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Analysis of "the doll house
Analysis of "the doll house
Analysis of "the doll house
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All literature has the quality of universality, which means the piece of literature has both truth
and meaning that goes further than the time and place that the literature was written. This quality
is present in both Tess of the D'urbervilles by Thomas Hardy and A Doll's House by Henric
Isben. Hardy's novel is based on two people's love and how they find it hard to be with each
other. Isben's novel is similar in that it tells of two people's love. The story shows how you
think your in love but your really not. In these two pieces the universal theme is how a
relationship can exist without "real" communication.
Hardy's novel tells the conflict of love between Tess Durbeyfield and Angel Clare. Their first
miscommunication occurred when they were dancing in the field. Tess wanted to dance with
Angel. Angel didn't realize this and walked away from the dance. Tess didn't see Angel for
years. In the meantime, she met Alec D'urberville. He was a stunning yet deceitful man. They
developed a relationship, though Tess wasn't happy. Alec was in the woods with Tess, where he
raped her.
Later, Tess meets Angel once again. Tess wishes to tell Angel what happened with Alec, but
she can't. She fears his rejection. Once again a miscommunication. Tess and Angel plan to
marry. He sees Tess as a pure woman. They have their wedding and on the honeymoon Angle
tells Tess of an affair. Tess also confesses. Angel is outraged and tells her he can't be with her.
To win Angel's love Tess kills Alec. Angel accepts her now. They run off together in fear of
Tess's fate. The authorities catch up with them. Tess is captured and hung.
Isben's novel shows the love between a husband and a wife. Torvald, the husband, is a
dominating man who sees Nora, the wife, inferior. He is always calling her degrading names. As
a couple, they never really communicate. In the end this ruins their relationship. Their not being
able to communicate makes it hard for Nora to tell Torvald of her mistake.
Prince’s death, the rape and her arrest all happen to her whilst asleep. The community and her unsupportive parents’ cold treatment towards Tess following these events emphasize the hegemonic male perspective of society towards women. Furthermore, Hardy shows how women are seen by society through the male gaze as sexual objects, as Tess is blamed for Alec’s lack of self-control. He attempts to justify his cruel actions as he calls Tess a “temptress” and the “dear damned witch of Babylon” (Hardy 316), yet he later says that he has “come to tempt [her]” (340). Tess is also objectified by Alec when he says that if Tess is “any man’s wife [she] is [his]” (325). The narrator’s repeated sexualized descriptions of Tess, such as her “pouted-up deep red mouth” (39), further demonstrate how women are commonly seen through the male gaze in
Throughout ‘Tess’, she believes that she is punished for her immoral action, however even to Tess a simple country girl, the injustice treatment for her mistakes does not seem justifiable, these punishments are due to Tess’s central injustice of being raped/seduced by Alec - ‘whatever her sins they were not sins of intention…why should she have been punished so persistently’ (pp.313). Furthering this argument, in Hardy’s ‘Tess’ the moral code of ‘no sex before marriage’ is broken by the protagonist herself and sets in motion her fate eventually leading Tess to becoming a fallen woman. In Victorian society, women were expected to practice sexual resistance if this was not conduct...
The subtitle of the novel, however an after idea, focuses on the basic virtue of its champion. In spite of the fact that she is fallen, she is to be judged not by her ethical inconvenience but rather by her goal, her life and her temperament seen all in all. One side of Tess is the question of male strength, run of the mill of the Victorian time frame, the respectably traditional and preservationist age. At the time of Tess, even in late Victorian period, a lady ought to be rationally and physically devoted to men, called a "blessed messenger in the house." Else she was a "fallen heavenly attendant." Tessʼs dispositions as a Victorian lady are spoken to in her externalization by her honest to goodness spouse Holy messenger, and her physical
Hardy uses juxtaposition to contrast Alec and Angel. Alec causes Tess's ultimate downfall, since his act brings about many misfortunes for her, including her sickly child and her failed marriage. While Angel commits the seemingly inexcusable act of leaving Tess in her time of need, the context of the time period gives him some excuse, since Victorian women had to remain “pure” until their wedding nights. Angel's greatest fault, hypocrisy, becomes evident when he rejects Tess once he learns of her past, despite his earlier statements of his unconventional way of thinking. However, Angel and Tess could have married and lived happily if Alec had not committed his heinous act. Ultimately, Alec's actions have the lasting impact on Tess's life, resulting in her final decision to kill him. By juxtaposing Angel and Alec, Hardy shows that while both men have their faults, Angel is the lesser of two evils.
and be rough with it, rather as with Tess, Tess being the car and fate
Having this tie with his newfound parents leaves him no choice but to take the fault for these murders, because he loves them in a way he has never loved his other parents before. The detective is persistent on finding the real killer of the recent murders, and knows that Angel is hiding something, and he is also starting to put together the emotional connection between Diego, Maria, Angel; he tells Maria that she seems to be a little too emotional about this case. The consistent theme of Angel getting squeamish around dead bodies is what keeps the detective thinking about the
Tess, the protagonist and heroine of Hardy's novel, becomes a victim of rape and in turn, her life grows to become degraded, humiliating and depressing; of which none of these things she deserves. Although initially striving to be heroic and providing for her family, (after she was responsible for the death of Prince) the position she takes on at the d'Urbervilles' ultimately leads to her death as she is raped and then pursued by her seducer Alec d'Urberville until she must murder him. This courageous yet dangerous decision to murder Alec epitomises her character as a heroine as she is brave enough to perform such a malicious act in order to kill her suffering at the root rather than being passive and perhaps choosing to take her own life instead.
