Garden State by 'Pipsorcle'
Andrew Largeman's (Zack Braff) journey throughout "Garden State" seems to be a testament on the meaning of liberation. Going from his struggling acting life in Los Angeles to his hometown in New Jersey, where he witnesses his mother's funeral, Andrew is in the mist of confronting difficult issues. One of the biggest issues is coming to terms with his psychologist father (Ian Holm), whom he has distanced himself from for many years because he has put him on powerful antidepressants for most of his life. The reason for this I will not reveal but it has caused Andrew to feel as if his father has controlled his life in a way.
In showing how Andrew Largeman finds himself again, "Garden State" makes a good choice in putting him in every one of its scenes. Since this film is really about Largeman, because he is in every scene, we see a progression in his character as time goes on. At the beginning, we sense that Andrew feels rather numb and alienated but then as the film progresses, he becomes more energetic and liberated. This gradual change in his character is highlighted clearly in the cinematography, a key method in showing Andrew's psychological state.
For a directorial debut, I must say Zack Braff has given me a completely different impression than from his regular role in the "Scrubs" TV series. One might think that for a directorial debut coming from a TV actor would be uneven and at best, formulaic and uninspired. That's not the case here with "Garden State." Braff shows he knows how to handle directing and storytelling yet at the same time, showing a vision that clearly establishes himself as an auteur. Examples of this are the tense moments when Andrew is around his father. A lesser film would go for theatrics and end up being very talky in dialogue, but instead, Andrew and his father's moments together are more subtle. Whenever we see both of them together, they talk but when they talk, their relationship is forced. There's a sense of silence at times, which shows they feel uncomfortable seeing each other after the lack of good communication for about a decade.
Of course, one might think that from the way I'm describing "Garden State" so far, the film is on the more serious side. It's actually more funny than serious but even describing the film as a comedy wouldn't do ju...
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... selling his invention of soundless Velcro and now trundles down the corridors of his unfurnished McMansion in a golf cart. Another buddy, Mark (Peter Sarsgaard), sells jewelry he acquires in a highly unusual manner. Braff also writes simple yet refreshing dialogue, with plenty of offbeat humor, yet none of it is strained, nothing is played self-consciously for laughs.
Braff himself has a warm, easy-to-watch screen presence. He can say nothing during the lull in a conversation, while the camera remains focused on his face, and it feels right. Portman and Sarsgaard are also genuine, each wonderfully relaxed in their roles. Production design is superb: details in every scene are arranged well, and the photography, by Lawrence Sher, is - like the story and the acting – unpretentious, never distracting, tricky or cute. This film never seems to manipulate us; instead it engages us, arouses our curiosity and amusement, bids us gently to care about Andrew and Sam and even Mark, leaving us entertained in the best sense. This movie is as confident, as secure in itself, as comforting, as a well worn pair of house slippers or your favorite reading chair. A splendid film. Grade: A- (09/04)
The character, Antwone Fisher, undergoes many sufferings in his young life: abandonment from his mother, physical, mental, and sexual abuse, and the loss of his best friend. As a young man in the military, he is struggling with rejection, anger, and self-doubt; using aggressive behavior as a way to protect himself from being hurt. He only begins to address these issues when the Navy requires him to seek therapy; this is when he begins to express the traumatic events from his childhood. Talking about it releases emotions that he was holding inside for so many years. The mistreatment from his foster mother is constant, but the critical moment is when he stands up to her; he realizes that he can physically defend himself from the emotional
Moreover, Wideman ends up having difficulties trying to represents what his brother is “saying” because he ends up writing his own personal opinions and thoughts. Although it was something he was trying to avoid considering it would be a manipulation of the story. Throughout the essay, the reader can observe how Wideman analyzes his past experiences with Robby, and how their relationship has transformed over the years. For instance, the author conveys the bonds he had with his brother in order to express that after all this years they still shared “common history, values, and style developed within the tall stockade of family, and that was enough to make us care about each other” (Wideman 674). In addition, he tells the reader how he wanted Robby to know that he was thinking about “Our shared roots and destiny” (Wideman 674) and how that thinking was getting him closer to Robby.
