Stories of Tevye: Tevye the Dairyman (1939) and Fiddler on the Roof (1971)
Tevye, the protagonist of the films Tevye the Dairyman and Fiddler on the Roof, originated from a series of short stories about Tevye written by Sholem Aleichem. Although the two films are both based on the same story, they are different in many aspects, especially in the endings and how certain characters are emphasized. For example, while all the daughters and their marriages are emphasized in Fiddler on the Roof, only Chave is emphasized in Tevye the Dairyman. Despite the differences, it is clear that the relationship between Chave and Tevye plays a crucial role in the overall storylines of both films.
In both films and the original story, Chave, one of Tevye’s
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daughters, falls in love with a non-Jewish man and tries to convince his father that religion should not matter and that she wants to marry Fyedka. When Tevye refuses to accept her beliefs, Chave runs away from home to secretly marry Fyedka. In Tevye the Dairyman, both Tevye and Chave try to convince the other in a rather soft manner. After their discussion about Fyedka, Chave is heartbroken by the fact that her beloved father refuses to allow her to marry a non-Jew, and she is reluctant to marry Fyedka until the last minute because she is afraid of losing her connection to her parents. This depicts Chave had a very close relationship to Teyve. Though somewhat similar, in Fiddler on the Roof, instead of trying to softly talk her over, Tevye angrily forces Chave from becoming close to Fyedka and strongly refuses to let Chave marry a non-Jew. Chave, angrily agreeing to her father at the moment, soon runs away from home without showing reluctance. The relationship between Tevye and Chave is represented by their agitated expressions in Fiddler, and Chave is willing to challenge and face his father’s faith and stubbornness more directly than in Tevye. Alongside the differences in the relationship between Chave and her father, the choices that Chave makes also differ significantly in the two films.
In Tevye, Chave lives in longing for her family after running away from home and constantly tries to meet her father. After hearing the news that Tevye was to be driven away from their hometown, Chave abandons her husband in order to reunite with Tevye and leave the village with him. Initially being reluctant to have his beloved daughter back, Tevye embraces her in the end. Here, not only does Chave willingly returns to her father, but also realizes that she cannot live outside the boundaries of Jewish life. However, in Fiddler, Chave decides to leave the town alongside her husband instead of coming back to her family after the announcement that all Jews were to leave Anatevka. Before leaving, Chave visits Tevye to say goodbye, and Tevye blesses his daughter in silence. This shows that in Fiddler, Chave is more willing to stay with her husband and Tevye becomes to accept his daughter’s marriage to a …show more content…
non-Jew. To some extent, Fiddler is closer to the original story since it includes the stories of Tevye’s other daughters. However, in general, Tevye is closer to the original in its background, ending, and most importantly depiction of Chave. In both the original story and Tevye, Tevye lives among the non-Jews instead of in a Jewish shtetl. As Tevye is preparing to leave, Chave returns to her family at the last minute to leave the village together. Also, when deciding on accepting Chave into the family again, Tevye experiences an internal conflict between his emotions and his strong beliefs in the original story and Tevye, while in Fiddler Tevye seemingly gives into modernism by blessing Chave and Fyedka. Although in the original story Sholem Aleichem has made it unclear whether Tevye had Chave back into the family or not, while in Tevye he accepts and embraces her, Tevye is closer to the original story overall than is Fiddler. Considering both the backgrounds and the choices that Chave makes at the end of the films, it can be concluded that the narrative of Fiddler better represents the Ukrainian village in the late 19th century.
