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Ancient greek art ap art history
Ancient greek art ap art history
Ancient greek art ap art history
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When creating a portrait of the human figure, context has a big impact on the art piece. Knowing the when, where, how and why, are huge factors in how you perceive a work of art. When looking at portraits of someone you can pick out most of these factors without having any background knowledge. Looking at these two sculptures, David and The Terracotta Warriors, you can see many differences. By looking at the person that was sculpted you are able to see they are from a different region and also a different era. You are able to see the Asian clothing designs in The Terracotta Warriors. On David, you can tell he was representing the biblical time. You can tell by the material that David was something well thought out and was going to be put on display because of using marble. Marble is harder to come by and is more expensive. When making The Terracotta Warriors, the unknown artists used clay to make them. This is most likely because of how many sculptures Qin Shi Huang Di wanted to have made. The clay could be found in their own land. In contrast, marble was harder to acquire then and would possibly have to be imported from another region or country. …show more content…
According to the Bible, David was in battle against Goliath.
Goliath, a giant, had armor and a javelin whereas David only brought his sling and five rocks to battle. David triumphed and Goliath fell. People wanted to honor the biblical hero and had asked Michelangelo to make this sculpture in remembrance. While viewing the sculpture of David, you might not know exactly what era this was from. David was a part of a story in the Bible. In this era and region the people believed that this story was to be true. In the Renaissance era, they seem to have admired and appreciated the Bible a lot and were very religious
people. The First Emperor of Qin, Qin Shi Huang Di had a tomb built for him. In his tomb he wanted his army of warriors to still protect him in his afterlife. He had thousands of Terracotta warriors and horses sculpted out of clay to surround him after they lay him to rest. These warriors were built to look like they were in war. This was shown with the warriors being placed in trenches and having weapons with them. When viewing the Terracotta Warriors, you can see that in this era they did everything to protect their leaders, even in afterlife. These artworks are similar because they are both standing in remembrance of the people who built them and why. Even though the Terracotta Warriors was not a sculpture of the Emperor, by these warriors protecting him, it is still in honor of him. Everything should be interpreted when viewing portraits. In doing so, you will get more of an understanding of the person they are portraying. You might be able to relate to or understand them more by doing so.
It was amazing to experience the excitement of ceramics art at Los Angeles County Museum of Art and seeing the eyes of people who were staring at the ergonomically well designed Jomon pot that looked very difficult to design by hand. The size of the Jomon pottery was 22 inches in height and is nearly equivalent to a fish bucket and the shape of the Jomon was a wide cylinder that looked like it could store lots of amount of water and fish. The Jomon had a combination with variety types of clay that were shadow and tint colors. The following date this Jomon pot was created was during the middle age of the Jomon Culture which was (c. 3000-2000 B.C.). The artist that created this Jomon pot was named Hamada Shoji and the specific element of this Jomon pot had a meandering lines, loops and spirals produce a rich interplay of light and dark, and positive and negative space, which create an engaging work of sculpture.
I learned about many significant artwork and artist in this class. This class provided me with a better understanding of the history of the world Art, but also helped me understand the development of art style. However, among all of these precious pieces of artwork, there are two special ones that caught my attention: The Chinese Qin Terracotta Warriors and The Haniwa. Each of them represents the artist’s stylistic characteristics and cultural context. Although they represented different art of rulers, historical values, and scenes, there were visible similarities.
Throughout history different artists have practiced the art of portraiture. These are expressed in different ways due to the different time periods, history and cultural backgrounds. These artists ‘Frida Kahlo’ and ‘Pablo Picasso have shown the art of portraits as there know way.
Where one is a bronze statue with a singular figure, the other is a painting with a central figure, from which the story is built. However, their contrasts go beyond what they are made of, to their different subjects and their complexity. Donatello’s David shows youthful beauty and strength, which he confidently exudes through his body language. Standing with one foot atop Goliath’s severed head while turning his body to balance his weight to the other leg, this statue is a clear example of Contrapposto, which the Greeks invented and introduced into their sculptures. Donatello’s statue of David stands triumphant and proudly atop his trophy, while telling the audience I am the conqueror of Giants. His expression is stern to match his
The pieces of art I will be comparing and contrasting are the three statues of David, by Donatello (Donato di Niccolò di Betto Bardi), Michelangelo (Michelangelo di Lodovico Buonarroti Simoni), and Bernini (Gian Lorenzo Bernini). The statues are modeled after the biblical David, who was destined to become the second king of Israel. Also most famously known as the slayer of the Philistine giant Goliath with a stone and a sling. The sculptures are all based on the same biblical hero, but differ from one another. Each David is unique in its own certain way.
The Biblical Story of David, a young Israeli shepherd boy who slayed the Philistine giant, Goliath has been artistically portrayed in many different ways throughout the centuries. During the Baroque and Renaissance eras, three famous artists sculpted their own interpretation of what the Israelite King may have looked like. These men were Gianlorenzo Bernini, Michelangelo di Lodovico Buonarroti Simoni and Donato Di Niccolo di Betto Bardi, otherwise known as Donatello.
