The film Terminator Salvation, set in the year 2018, a military defense program became self-aware. Viewing humanity as a threat to its very own existence, Skynet decides to make the first strike against the humans (Terminator Salvation). Protagonist John Connor along with leaders of the Human Resistance, face a new nightmare in which the war against machines rages on (Terminator Salvation).
In this science fiction film there are several ultimate issues, i.e. the fate of man, the fate of the universe, and the fate of the past, present, and future. The next step up in evolution is a popular message carried throughout all of the Terminator series. However, in Terminator Salvation, John Connor attempting to save Kyle Reese from Skynet, has to go through an immense stress while still trying to earn the respect from the Resistance who doubt his abilities of being a leader or the ‘chosen one.’ The film demonstrates Connor’s internal dilemma and challenges his undying belief that “There is no fate but what we make” (Connor, Terminator Salvation).
Character in the film, Marcus Wright, later comes into play and meets Kyle Reese while unaware of the date or where he is. Wright, who donated his body to science while on a death sentence, is found to be half human, half machine and turns out to be the only hope to save
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It's not something you can program. You can't put it into a chip. It's the strength of the human heart. The difference between us and machines.” Although told by Skynet itself, Wright is not human but an infiltration prototype and the only one of his kind with the purpose of achieving what no other machine had achieved before (Terminator Salvation). It raises the issue of at what point do machines/robots become intelligent enough that they should be considered
A race of ancient beings hold the only weapon capable of destroying an interstellar force of pure evil that emerges every 5000 years. This weapon happens to be a young woman named LeeLoo, the career launching point for indie actress Mila Jovovich, who was recently genetically re-built with a 3D printer (how eerily relevant) and proceeds to crash into the hover-taxi of special forces veteran Korben Dallas played by exploding movie star Bruce Willis. With the comedy relief of Chris Tucker playing out-of-control radio DJ Ruby Rohd and a mish-mash of influences from 1970's and '80's graphic magazine Heavy Metal, the cult hit Blade Runner, and of course Star Wars is laden throughout The Fifth Element but the story itself is holy original and a wonderful experience.The Matrix changed cinema forever and it's influence can be seen in almost any action movie made today. A Star Wars for the digital age, The Matrix launched Keanu Reeves to super-stardom for his portrayal of Neo, an ordinary computer hacker who learns that he may be the savior of mankind. With the old wizard mentor Morpheus played by Laurence Fishborne guiding Neo through "The desert of the Real" this movie truly captures the imagination during the beginning of the Digital Age, introduces many interesting philosophical questions, and remains a cinematic classic to this
The 1980’s brought about a change to movies after Americas’ loss in the Vietnam War. In the light of this, America felt that their masculinity was in question. In result, Hollywood responded to these feelings by making movies that had strong male characters, known as “hard bodies” (Sklar 346). Furthermore, according to Movie Made America, the characteristics of a hard body are “heroic, aggressive, and determined” (Sklar 346). One such movie that exhibits this is the Terminator, directed by James Cameron and released in 1984. The movie is about Sarah Conner, a teenager, who is being hunted by the Terminator, a robot sent from the future to kill her. In the first and the last scene featuring the Terminator, two hard body characteristics, aggression
I,Robot. Dir. Alexander Proyas. Screenplay by Jeff Vintar and Akiva Goldsman. Perf. WIll Smith. Twentieth Century Fox, 2004. DVD.
The plot of the movie “Blade Runner” becomes unrevealed till the end of the movie. Many assumptions about the plot and the final of the movie appear in the spectator’s mind, but not one of these assumptions lasts long. Numerous deceptions in the plot grip the interest of the audience and contribute for the continuing interest to the movie eighteen years after its creation. The main character in the movie is Deckard- the Blade Runner. He is called for a special mission after his retirement, to “air up” four replicants who have shown flaws and have killed people. There are many arguments and deceptions in the plot that reveal the possibility Deckard to be a replicant. Roy is the other leading character of the movie. He appears to be the leader of the replicants- the strongest and the smartest. Roy kills his creator Tyrell. The effect of his actions fulfils the expectation of the spectator for a ruthless machine.
...n against machine in a noticeably strained battle, but they also despise that the humans are more machine like than they ponder, and that the machine possesses human qualities as well. The humans, for their part, are as persistently compelled as machines. The incredible fighting skills and superhuman strength of the character seem to put them in machine type category. It showed how dependent man and machine actually are, or might be. One terror of fake intelligence is that technology will trap us in level of dependency. It emphasized the idea that artificial intelligence enslaves the human race. With the time we people are also becoming slaves of the machines that we have created. In time people will be so dependent on machines that they can no longer survive without them. This is the implicit idea of the film matrix, idea which hardly people would have noticed.
