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Media stereotyping of the elderly
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People spend billions of dollars every year on beauty products. Most people desire a more youthful appearance, by having less wrinkles, younger looking skin, and lack of gray hair. On the other hand, image having the ability to never age another day past twenty-nine. People may seem to enjoy the thought of this, but may not stop to realize the consequences. In the movie, The Age of Adaline, not aging is a part of Adaline’s everyday life. After a freak accident in 1935, Adaline Bowman, played by Blake Lively who is well known for her role in Gossip Girl, is unable to age another day past twenty-nine. Now in the present day, Adaline is a hundred and seven years old but trapped in a twenty-nine year old body. Director Lee Toland Krieger and screenplay writers J. Mill Goodloe and Salvador Paskowitz allow their viewers to experience the emotional connection with the characters in The Age of Adaline through the use of a carefully thought pace of the plot, character development, dialogue, and the quality of the acting. …show more content…
The Age of Adaline pace is in a timely manner not allowing the viewer to get bored at any moment.
The pace was enjoyable, and within the first few minutes of the film, viewers become immediately hooked to the story. A narrator in the movie helps to keep the viewer from getting lost in the film and not knowing what is happening. For example, at the beginning of the film, the narrator begins explaining who Adaline is. The first scene of the movie, Adaline is buying a fake identification. Following this scene shortly after, explains why she had to do this. Therefore, the script is like a beautiful written novel, and since the film is set at a good pace, viewers are not falling asleep with unnecessary
details. The character development of Adaline is brilliantly accomplished. The movie shows different scenes throughout history, and Adaline’s character brought to life by her wardrobe, hair, and makeup. For example, in 1929 when she marries her first husband, Adaline’s hair, makeup, and clothes are a perfect fit for the timeline journey in the past. Adaline’s mature talk in the film and her beliefs helps prove she is literally an old soul, but still appearing to people as if she is in her twenties. In many scenes, Adaline is brilliantly smart and recognized as a sophisticated woman. Hence, if Adaline’s appearance and mature talk had not been included in the film, this would have resulted in a disastrous lack of her character development. The dialogue gives viewers chills and makes an impact on people’s emotions. The scene where Adaline meets her daughter Flemming, who could easily be mistaken for her grandmother, is breathtaking.
Movie makers have agendas. They get their ideas across by using cinematic techniques and styles which make us view a certain subject in the light that they put it in. I will discuss the differing techniques used by the makers of "Stepping Razor" and describe what the overall impression of the movie has on the viewer, and what the agenda of the director is.
Braff himself has a warm, easy-to-watch screen presence. He can say nothing during the lull in a conversation, while the camera remains focused on his face, and it feels right. Portman and Sarsgaard are also genuine, each wonderfully relaxed in their roles. Production design is superb: details in every scene are arranged well, and the photography, by Lawrence Sher, is - like the story and the acting – unpretentious, never distracting, tricky or cute. This film never seems to manipulate us; instead it engages us, arouses our curiosity and amusement, bids us gently to care about Andrew and Sam and even Mark, leaving us entertained in the best sense. This movie is as confident, as secure in itself, as comforting, as a well worn pair of house slippers or your favorite reading chair. A splendid film. Grade: A- (09/04)
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
It’s not about the end result, but about the journey; plot threads aimlessly disappear and reappear, often left unresolved amid the concoction of brewing story lines; told from the perspective of Doc’s weed-frazzled mind. Yet despite the apparent attempt to confuse and toy with the audience, the flick is never not-fascinating. As the opening credits appear, you’ll find a big grin spreading across your face – barely disappearing during Inherent Vice’s 148-minute run time.
The characters are a crucial element in developing the narrative of a film. The characters in Breathless do not act the way one expects those of Hollywood cinema to act. The woman who distracts the police officer in the opening scene seems as if she may be important, but is in fact never seen again. This happens again in a subsequent ...
However, to be successful with a tried and true concept, they should offer the audience something new or refreshing to excite the viewer. The script attempts to do this by giving the main character, Savoie, an intriguing backstory – the death of her husband. The idea that she was a suspect and that she left her former police department to begin a new life, is interesting. This attempts to give Savoie some depth.