1. What type of emotional disturbance does John Nash, the main character in the film,
American Psycho (2000) offers a devastating social satire of the 1980s materialistic and hedonistic high society. Ironically, the film's monsters-in-hiding become increasingly evident even as the cinematography attempts to obscure most of the victims of Patrick Bateman (Christian Bale) with the dark hues of the nighttime. Additionally, the point-of-view (P.O.V.) editing in relation to Patrick Bateman illustrates his frustrations to the audience and shows his struggle to not only become the best in his society, but also prevent others that are either not fit for his society or those with particularly annoying idiosyncrasies from being a part of that society. The character study depicts the daily activities of Patrick Bateman, a young New York stockbroker working for Pierce and Pierce, as he hides the murder of Paul Allen (Jared Leto) from Detective Donald Kimball (Willem Dafoe). As the film progresses, Patrick's mask of sanity slowly slips as he finds out that he is not the idea of Patrick Bateman that he reflects himself of being throughout the film and realizes the disconnection that he has from the world around him.
November 1998, written for FILM 220: Aspects of Criticism. This is a 24-week course for second-year students, examining methods of critical analysis, interpretation and evaluation. The final assignment was simply to write a 1000-word critical essay on a film seen in class during the final six-weeks of the course. Students were expected to draw on concepts they had studied over the length of the course.
Charlie Goldman, as portrayed in Ann Packer’s Nerves, is a thirty-something man-child who is losing his wife and comes to realize that it is he who is lost, somewhere in the streets of New York City. Gripped with overwhelming fears and psychosomatic ailments or hypochondria, Charlie suppresses the true causes of his condition while making a futile attempt to save his marriage. His childlike approach to life and his obsessive approach to marriage pushes his wife Linda towards a career in San Francisco and ultimately divorce. This essay will explore the broader themes of growing up, obsession and love.
In your view, how does Welles’ portrayal of the complex nature of happiness contribute to the enduring value of Citizen Kane?
While the movie does not explain how or why Nash is affected by paranoid schizophrenia, it does brilliantly portray the common symptoms and treatments of the disorder. Not only does it teach audiences the facts about this type of schizophrenia, the film allows audiences to truly understand the mental disorder from a medical, personal, and emotional perspective. John Nash is just one of many people who have been diagnosed with schizophrenia, and films such as A Beautiful Mind are an important way that their stories can be
Sandler's Happy Madison production outlet ticks over nicely on the back of his own hits; less so when he exec-produces -- as if sadistically -- for his friend Rob Schneider (The Hot Chick, 2002, etc). After a mildly awkward patch at the start of the decade (including Little Nicky, 2000, and Mr Deeds, 2002), Sandler re-established himself in the nine-figure-grossing league with Anger Management (2003) and 50 First Dates (2004); and the director of those two pictures, Peter Segal, is also at the helm for Sandler's remake of Robert Aldrich's The Longest Yard. Alas, this is Sandler's most formulaic outing to date, the most by-rote script he has yet committed to.
American Psycho is a savage account of a wealthy investment banker in the late 80s that commits heinous acts of murder, rape, and torture. Although on the surface, American Psycho seems as though it is just another horror story, it actually has a much deeper message. This story is a harsh critique of a superficial Wall Street society in the late 80s that was rampant with materialism and greed. This is the society in which the main character Patrick Bateman lives–where appearance, material possessions, and status define a person. This superficial existence leaves him hollow and dead inside and turns him into a psychopathic killer. A society such as this, devoid of any morality, inevitably creates psychopaths such as Bateman. The film shows an excellent portrayal of a vacant, nihilistic killer with no feelings or emotions. However, there is something more to the story that the film did not quite capture. The book seems to not only be a satirical take on this society, but a tragedy as well. Recreating the dinner scene with his secretary Jean shows that underneath the surface Patrick Bateman is, indeed, a human being with real feelings and emotions, and that it is a great tragedy that this superficial society has turned him into a monster.
