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The life of the Aztecs
Aztec civilization introduction
Aztec civilization introduction
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The Templo Mayor was a major sacred temple in the time of the Aztecs that followed through the reigns of several rulers. The temple, along with its twin temples as well as, the sculpture dedicated to the moon goddess, Coyolxauhqui located at the bottom of the temple held an over lasting importance for the many generations that continued. The Aztecs held the Templo dearly in their culture since it held religious as well as a huge social significance that shaped their civilization. Historians will often have different perspectives as to what the significance of the temple during Aztec times was and many will have the same idea, such as Cecilia Klein and Eduardo Matos Moctezuma. Their views as to the significance of the temple are similar …show more content…
in many ways. In terms to historical significance, historians will bring their own views as to how temples, monuments as well as events are deemed as important. Each historian analyzes differently and sees the temple differently.
Such as the Aztecs viewed the temple as an important temple during their time and historians can see it the same as well but each has their own analytical style. But many people today, in different countries, do not see the temple as an important or significant aspect in their lives since a major factor that affects how people view objects and events is time. The templo mayor, sits in the of a square ceremonial precinct of the four-quarter system, the center of the city of Tenochtitlan. Tenochtitlan was the capital city for the Aztecs. The Templo’s represented the access through the city as well as to the celestial and under world. The significance of its twin temples dedicated to Huitzilopochtli, the war god, Tlaloc, the rain god, and the sculpture of the moon goddess, Coyolxauhqui goes with a story which the Aztecs would hold rituals to show the importance of it. …show more content…
Coyolxauhqui was killed by her brother, Huitzilopochtli since she set out to kill their mother, Coatlicue, Coyolxauhqui set along with her star deity brothers, or Centzon Huitznaua, to finish the deed. The reason of trying to kill their mother was because Coatlicue was pregnant from feathers she stuck in her bosom which her other children found to be a sin that their future brother, Huitzilopochtli, would be born without a father. Huitzilopochtli came to his mother’s rescue in which he came out of her womb and then killed his siblings with his weapon, the fire serpent, which he decapitated his sister and her head, which fell down the mountain became the moon. This battle, shows the defeat of the moon by the sun. That is why the sun rises every day to the Aztecs, to show the battle between Huitzilopochtli and Coyolxauhqui. Her sculpture, located at the bottom of the Templo, is located on the ground as a kind of disrespect to herself since the people allowed into the temple step over her. Each god that was worshipped during the Aztec times was viewed to equally bring riches and bring calamity to their lands if the Aztecs’ did not please the gods. To please the gods, the huei tlatoani, the main communicator to the gods, would perform sacrifices and communicate to the gods to bring peace and plentiful harvest for the Aztecs. The Aztecs Cecelia Klein’s account for the significance of the Templo Mayor, her document begins with the story of the great city of Tenochtitlan, which goes that “the Mexica had left Aztlan at the command of their tutelary deity Huitzilopochtli, “hummingbird-left.” Huitzilopochtli had promised them that that could finally settle down again when they see an eagle land on a nopal.” (Klein, 39), Klein speaks heavily toward the importance of water to the Mexica.
Her views on water, as connected to Tlaloc, the rain god whose statue was located in the northern shrine of the Templo, was that many of the reports from the conquerors contained information on how the Aztecs did their offerings. Klein focuses heavy on the Aztec rituals, such as the many that took place in the temples. Their rituals were planned through their calendar system, which followed a strict cycle that were focused on the spring
months.
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
...ligious life of the town of San Miguel and construction of its main temple which from 1872 he was raised to parish. But like everyone, this temple of the Holy Trinity underwent several transformations, for example: in the first decades of the 19th century was built the current altar; and from 1881 to 1897 he received major improvements, like the composure of the entire building, the purchase of pictures, furniture and several sacred ornaments as well as the construction of the chapels of the Tabernacle and Nuestra Señora de la Soledad and the arches of the entrance to the former chapel of the Entombment of Christ and the old sacristy; the most recent improvement was made in the last years of the 20th century, and which involved the National Institute of anthropology and history, the Government of the State and the father Carlos Cabrero, responsible for the parish.