...tands the test of time, thanks only to its screenplay; the effects, score and sets can all be outdated, but a good script will never date until dealt with. Many of the influential screenplays, hence films, have risen from the sci-fi genre and they will undoubtedly continue to do so as long as the genre keeps re-inventing itself visually. This is something the Wachowski bros have done; they’ve started a new chapter in the history of cinema and sci-fi, one which has already spawned the likes of ‘Pitch Black’ ( Ian Thorburn and David N. Twohy , 2000), ‘Minority Report’ ( Steven Spielberg , 2002) and of course, the next two Matrix sequels.
Artificial Intelligence is a term not too widely used in today’s society. With today’s technology we haven’t found a way to enable someone to leave their physical body and let their mind survive within a computer. Could it be possible? Maybe someday, but for now it’s just in theory. The novel by William Gibson, Neuromancer, has touched greatly on the idea of artificial intelligence. He describes it as a world where many things are possible. By simply logging on the computer, it opens up a world we could never comprehend. The possibilities are endless in the world of William Gibson.
In this futuristic film, Harrison Ford is a Bladerunner, a man who by using an eye scanning machine and asking questions can determine if a person is really human or is rather genetically created. In the meantime, three of these non-humans find out they only have a four year lifespan and try to find a way, through foul means more than fair, to extend their lives. This culminates in a rather disturbing fight between the leader of these non-humans and Harrison Ford’s character.
When William Gibson's futuristic novel Neuromancer was first published, it seemed farfetched that technology could reach the level of sophistication he described. Science fiction movies have since repeated and expanded upon this theme, portraying corporate anxieties and paranoid fears of people to be controlled by aliens, man-made machines and artificial intelligence. Neuromancer takes us into the subculture of cyberpunk, a dystopia of an amoral society ruled by abstract powers. Gibson creates a world of fear and terror where technology permeates this futuristic world into its smallest detail and instead of serving humanity, rises to become its ruler and God.
Bruce Almighty is a fiction story about a man who, after enduring a bad day, blasphemes God. He blames him for all the wrong doing in his life, and orders God to answer him. God does answer Bruce, appearing to Bruce as a janitor. After convincing Bruce he is God, he then bestows all of his Godly powers upon Bruce and tells him, “If you can do it better, than be my guest.”
Amy Bruckman and Howard Rheingold would probably find this movie interesting in that it disagrees and agrees with certain aspects of their beliefs about the use of computers. The Matrix specifically shows how advanced technology such as artificial intelligence (A.I.) may one day get out of the control of the people and become a dangerous enemy to mankind. It turns out that in the movie people believe that they are living normal lives in the 90's as common businessmen and families as we do today, when in reality the time is later in the 21st century and people are hooked up to machines in pods where they are merely interpreting electrical signals which tells them that the they are alive in the 90's. They call this set up The Matrix. The artificial intelligence machines put these people in these pods for their whole lives where they never use a muscle in their body; they only think that they are moving and living normal lives.
Blade Runner (Ridley Scott, 1982) presents an imminent look into the future of the 21st century. A film adapted from the novel, Do Androids Dream of Electric Sheep? by Phillip K. Dick, Blade Runner focuses on the struggle of humanity – often accentuating the notion that humanity in the year 2019 co-exists with android-like humans (replicants). The idea conveyed behind Blade Runner becomes additive to the sizable realm of Sci-Fi films that attempt to peek into the future of humanity. With comparable scenery, films such as Star Trek and Star-Wars may seem related, but Blade Runner contains an underlying culture that causes vast separation. A deeper analysis of Blade Runner will uncover the films
There is a guilty pleasure one gets from watching characters we identify with struggle on screen, and we begin to think to ourselves that maybe our lives aren’t so bad after all. Such is the case in Bruce Almighty, a new release from Universal Pictures directed by Tom Shadyac. The movie is by no means sensational or groundbreaking, but it has an irresistible charm that draws in viewers in desperate need of a break from reality. The unfortunate protagonist (Jim Carrey) becomes convinced that God has abandoned him after he loses a coveted news anchor position to a slimy coworker. God (Morgan Freeman) grants Bruce his heavenly powers and challenges him to do a better job, pointing out that “…Gandhi only lasted a week!”
The Passion of the Christ is one of many films about the life of Jesus but this particular one is different to the others. Released in 2004, directed by Mel Gibson and filmed in the ancient Aramaic language, `The Passion' focuses mainly on the death of Christ and shows us the full extent as to what he suffered to save mankind.
... have seen human nature grow and change. Because human nature is dynamic, we must observe it throughout history. Human nature grows through factions, it is protected through just popular government and its future is ensured through the ultimate good. We are living in human nature, we are human nature, and because of this we are also changing. We change as the ideas and opinions of the world change. Through death, we may come to fully understand human nature but only through living will we use the power of our human nature to create the just world of tomorrow.