Tennessee Williams' The Glass Menagerie
If The Glass Menagerie were performed without the effects Williams
wrote into the script, then the play would barely have a plot.
Williams' use of music, lighting and a television screen add depth and
meaning to the play. He uses effects to portray the feelings of the
characters, rather than their words or actions.
In Tom's opening speech he states that'The play is memory.' Because it
is about his memories of his mother and her memories. They both spend
the play living in the past.
Tom is obviously living in the past because the play is based around
'post-war Tom's' memories of his life prior to the war when he was
living with Amanda and Laura.
Amanda seems to be divided between her world as an abandoned mother of
two, and her youth back in Blue Mountain. When Amanda first appears in
the play, so does the legend on the television screen 'Ou sont les
neiges' and later, 'Ou sont les neiges d'antan?' which means 'where
are the snows' and 'where are the snows of yesteryear?' this
emphasises the idea that Amanda is longing for the past. She then
begins to tell her children- and judging by Tom's reaction, for the
hundredth time- of her youth and her many gentlemen callers and how
wonderful her life was.
The Glass Menagerie is a very static play, the audience do not leave
the two rooms of their apartment and the characters lives are so
uninteresting the highest point of the play is when a gentleman comes
to the house for dinner. The family have become so consumed by the
pressure and worries of the American depression, that their lives have
become monotonous and lacklustre. Their struggle for survival is so
apparent, that their dreams and life have been oppres...
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...s played to express Laura's silent fears but other
music is played in other scenes to express general feelings. For
example in scene five, dance music called 'The World Is Waiting for
the Sunrise', this is used to show society's general lack of
motivation not just the family's.
The last scene of the play is when Tom storms out of the apartment and
he is standing on the stairs telling the audience what he then went on
to do. In the background is Amanda comforting her daughter, and it is
not a side that the audience has witnessed of Amanda before. This
final moment is obviously a very important moment for Amanda and Laura
because they are bonding, yet Williams has this scene in silence. This
silence does not devalue this moment between the two at all, but makes
it more powerful, because acts speak louder than words, hence 'A play
is not just language...'.
In order to climb up the ladder of society, people oppress those characteristics that lead them to failure. During the 1950’s and 1960’s, homosexuality was seeing as a mental disease of the human race. Homosexuals did not fit in the schema of the American family. Tennessee Williams, in his play “The Cat on the Hot Tin Roof”, shows the effects of society´s views on homosexuals through the main character Brick. In addition to Williams´ play, the theatrical work, “Doubt” by John Shanley, also depicts the struggles that an African American kid undergoes in order to suppress his sexuality. Both plays show two characters in different social classes and from different races trying to survive the denial of society towards their sexual orientation. Through their oppression by male hegemony and with the help of the maternal figure in each play, both Brick and Donald struggle to overcome their fear of acceptance.
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Tom's closing speech is a great moment. The descending fourth wall puts a powerful but permeable barrier between Tom and his family. They are behind him, behind him in time and in the physical space of the stage, and they are inaudible. Yet he cannot seem to shake the memory of them, and they are clearly visible to the audience. Although he has never explicitly spoken of one of the play's most important themes‹the conflict between responsibility and the need to live his own life‹it is clear that he has not been able to fully shake the guilt from the decision that he made. The cost of escape has been the burden of memory. For Tom and the audience, it is difficult to forget the final image of frail Laura, illuminated by candlelight on a darkened stage, while the world outside of the apartment faces the beginnings of a great storm.
Laura's mother and brother shared some of her fragile tendencies. Amanda, Laura's mother, continually lives in the past. Her reflection of her teenage years continually haunts Laura. To the point where she forces her to see a "Gentleman Caller" it is then that Tom reminds his mother not to "expect to much of Laura" she is unlike other girls. But Laura's mother has not allowed herself nor the rest of the family to see Laura as different from other girls. Amanda continually lives in the past when she was young a pretty and lived on the plantation. Laura must feel she can never live up to her mothers expectations. Her mother continually reminds her of her differences throughout the play.
The story 'A View From The Bridge', is set in the 1940's in Red hook
The Amanda Wingfield that we come to know is overbearing, worrisome, and full of regret. Amanda’s background of fortune and popularity has made it extremely difficult for Amanda to accept the life she has on hand, and to say the least she is not satisfied with the way her life has turned out. Amanda often relives her past in order to cope with the present, and she is described as a “disillusioned romantic” by Nancy Tischler (Fambrough 100). The statement Amanda made in (Scene 1) attests to her wealth and admirations.
Tennessee Williams was born on March 26, 1911. He was the second child of Edwina and Cornelius Coffin Williams. His father was a shoe salesman who spent most of his time away from home. Edwina was a “southern belle” she was snobbish and her behavior was neurotic. As a child, Williams suffered from diphtheria which almost ended his life. Williams attended Soldan High School, a setting he referred to in The Glass Menagerie. Later, he attended University City High School. He then attended the University of Missouri. (Tennessee)
What is in the spring of your life if the spring of a life refers to your first twenty years in your life? The Bell Jar, a semi-autobiographical novel by Silvia Plath, describes Esther Greenwood’s harsh spring of her life. Narrating in the first person, Esther tells her experience of a mental breakdown in a descriptive language, helping the readers visualize what she sees and feel her emotions. The novel takes place in New York City and Boston during the early 1950s when women’s roles were limited to domesticity. The repression of women’s roles in the American society during the 1950s and other influences such as her lack of confidence, her hesitance, her mother, and her feminist point of view seem to affect her mental breakdown.
In the book, The Glass Menagerie, the main characters want to leave behind what they are
Tennessee Williams is one of the best play writers in American history. Tennessee Williams's life experiences has been used as subject matter for his dramas. Tennessee Williams uses his experiences and express them through plays. His life experiences are used over and over again in the creation of his dramas.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Part of Tom’s desire to leave is this treatment at the hands of his mother. In the beginning of the play, he loses his appetite because of his mother’s “constant directions of how to eat it” (923), and at one point she said that, in reference to books that she took from Tom, she “took that horrible novel back to the library,” (931) and that she “won’t allow such filth brought into [her] house!” (931). Part of Tom’s desire to leave is this treatment at the hands of his mother; another part is his job, and how monotonous and stagnant it is at the workshop. [PP2] Together, they leave Tom feeling trapped in his lifestyle of struggling through the days. He mentions to seeing a magician show at the movies, which sums up his feelings of
Tom is a character many people in this generation can relate to. Although the play was written many years ago Tom is just like any other millennial from this day and age. He basically hates his job because it’s not fun. He can’t cope with the fact that he has to pick up all the slack his father left behind. He even seems to think that running away will fix everything. All of these things are very common in society today.
'A view from the bridge' by Arthur Miller is a tragic intense play about family struggle, lust, passion and deceit. My aim is too look at the relationship of Catherine and Eddie. To understand the relationship, we must understand the atmosphere and culture. To do this we need to know why Miller wrote the play, background history and why this is significant to understanding the relationship between Catherine and Eddie.