Both films depict Jews being forced out of their villages beginning from the late 19th century, even though they had not done any harm to the neighboring Russians or others. However, Fiddler takes place in a village where the Jews live together in a Jewish shtetl-like setting and the larger Russian population populates the remaining parts of the village, which was common during the late 19th century in Ukraine, while in Tevye, Tevye is a lonely Jew living in a village among Gentiles. Also, the more progressive, open-minded Chave in Fiddler better represent the times depicted because in the vast changes were taking place in the late 19th Century, and the children of Jews were more and more opened to the modernized world that had become more
prominent. Sholem Aleichem, who had based the stories of Tevye on himself and his children, has effectively demonstrated the changes and crucial Jewish events that were happening in the late 19th and early 20th century and showed the audience the struggles between keeping traditions and accepting modernism. The two film adaptation of the story, though quite different, nonetheless effectively presented to each of its aimed audience their idea of what hardships the Jews encountered and how they interpreted them. The stories may change, but Tevye and his daughters will remain the same, continuing to spread their stories worldwide.
There are many similarities and differences between the story “The Most Dangerous Game” and the episode of Gilligan's Island that we watched. Some similarities include: someone is being hunted, the setting is similar, and both victims get away in the end. Some differences include: the moods of the stories, the strategies that are used by the huntees, and how the hunter got to the island.
In both genres, Hannah still goes back in time and experiences life in the camps. Aunt Eva is still the same person. The theme in both is about remembering what had happened. Jane Yolen and the director of the film are both jewish. They both want us to remember that the atrocity of the holocaust was real and something that should be studied so we will not make the mistake of prosecuting a person because of their religion again.
Did you know that living with foster parents doesn’t give you the same love than your real family. The is why Ponyboy should stay with Darry instead of the system. He would be better off with Darry. Darry has shown that he is a responsible guardian because he has two jobs so that Ponyboy could stay in school. “Darry worked on two jobs at once, made good at both of them, and his outstanding record at school…” This proves that Darry is an outstanding guardian. The foster parents don’t give them the same love as their family. On the other side darry cares about him more than other foster parents. Darry is a good guardian and watches out for Ponyboy. Ponyboy has good grades and likes to be on the track team, this is good for his health.
The University of Georgia’s theatre adaptation of the penny dreadful story, Sweeney Todd: The Demon Barber of Fleet Street, was very similar, design wise, to Tim Burton’s 2007 film of the same name. While the two were very comparable, they did differ in many design elements which include, lighting, costumes, color, and key structural set-ups.
Ethan Frome is the story of a family caught in a deep-rooted domestic struggle. Ethan Frome is married to his first love Zeena, who becomes chronically ill over their long marriage. Due to his wife’s condition, they took the services of Zeena’s cousin, Mattie Silver. Mattie seems to be everything that Zeena is not, youthful, energetic, and healthy. Over time Ethan believes that he loves Mattie and wants to leave his wife for her. He struggles with his obligations toward Zeena and his growing love for Mattie. After Zeena discovers their feelings toward each other, she tries to send Mattie away. In an effort to stay together, Ethan and Mattie try to kill themselves by crashing into the elm that they talked about so many times. Instead, Mattie becomes severely injured and paralyzed. The woman that was everything that Zeena was not became the exactly the same as her. In Ethan Frome, the author communicates meanings in this story through various symbols. One of the most significant symbols used in this story is the very setting itself.
Comparing A Streetcar Named Desire and Cat on a Hot Tin Roof In the game of life, a man is given the option to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link between past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof. "
Anton Chekhov wrote a short story in 1899, entitled "The Lady with the Pet Dog." It is about a love affair seen from the eyes of the involved man named Gurov. The story occurs in nineteenth-century Russia, in a town called Yalta. Joyce Carol Oates, in 1972, did a wonderful job of rewriting the story, changing the protagonist from the man to the woman. Her version also changes the setting to Nantucket Island in twentieth-century America. Looking at both stories, one can learn a lot about the couple's affair. Although the man and woman have different motives and ways of dealing with guilt, both condone the relationship while still married to separate people.
Often times in our life, we may come across a lifestyle of a character from a fictional book, movie or tv show, that is different than our owns. It could be a life that we would dream to have or a life that we could not possibly imagine having. Focusing on the childhood aspects of a lifestyle, my young self would often compare my childhood to the protagonist in one my favorite cartoons (“Fairly Odd Parents”) Timmy Turner. Timmy’s childhood was a lifestyle that enthralled me from how similar yet different it was from my own.
