a picture-perfect image for the world to see. Instead of embracing individual struggle and realities, the American dream encourages women to live out a fabricated
In the article, “The Fashion Industry: Free to Be an Individual” by Hanna Berry, Berry discusses how for decades women have been told to use certain products and that if they used those products they would be beautiful. Women over the years have believed this idea and would purchase items that promised to make them prettier, thinner, smarter and even more loved. However, in reality it was never what they wore on their bodies that helped them be any of those things; but what it did help with was to empower women to become fearless and bold by what they chose to wear on their bodies as a form of expression.
Since we are women, it makes us so sad when we have pale, unhealthy, wrinkled faces. It seems to me that no one knows our blood dissolves into the threads and seams, with sighs and sorrow.” The women’s femininity is stripped from them. By the age of 23 and over, a woman is considered ‘older’ and is most likely to be fired.
...t of sexes becomes more equal, young men may begin to develop the habits of young women who try so hard to live up to a perfect standard of beauty. This issue should not and cannot be ignored, and correct acknowledgement of stories like Grealy’s will tighten opportunities for young women to preserve and cherish what really makes them beautiful.
It seems if a woman does not follow what the television or magazines do, they will be considered a ‘disgrace’ to society. “By the 1930’s, mass advertisements on radio and in magazines persuaded women to purchase cosmetic products by appealing to her fear of growing old or being rejected by social acquaintances,” (Gourley 56). The beauty industry specifically targeted women, using the ideas of an often highly feminine related idea of vanity. This also talked about women’s apparel in clothing and how they weren’t able to dress casually since they would be titled, slob. As looks represent a lot in a woman, the body type of a woman has always struggled with maintaining since the ‘perfect’ body types are not what everyone has. “In the 1890’s women had full bosoms, round hips. In actual measurements they were probably no rounder than Miss Cox but they seemed so because they were shorter, tightened their waists into an hour-glass effect … Now, though, the ideal figure must have a round, high bosom, a slim but not wasp-like waist, and gently rounded hips” (“This is What…”). Ideals women that society has pushed onto women to be for them to have any chance in romance. Though many women can drift away from this the women, though they won’t admit to it, had struggled to meet the ‘set standard’ for women. This shows how after women have gained the rights of voting, gender roles
I agree with Sullivan’s notion that women’s identities as “desirable women depend on the submission of their physical bodies to the dictates of social norms” (542). At different stages in time in the Western world,...
French sociologist Pierre Bourdieu (1984) defines habitus as 'a durable, transposable system of definitions' acquired initially by the young child in the home as a result of the conscious and unconscious practices of her/his family. This comprises the primary habitus. Subsequently this is transformed into a secondary, tertiary or further habitus by the child's passage through different social institutions, principally schooling. (Broker 1999) - "The 'Boston'"
Miss Representation introduces the viewer to numerous surprising and sometimes depressing facts. It is discussed and presented as a fact that women spend more money on beauty products than their own educations thanks to advertisements depicting only a certain look on women. This makes the viewer aware that the media is impacting women in a negative way by influencing them to spend more money on
Pierre Bourdieu’s (1930-2002) proposition of ‘reflective sociology’ and comprehension of sociology as an exposition and critique of the underlying structures of social life has had a large impact on social thought (see Navarro 2006, pp.15-17 for more detail). Bourdieu’s concepts of ‘habitus’ (first outlined in The Logic of Practice, 1980) and ‘cultural capital’ (described in The Forms of Capital, 1986) have been particularly influential for theories surrounding identity and community.
...eimark 5). The view that older people cannot match the pace of the modern world is an evident theme in the workplace. In order to maintain their work positions, older women must get liposuction and facelifts, causing enormous psychological effects on self-esteem.
Human beings develop beliefs of the world based on their interpretations of observations and experiences, actively preserving, interpreting, and producing meaning within their own social world. The physical embodiment of cultural capital has become a substantial, if not the primary educational force, in regulating the meanings, values, and tastes that set the norms that define our understanding of self, the foundation of social life, and dictates one’s position within the social order. Repeated exposure to socializing agents within a family normalizes certain dynamics and renders others invisible in the process, a cycle of cultural relativism that resounds with elders who have received the same lessons since childhood. Pierre Bourdieu, French anthropologist and philosopher, pioneered investigative frameworks and terminologies such as cultural capital, symbolic violence, and the concept of habitus, which he defines as:
Tiggeman, Marika. “Body image across the life span in adult women: The role of self-objectification.” American Psychological Association 37. 2(Mar 2001): 1-253. ProQuest. Web. 12/20/2013
Twigg, Julia. "How Does Vogue Negotiate Age?: Fashion, the Body, and the Older Woman." Fashion Theory: The Journal of Dress, Body & Culture 14.4 (2010): 471-490.
Ambrose Bierce (1958) once wrote, “To men a man is but a mind. Who cares what face he carries or what he wears? But woman’s body is the woman.” Despite the societal changes achieved since Bierce’s time, his statement remains true. Since the height of the feminist movement in the early 1970s, women have spent more money than ever before on products and treatments designed to make them beautiful. Cosmetic sales have increased annually to reach $18 billion in 1987 (“Ignoring the economy. . . ,” 1989), sales of women’s clothing averaged $103 billion per month in 1990 (personal communication, U.S. Bureau of Economic Analysis, 1992), dieting has become a $30-billion-per-year industry (Stoffel, 1989), and women spent $1.2 billion on cosmetic surgery in 1990 (personal communication, American Society of Plastic and Reconstructive Surgeons, 1992). The importance of beauty has apparently increased even as women are reaching for personal freedoms and economic rights undreamed of by our grandmothers. The emphasis on beauty may be a way to hold onto a feminine image while shedding feminine roles.
I would like to begin with the fact that women have always been known to dedicate their time to beauty. Those who are devoted to their appearance most often believe that beauty brings power, popularity, and success. Women believe this, because they grow up reading magazines that picture beautiful women in successful environments; not to mention they are popular models and world famous individuals. Beautiful women are no longer just a priority for most advertising, but we have become a walking target for the working class employers. It is documented that better-looking attorneys earn more than others after five years of practice, which was an effect that grew with experience (Biddle, 172). We cannot overlook the fact that it is always the most popular and most beautiful girl who becomes homecoming-queen or prom-queen. While these are possible positive effects of the "beauty myth," the negative results of female devotion to beauty undercut this value. These effects are that it costs a lot of money, it costs a lot of time, and in the long run, it costs a lot of pain.