Michelangelo’s David does not react with the surroundings but it stands alone with the little movements disguised behind it. The sculpture brings out David as a soldier preparing for war and not a person engaged in a battle (Miller, Vandome, & McBrewster, 2010). The hands are larger than normal and the arms are longer than his body. This is meant to illustrate the renaissance period. In contrast, the Bernini’s David has aspects of motion, showing that he was already engaged in the battle with Goliath. The idea of movement is enhanced by the loosely flowing robes. In addition, the sculpture demonstrates that unlike Michelangelo’s David that has longer hands, Bernini’s David has contracted muscles. The Michelangelo’s sculpture was created during Renascence period while the Bernini’s sculpture was done during the Baroque period.
Sculpture is one of the most important parts of Greek art since it is almost the only art form that has survived in some quantity. The ancient Greeks were especially known for their sculpture because their sculptures were extremely life like and beautiful. It was important to the ancient Greeks to combine passion and reason in their sculpture. Greek sculptures were mostly of the human form since they looked at their gods as having a human form. All of the sculptures were nudes of males because society looked down upon female nudity until latter on in time when you started to see sculptures such as the Venus di Milo, which was modeled after Aphrodite (Wikpedia the free encyclopedia. Wikpedia.11 Nov 2004. 12 Nov 2004 http://www.wordiq.com/definition/Greek_art ). One of the most amazing sculptures is the colossus sculpture of Zeus in Olympia it was one of the 7 wonders of the ancient world. Ancient writers said that it stood 12.40 meters high, 6.65 meters long and 9.76 meters deep the body of Zeus was made of ivory followed by a robe made of gold topped with a silver olive wreath and his throne was decorated with mythological scenes painted by Panainos and Kolotis the statue itself was created by Phidos. Michael Lahanas. 25 Dec 2002. 11 Nov 2004 (http://www.mlahanas.de/Greeks/Arts/ZeusStatue.htm). Another great sculpture is the colossus Athena Parthenos. This sculpture just like the colossus statue of Zeus was made of gold and ivory and had various mythological engravings in her shield, helmet and pedestal.
Terracotta Army Two centuries before the birth of Christ an army was being formed a beautiful army that would protect the first emperor of China, Qin Shi Huangdi in his afterlife. His elaborate mausoleum began in the year he became emperor, in 246BC and continued for 40 years, even after his death. But why terracotta warriors and not human sacrifices as was the 1000 year old tradition? In 678 BC, Funeral human sacrifice, a practice that was started by Duke Wu, took place, which comprised of killing the emperor’s entire court, including his army. The violence of war puts an end to human sacrifice.
The Terracotta Army is one of history's biggest mysteries. Historians know that there is about 8,000 amazing life-like terracotta figures and no two figures are the same. The figures were arranged in ranking order from General first, then officers, then charioteers, then armoured, and robed figures. The terracotta figures were made of clay, they were made in small pieces and then put together to make these amazing terracotta figures. The body of the terracotta warriors is hollow, but the arms, legs, and head are made of solid clay. Some of the warriors are arranged in battle formations along with some horses and chariots.
As stated in John Man’s illustration, many ethical issues concerning the ownership of the terracotta warriors were mentioned in the primary account of the discovery. It was stated that some of the villagers near Li Mountain removed and stashed artefacts such as the bronze arrowheads and ancient bricks of the Qin Mausoleum for themselves. They most likely did not understand the historical significance of the artefacts during then or believed it was theirs to keep since it was found on their land. The bronze arrowheads were then claimed to have been sold for profit whilst the ancient bricks were used at home as pillows by the villagers because they believed it helped blood circulation. This would meant misplacement of significant artefacts which
It wasn’t until the year of 221BC that the warring states of China were unified. The unification was under the power of China’s first and most famous Emperor Qin Shihuangdi. Not only famed for is input to the development of China but his discovered terracotta warriors which surrounded his mausoleum.
The Terracotta Army or the "Terracotta Warriors and Horses" is a collection of terra sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. It is a form of funerary art buried with the emperor in 210–209 BCE and whose purpose was to protect the emperor in his afterlife.
Through time due to advancements in material and painting techniques combined with the ever-increasing talent of the artists, paintings representing people have become very lifelike and are extremely realistic. Some painted portraits have as much detail as modern photographs. However, there are also paintings of people that are representational in which the artist is trying to convey a message. This paper discusses the two types through the comparison of two paintings, Abaporu and Portrait of a Lady.
...ns and the Christian church. Sculpture was popular in Diocletian's time, long before Christians influenced art. (Matthews, 181) Sculpture consisted mostly of sarcophagi carvings and portrayings of feasts e.g. The Imperial Bounty. (Matthews, 183) Later, sculpture consisted more of religious portrayals "Christ in Glory with Four Evangelists" (Matthews 235) The Ascension and the Mission to the Apostles. (Matthews 238)