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Character development in Shakespeare
The importance of drama
Character development in Shakespeare
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The scene takes place in the Carbone living room; you can tell they have just finished a family meal because Beatrice and Catherine are clearing up the table. At first the atmosphere is relaxed and calm, they are talking about normal things, ‘They went to Africa once.’ Then the tension rises, ‘I know lemons are green for Christ’s sake!’ This is between Eddie and Rodolpho. Eddie gets upset and angry when he’s wrong and especially when the person who gets it right is Rodolpho. Eddie doesn’t like it when he’s challenged and he hates it every time Rodolpho speaks. Beatrice, the ‘peacemaker’, tries to stop any bad things from taking place and diverts the conversation, ‘Your wife is gettin’ the money alright, Marco,’ by butting in. We already know that there is tension in the household before this because Eddie says to Catherine, ‘You’re walking wavy’, which shows that he is very protective over her. You can tell that Catherine really wants to please him because she asks him, ‘What do you want me to do?’ and you can also tell that he treats her like a child and she takes it, which makes her act like it even more. You know that Eddie is not playing his role as a husband properly because Beatrice says to him ‘When am I gonna be your wife again?’ That shows Eddie is not paying much attention to his wife’s needs and his mind is elsewhere. That comment shows that there is tension between husband and wife, because obviously a man would not like to be asked that by his own wife. We also sense that Eddie does not like to be questioned on such matters. The tension is slowly decreasing as Beatrice talks to Marco about his wife, but Eddie decides to bring it back up by making comments about Marco’s wife, ‘they count the kids and there’s a cou... ... middle of paper ... ...y didn’t stop dancing for Eddie but they did for Marco shows they may have more respect for him. The stillness acts as a signal to the audience of the danger ahead. The chair has been taking away, from the family table, and has been lifted up like a ‘weapon’, which symbolises that there will be a gap in the family, taken away by a ‘weapon’. The main catalyst of every type of tension in the play is Eddie, he is involved in every single one, from Eddie to Catherine to Beatrice to Rodolpho and finally to Marco, the other alpha male. The tension between Eddie and Marco is the most dangerous because they’re so similar. They are both the heads of their families, traditional, patriarch’s and old fashioned. In that household there is only room for one alpha male. The only way to get rid of all the tension is to get rid of Eddie and in the end there can only be one winner.
The characters, Beatrice and Benedick have a very complicated relationship. They are always exchanging words and calling each other names. They call each other names from the very beginning of the play to the very end. In act 1, Benedick says “ If Signior Leonato be her father, she would not have his head on her shoulders for all of Messina, as like him as she is ” (1.1.111-113). Beatrice follows by saying, “ I wonder that you will be talking, Signior Benedick, nobody marks you ” (1.1.114-115). These quotes show that they have always had a complicated relationship because they insult each other without them expecting it.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
Upon first sight, Beatrice and Benedict seem as if they abhor one another as they exchange several deriding remarks. The skirmish of wits is merely a facade of their underlying attraction to each other, and an ongoing struggle of recognizing their love; the insults function as a psychological device which erects a strong barrier around their emotions and further supports their feelings of denial. A few of the townspeople have noticed several signs of love between Beatrice and Benedict so they decide to trick them into divulging their feelings. Don Pedro, Claudio, and Leona...
She seems to be unprovoked, but very rigid in her opinion of him. In Leonato's house, the discussion of Beatrice and marriage leads her uncle to conclude that, "Thou will never get thee a husband if thou be so shrewd of thy tongue.... ... middle of paper ... ...
of the wittiest dialogue in the play. They are more worldly and both of them protest that they never intend to marry. This makes the audience enjoy even more, their rapid acceptance of each other’s. affection when they are tricked into falling in love with each other. In the opening scene, Beatrice begins a sequence of insults by asking Benedick, why he is talking as no one listens to him.
Beatrice is the ever-witty Lady Disdain, outspoken and opinionated niece of Leonato. She and Benedick are involved in a "merry sort of war". Always ragging on each other in a sort of easy going way, but never the less hurting each other's feelings. Both are cynical about Love. Beatrice is described by her uncle to mock all of her wooers out of suite.
By the end of the play, we see Claudio’s transformation from being an immature, love-struck boy who believes gossip and allows himself to easily be manipulated grow into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for. The wedding dance of Claudio and Hero along with Beatrice and Benedict shows how order is now restored in the city of Messina, and order given to the life of Claudio.
This is part of her “merry war” with Benedick. Beatrice appears to loathe Benedick and vice versa; they engage in many “skirmishes of wit.” However, although Beatrice appears hardened and sharp, she is vu...
... heart in the marketplace.” (A4; S1; L 315-321). When Hero was wrongly accused is when Beatrice showed this the most. She believed that because of what he had done, Claudio deserved to be dead. She wanted no bad deed to go unpunished and what she seen fit was for Benedick to challenge Claudio to a dule and she didn’t want Benedick to stop until he was dead.
middle of paper ... ..., suggests that Shakespeare’s exploration of the theme of love is to bring us closer to the nature of the reconciliation harmony which it embodies. This is because everyone is peacefully engaging with each other and enjoying the play, since the conflict has been resolved. Not only this, but different social classes emerge together. This is paralleled with, the relationship between Titaina and Oberon. Shakespeare explores the theme of love by the tensions built up to create comic resolutions, therefore helping to diffuse possibly unpleasant impact of themes.
In “ A View from the Bridge”, Rodolpho, the catalyst, is introduced in the exposition, and plays a major role in the play. He initiates the conflict by being attracted to Catherine, and by the fact that Catherine is attracted to him as well. The fact that he is introduced in the exposition, allows for the author to develop his character, and thus allows for the audience to sympathise with him instead of Eddie. This development gives the audience a high quality catalyst as it can relate to Rodplpho. Rodolpho creates a heavy tension in the family, due to his relationship with Catherine. This tension relates to the play’s theme of obsession as it is caused by Eddie’s obsession with Catherine. How Rodolpho relates to the main theme and develops the tension make him a quality catalyst.
He works hard and has a good job. These good points help us to forgive him more for his bad points however there are quite a lot of them. He is over protective of his niece, Catherine, in her increasing maturity. "I don't like the looks they are giving you in the candy store" "You're a baby" It is I believe this urge to protect Catherine, which makes him try to keep her from discovering independence. Catherine rapidly becomes attracted toward Rodolfo; this makes Eddie increasingly sensitive to
from the start that she is very reliant on Eddie and she wants him to
...o asks Hero about Claudio she responds with: "So you walk softly, and look sweetly, and say nothing, I am yours for the walk, and especially when I walk away." (2.1.81-83). Beatrice is what a woman should be. A more modern view of feminism would have had Beatrice not only make her own decisions but follow through with them on her own. While Much Ado About Nothing seemingly questions the traditional gender roles of men and women in Messina through Beatrice's resistance to them, at the same time, the play decidedly ends Benedick saying, "Peace! I will stop your mouth" (5.4.96), silencing Beatrice with a kiss. Still, it cannot be denied that Beatrice, for a time, equates herself with men and the power they hold. Unfortunately, she gives in to love and in so doing, she relinquishes her independence and self-control in the male-dominated world of Much Ado About Nothing.
Throughout the play Eddie's sexual relationship with Beatrice is not active. I know this because Beatrice tries to talk to Eddie about it, but Eddie refuses, "Well tell me what" "I aint got notin to say about it". This is because of Eddie's obsession with Catherine. Catherine does not really know it, but she is teasing Eddie.