The want to relax and to be entertained has always been a part of human nature. It seems that business has always been able to find ways to fulfill this want. But throughout the history of the United States the job of achieving this task has not been easy. More attractive ideas and inventions were constantly knocking out the old ways to enjoy life.
The point can be made that Bateman is simply trying to be better than everyone else, have more stuff, look better, and out do his rival workers, but that’s too simple. Bateman is obsessed with perfection. But why? Boredom, lack of a personality, and pursuit of happiness all come to mind. It’s hard to tell what exactly would make a person with so much so unhappy. Boredom does play a role in Bateman’s demented world, and so does lack of personality. It can certainly be said that Bateman is simply looking for happiness. I think Bateman does somewhat satisfy his boredom, and does make himself fe...
Childhood and adolescent obesity is a problem of significant concern. Whether obese or at risk, excessive fat is based on the ratio of weight to height, age, and gender of the individual (Ul-Haq, Mackay, Fenwick, & Pell, 2013). Today’s youth are considered the most inactive generation in history thus, childhood and adolescent obesity is more prevalent than ever before. The Centers for Disease Control (CDC) documents the obesity rate in children ages 6-11 in 2012 at 18% (an increase from seven percent in 1980), and adolescents at 21% (an increase from five percent in 1980). The obesity rate in children has more than doubled and quadrupled in adolescents over a 30-year period (CDC, n.d). The factors responsible for childhood and adolescent obesity are related to childhood lifestyle, family influence, and community factors (CMA Foundation, 2008). The Healthy People 2020 goal, NWS-10.4, is to “reduce the proportion of children and adolescents aged 2 to 19 years who are considered obese from 16.1% to 14.5%” (Healthy People 2020, 2013). Overweight children and adolescents are at increased risk for severe medical issues that can last a lifetime. Interventions to reduce the incidence and improve the health of young people involve solutions at the primary (low risk youth), secondary (at risk youth), and tertiary (obese) levels (Sweeting, 2008). Parents, caregivers, and medical professionals can work together in diagnosing if the child is becoming obese or if the child is having a growth spurt (Ul-Haq et al., 2013).
“This might be the first generation where kids are dying at a younger age than their parents and it's related primarily to the obesity problem.” Judy Davis. Childhood obesity is not a new term by an means but in the last few years it has grown in popularity. Some call childhood obesity the next “national epidemic”, sounds pretty scary especially when it’s effecting the youngest of Americans. Obesity is among one of the easiest medical condition to recognize but is the most difficult to treat. Children who are overweight are 10x more likely to become overweight adults unless they change their eating habits and exercise. (“Childhood Obesity. Pg 1). 30% of adult obesity begins in childhood, it is also said obesity is the cause of 300,000 deaths a year and cost society an estimated $100 billion a year. Today, about one third of American’s children and teens are considered to be overweight or obese, it has nearly tripled in size since 1963 (“Childhood Obesity”. Pg 1). Obesity is causing numerous health problems that typically aren’t seen until adulthood. Childhood obesity can effect the physical, emotional, and social well-being of a child.
Childhood obesity is a serious problem among American children. Some doctors are even calling childhood obesity an epidemic because of the large percentage of children being diagnosed each year as either overweight or obese. “According to DASH sixteen to thirty-three percent of American children each year is being told they are obese.” (Childhood Obesity) There is only a small percentage, approximately one percent, of those children who are obese due to physical or health related issues; although, a condition that is this serious, like obesity, could have been prevented. With close monitoring and choosing a healthier lifestyle there would be no reason to have such a high obesity rate in the United States (Caryn). Unfortunately, for these children that are now considered to be obese, they could possibly be facing some serious health conditions, such as heart disease, diabetes, and some types of cancers. All of these diseases have been linked to obesity through research. These children never asked for this to happen to them; however, it has happened, and now they will either live their entire life being obese, or they will be forced to reverse what has already been done (Childhood Obesity).