To start, Torvald’s definition of “human being” is someone who does what they are told and are submissive to authority. During the 1800’s, men were the primary leader of a household, and this book demonstrates this well. Torvald is very fixated with keeping up an image of class and sophistication, and he runs his family to be “human beings” under his definition by only allowing certain things. At the beginning of the story, Nora is secretly eating macaroons because if Torvald knew, he would discard them immediately. He desires a wife who is “perfect” in looks and mannerisms because that portrays the image of the quintessential family. He also avoids providing h...
Tess' two "choices" as her husband, Alec d'Urberville and Angel Clare, hold many of the patriarchal stereotypes of the Victorian Age, chasing Tess as more of a metaphorical piece of meat than a passionate lover. As their secrets are revealed on their wedding night, it becomes harder and harder for Angel to love Tess, seeing her as "another woman in your shape" (Hardy 192). The author, at this point in the relationship between Tess and Angel, perfectly exemplifies the values and culture of the Victorian age. Though both Angel and Tess are guilty of the same misbehaviors in their pasts, Angel believes that "forgiveness does not apply to [Tess'] case" (Hardy 191). Under the reign of Queen Victoria, the role of men in sexual relations was strictly reproductive, and the sex act was considered a release of helpless energies, basically holding no sins of love or conjugal travesties. For women, however, it was a softer, more passionate act, meaning more of the love than the fertilization, and emotionally pulling the sex partner too close to just scoff the happening off and move on with life (Lee 1). Such conflicting views in the perspective of sexual intercourse make it nearly impossible for Angel to "forgive [Tess] as you are forgiven! I forgive you, Angel" (Hardy 191). Jeremy Ross also believes that Hardy "abandoned his devout faith in God, based on the scientific advances of his contemporaries" (Ross, Jeremy 1).
Tess is a single mother due to the death of her late husband who still manages to keep her work life intact with her personal life. Although she is getting remarried, she was still the only one to look after her children. As a single parent, Tess learns to handle situations calmly especially when Anna and her brother bicker about minor issues. Freaky Friday portrays Tess breaking the stigma around single mothers as she is independent as well as financially and emotionally stable. However, since Tess had to provide for her family alone, she was unable to spend enough time with her children which made Anna feel as if Tess did not care for her. This lead to a lot of misunderstandings between Tess and Anna, which eventually allowed them to confront their
...Angel. This transition can be show in the relaxed way she continues to spend time with Louis, Prior, and Belize.
Callie and Thomas both go through a variety of situations. Along the way they meet many likeable and friendly people that help them out. Clare helps Callie and Gracie get away from Quarantine by explaining how they could get out of Adelaide “My friend’s son said the hole in the fence is up there” Clare is referring to a hole in the fence that leads them to a truck yard, where they are supposed to get onto a truck and get away from Adelaide. Callie, Gracie and Matt get help from Tran a skinny, short black haired, pale young woman older than Callie that is one of Matt’s friends. She helps them by allowing them to stay at her house for a night. Callie meets Agus after she had escaped from Quarantine, and he allows her to get into his car and “he opened the door and helped me up into the cabin” and he takes her to his house and introduces Callie to his wife Amalia.
It is said that a man should not marry a woman that he can live with but instead with a woman he cannot live without. Although this statement may hold true for some relationships, it does not pertain to the marriage of Tess and Angel in Thomas Hardy’s Tess of the d’Urbervilles. Although Tess and Angel are married, they spend almost the entirety of their marriage separated from each other with no communication. As a modern reader, it is difficult to relate to these parts of the story. Nowadays, would a man leave his newly wed wife for over a year? More than likely this would never happen, but the themes of marriage in Tess of the d’Urbervilles are still very relevant to modern relationships. Today people still rush into marriage and believe that marriage will fix all just like in Tess and Angel’s situation. People also still utilize marriage a resource for
Nora engages in a mutually dependent game with Torvald in that she gains power in the relationship by being perceived as weak, yet paradoxically she has no real power or independence because she is a slave to the social construction of her gender. Her epiphany at the end at the play realises her and her marriage as a product of society, Nora comes to understand that she has been living with a constr...
While he is on his mission to South America, Tess has to do rough manual labor for a few pennies an hour. She is eventually reunited with her cousin, who is not a complete bastard. She complains that he should have been informed of her pregnancy. She becomes his lover. Then her new husband returns, and the physical and psychic contest for Tess ends in tragedy.