The Greatest Gift of a Wonderful Life Have you ever gotten something really amazing for your birthday? Like that one toy that everyone else had on the playground that you wanted so badly? Or that clothing item or accessory you saw in your favorite magazine? Whatever it was, it probably wasn’t as great as the gift you got on your first birthday: the gift of your life. Written in 1943, Philip Van Doren Stern wrote the short story “The Greatest Gift” to send to his friends and family instead of Christmas cards.
The road movie embodies the human desire for travel and progression. The vehicle of journey is a contemporary metaphor of personal transformation that oftentimes mirrors socio-cultural desires and fears. Thomas Schatz believes that one “cannot consider either the filmmaking process or films themselves in isolation from their economic, technological, and industrial context.” This statement is especially applicable to the independent American films of the late sixties, a time of great political and social debate. Easy Rider (1969) was considered a new voice in film that was pitched against the mainstream. In the 1960s, there was a shift to highlight the outsiders or the anti-heros in film. This counter-cultural radicalism seems to have also influenced the 1991 film, Thelma & Louise. The characters of both films act as figures of anti-heroism by rebelling against the conventional and unintentionally discovering themselves at the same time. Despite their different backgrounds, the protagonists of Eas...
¨Grease is the word¨, and ¨what team? Wildcats¨ are well known phrases that emerged decades apart, yet come from almost the same movie. With a twenty eight year age gap between the movies Grease and High School Musical, there was bound to be some differences in the way the characters handled their problems. The leading characters being protagonists, Sandra Dee with Danny Zouko and Gabriella Montez with Troy Bolton all being influenced by how their time period saw women. Grease takes place in the 1950’s; a period often viewed as one of conformity. Sandra and Danny portrait traditional gender roles; she desperately craved his approval (evidence). Gabriella, on the other hand, being brought up in the early 2000’s was independent and did not seek
As a woman living in the late 1800s, she wants to be free to express herself however she wants, even if that includes pursuing her forbidden love, Robert. Likewise, Ethan Frome is a quiet man living in the early 1900s who feels beleaguered by Zeena, his sick and irritated wife. As the story progresses, he realizes he is falling in love with Mattie Silver, the youthful and energetic girl who moves in with the Fromes to help care for Zeena. The second noticeable similarity between the two novels is that both protagonists attempt suicide at the climax of the story. Whereas Edna succeeds in her attempt, Ethan does not.
In history there have been an uncountable amount of plays made, but there have only been two that fully captured the American dream like A Raisin in the sun and Death of a Salesman. In both plays the protagonist is trying to achieve the American dream, but it is near impossible when neither of them has the respect of their superiors or the people around them. It is amazing that two different plays can so closely parallel each other when they have a time gap of over 10 years.
Tzeitle, Tevya’s oldest daughter was supposedly to be prepared a husband by her parents with the help of Yenta (the old gossip woman who also makes matches). Tzeitle’s parents agree with the match-making to Lazar Wolf the rich old butler. The problem is that Tzeitle is in love with Mottle, the poor tailor and pledged each other they would marry. The bigger conflict appears when Tevya finds out and also after he told Lazar Wolf he could marry his daughter. Tevya, after having a nightmare with Lazar Wolf’s ex-wife, threatening to kill
The story “The Darling” by Anton Chekhov, illustrates a woman that is lonely, insecure, and lacking wholeness of oneself without a man in her life. This woman, Olenka, nicknamed “Darling” is compassionate, gentle and sentimental. Olenka is portrayed for being conventional, a woman who is reliant, diligent, and idea less. Although, this story portrays that this woman, known as the Darling needs some sort of male to be emotionally dependant upon, it is as if she is a black widow, she is able to win affection, but without respect. Only able to find happiness through the refection of the beliefs of her lovers, she never evolves within the story.