Weiner opens with the fact that most popular magazines only feature women under the age 60. Vogue’s recent issue “Age” included a 90 year old runner. People’s issue “World’s Most Beautiful” included a 75 year old woman. Weiner considers those instances exceptions. Weiner makes a jab at how older women cease to exist in the media by saying, “Maybe they turn 60 and go marching Children of the Corn style, into the racks at Nordstrom, never to be seen again.” Then she calls how only younger women being popular models is discrimination. After ridiculing magazines with only the younger generation in it Weiner talks about the hope that women have to reach the end. She calls it the age finish line. The age finish line is the age or point where women are allowed to stop caring so much about their looks. Weiner calls it women’s life
The screenwriter chose an effective way of illustrating the point of attack, establishing the setting and handling of exposition. The first scene of the film was a black screen which had audio of a man and a woman having a conversation. After, the film switches to a grainy video of men being detained by police. The video clip manages to bring the dramatic tension to all time high because an unidentified character is shot by the police. Therefore, this left a sense of uneasiness and tension throughout the whole film. The beginning of the film also did a wonderful job of establishing the setting. The scene of the grainy video clip had a caption box stating it was “Fruitvale BART Station 2:15AM New Year’s Day 2009”. The film then introduces the
...y their way of acting. Their facial expressions and the awkward silences kept me interested. I enjoyed watching this film because the story was easy to understand. I didn’t have to pause to replay a scene just to comprehend what was going on. The actors spoke very clearly and that’s very important to me because I never want to focus on the subtitles when it’s not necessary. What I didn’t like about Secrets and Lies was the character Cynthia. She didn’t have mature manners and kept crying instead of solving her problems by searching for a solution. What surprised me was the mature behaviour of Hortense. Her mother should definitely take her as an example and learn how to behave well. I expected her to be very angry and hateful at her mother but instead she acted modestly, discreetly and purely. Once again, I’ve understand that secrets and lies will get us nowhere.
Ageism is all too common in films. While there are still so many movies packed with stereotypes that view aging as negative, there is a recent movie, which portrayed aging positively in some aspects, the movie ‘The Second Best Marigold Hotel’. While this movie does contain stereotypes and humor about aging, it also shows the visitors leading active, happy, free and independent lives. They are not portrayed as being sick or frail, but instead they are embracing life and their experiences regardless of their age.
Coming-of-age is a process of maturation, realization, and transition. It has been approached in a number of ways throughout film history. At times, such approaches render similar as youth, no matter the decade, face the same developmental dilemmas and look to achieve the same life milestones. Other similar aspects include context like school, for instance, which has long been a favorite as well as important setting in youth-oriented films in which the character(s) come of age. However, contexts and approaches in depicting this theme have also differed over the years, understandably so as films must adapt to the political and social climate in which they are made. Nonetheless, films across time have de...
Through the journey, one must consider many aging factors and decide if these are true generalizations of aging or are myths of aging propagated by the movie. Specifically, the myths that will be examined in this paper are: 1) Is there a connection between bereavement and depression? 2) How do vision and hearing impairments affect an older adult's overall quality of life? Finally, 3) Is there any relation between having a physical mobility deficits and their mental status? Through this examination of myths propagated in "UP", the reader will gain better insight into what are true generalizations vs. myths about the elderly.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
David Fincher directs in a stirring style, and seems to truly commit his performances from a cast of highly talented actors. Especially with award winning actors, Brad Pitt and Edward Norton convey surplus poise to the film. If the movie has any single definite virtue, it is confidence; the writing and the story do not fade at all, even if they present strikingly and unlikely experiences. The story follows a beautifully structured pace as well, which enhances the power of their performances. Most importantly, the confidence remains in place when reality is shattered and the existential factor of Tyle...
This quote essentially sums up the film that contains minimal special effects and an incredible plot that intrigues an audience to stay in their seats and watch a masterpiece.