They had at least 128 gods, including but not limited to the divine beings of “rain, fire, water, corn, the sky, and the sun.” They were honored in numerous ways: ceremonies and festivals, dances and feasts, and by having humans sacrificed to them. (Background Essay) Read those last few words again. As said in the popular children’s show Sesame Street, “one of these things is not like the other”. The integration of human sacrifice into Aztec culture was not nearly as subtle as written above, though: The most important Aztec deity in their whole religion, Huitzilopochtli, was the sun god. According to Aztec creation myths, Huitzilopochtli required a great deal of power to raise the sun every morning and keep the night from overpowering day for too long. This strength was drawn from regular consumption of human blood and hearts. This in turn caused the Aztecs to strongly believe in needing to give these things to him. According to the Aztecs, sacrificing people to Huitzilopochtli was the ideal way to provide him with these
The statue was important to not only the Aztecs but to the Spanish as well for Catholics seen she as being related to Mary, the mother of Jesus. The Coatlicue is seen as wearing a serpent skirt given the name of her meaning of the serpent skirt. Serpents meant childbirth and blood to the Aztecs which is why it is important that she wears a serpent skirt as it represents the childbirth of Huitzilopotchi and the blood from the decapitation of her head from the two serpents. In the Aztec culture, man trained to for battle while woman were the child bearers. Those who died during childbirth were believed to have become goddesses which relates to the Aztec myth. The Coatlicue’s face has been carved in many monuments to keep in touch with the earth since she was the goddess of earth and fire. The Aztecs were the largest army in Mesoamerica and took in many prisoners of war. They believed in ritual sacrifice so that their god would not desert them and their world would not come to an end. Thought to have been through four different worlds already, they believed to have lived in the final world that the gods sacrificed themselves for. The prisoners captured by the Aztec were mostly
Coatlicue was known by many names across the lands and Aztec empire; Teteoinan, mother of gods, Toci, grandmother, Cihuacoatl, the lady of the serpent, Goddess of the earth, Goddess of Life, Mother of the stars, Goddess of Fertility and Goddess of Fire. According the legends or myths, Coatlicue to the Aztec’s represented life, death and rebirth even earth and fire. She was the mother of mothers or the holy of holies to the Aztec culture and there way of life.
The stone was found in 1790 by accident in the Plaza Mayor of Mexico City, when workmen who were excavating the earth to pave the plaza. It was discovered facedown, so it only seemed as if it was a large blank stone until it was turned over and the intricate details and deity was finally shown. It was decided to be set on the side on the Catedral Metropolitana, where it was abused and misunderstood for nearly a century. It wasn’t until 1885 and almost a hundred years of abuse by the people of Mexico, it was decided to be placed in the Museo Nacional. Although researchers at the time knew the importance of the Aztec stone, “students of Mexican antiquities, the founders of our archaeology, eagerly urged the successive governments to shelter and protect this significant monument of the pre-Hispanic past from the ignominy that it had suffered. According to chroniclers of the period, when it was displayed, the ignorant masses hurled filth and rotten fruit at the calendrical relief. Even the soldiers who at a certain time occupied the centre of Mexico—because of the constant violent tumult and foreign invasions that characteriz...
Scientists have recently discovered links to the Kiowa and Aztec religions. For example both tribes worshiped a stone image, Taimay, and both tribes followed a pictographic calendar. The language that the Kiowa spoke can be traced back to the Uto-Aztecan language like Latin and English. The Kiowa languages also have connections to the Bannocks, Comanche’s, Paragons, Paiutes, Pima, Shoshones, and Utes. The Kiowa and Aztec preformed many dances of praise including the Sun Dance. However, the Kiowa also had many unique dances including the Scalp, Corning, Feather, and Ghost praising nature and life. Each dance was preformed to celebrate different achievements. For example, the scalp dance was preformed when men returned ...
The Templo Mayor is the center of Tenochtitlan and houses many of the statues representing the Aztec deities
Another way the author supports his thesis are his descriptions of the reactions made by the Europeans who arrived at the immense and powerful society that already existed in the Americas. A distinct example is portrayed when describing the Spaniards arrival in Tenochtitlan: “Tenochtitlan dazzled its invaders-it was bigger than Paris, Europe’s greatest metropolis. The Spaniards gawped like yokels at the wide streets, ornately carved buildings, and markets bright with goods from hundreds
They say a picture is worth a thousand words. However, what words are being told in the Codex Mensoza 1964, Lám (Brumfiel 1991: 224) and more importantly what influential role did the Spanish heritage have in the artifacts? These credentials were offered as form of resolute of Aztec women’s productive activities in Mexico. Nevertheless, Bromfiel paint a different picture of the Aztec women. In these sketches, Brumfiel draws our attention to the background in which the women are performing their “productive activities.” (Brumfiel 1991: 224) At first glance, these images are portraying Aztec women. However, after careful scrutiny of the photos, I noticed several an uncanny discoveries. In the first two portraits, both of the weaving instruments appear to be bound to Roman and/or Spanish columns (to my untrained eye). In the last two illustrations, I observed “productive activities” (Brumfiel 1991: 224) of cooking being performed, in what appears to be in a non-traditional work environment that does not correspond with the “productive activities” (Brumfiel 1991: 224) of the women in that era. One appears to be working in luxury room while the other seems to be overlooking the mountains from a balcony. Although these duties were performed in a residential setting, the pictures fail to emphasi...
Chalchiuhtlicue whose name means "She of the Jade Skirt", was the Aztec goddess of running water, such as rivers and oceans, and was considered the patroness of navigation. She was one of the most important deities, patroness of childbirth, wife and feminine counterpart of Tlaloc, the rain god. In some sources she is described instead as the wife of the god Xiuhtecuhtli.Along with Tlaloc, Chalchiuhtlicue pertained to the Aztec group of gods supervising water and fertility. To these deities was dedicated a series of ceremonies called Atlcahualo, which lasted the all month of February. During these ceremonies, the Aztecs performed many rituals, usually on the mountain tops, where they sacrificed children. For Aztec religion, the tears of children
In the mid-fourteenth century, the Aztecs used the method of human sacrifices to uphold fear in their neighbors by using the method year round to please the gods and ensure their survival. According to Aztec legend, the first world was created by a dual god- meaning that it was both a female and male- called Ometeotl. The Aztec pantheon included hundreds of gods, all who originated from Ometeotl himself. The Aztecs also believed that the gods represented forces of nature, such as rain, and also human characteristics (Benson 504). Prior to the current world the Aztecs believed that there were four other worlds, all which ended with a major catastrophe.
From the perspective of the Aztecs, sacrificing their people’s lives and worshipping gods served a greater purpose. To elaborate, the Aztecs believed that the gods had sacrificed their own lives so that the humans could live, and naturally, the Aztecs felt in debt of the gods. This was the reason for the many sacrifices and offerings given towards gods. Another contributing factor was that the Aztec lived in constant fear that the world would come to an end. As a result, their religion’s key focus, was on keeping nature in balance, and to do so, they need to keep the gods happy. Therefore, the reason behind worshipping and sacrifices was so that the Aztec’s could live in harmony with nature and their gods.
The opposition between the “male” state and the “female” opponent regularly appear in stories associated with the establishment of Aztec authority and is underscored by the frequent interpretation of the Coyolxauhqui myth as a battle between the sun and the moon. She became prominent in the mythological story of the legend of the virgin birth of Huitzilopochtli. Her mother, Coatlicue already had four hundred children which Coyolxauhqui was the head of them, and when Coyolxauhqui discovered that her mother was pregnant she urged the other children to join in to kill their mother because she had dishonored them. When Huitzilopochtli was fully born he protected his mother by decapitating Coyolxauhqui, but keeping her head intact, and getting rid of all the other children. Archaeologists founded the stone of Coyolxauhqui, an enormous stone monolith carved in low relief at the base of Huitzilopochtli’s side of the temple at the Temple of Mayor. The carving was originally painted is eleven feet in diameter, and her head and limbs are separated from her torso and organized in a pinwheel shape. She is shown as a decapitated and dismembered naked woman and thus she represents shame and dishonor in the Aztec society, because nakedness was a form of humiliation and defeat.
Monuments are a symbol of a significant time in history. Monuments represent life, death, success, and struggle just to name a few. They have become as important to society as the events they represent. They bring history alive to new generations and memories to those who experience them firsthand. Monuments create a bridge between generations. Many parents feel a certain indescribable joyfulness when they see the look in their child’s eyes they had went they viewed the same monument.