Taylor Swift's representative denied the allegations that the 'Bad Blood' hit maker is doing cocaine.
A video entitled 'Taylor Swift Doing Coke?' has been circulating around the internet recently. It garnered 6,700 views before it was removed from the web. The clip showed that Swift was holding something near her nose while she was at the backstage of the MTV Video Music Awards.
After the video garnered its momentum, many viewers presumed that the 'Shake It Off' singer is possibly using drugs. The uploaded video in YouTube, shows that Swift was holding an object near her hose, while her assistants covered her from the cameras.
A nasal sound was heard as Swift covered her nose with a tissue. The video also shows that one assistant is checking
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Paine told Gawker that the singer was merely "blowing her nose" and warned the media outlet that they don't want that image to appear on MTV. She also threatened Gawker that they will take legal action against the company if they will release reports about it.
This is the second video that caused Swift controversy this week. Her latest music video was also slammed by many people for alleged white supremacy.
Taylor Swift's latest released video 'Wildest Dreams' set in 1950s Africa was criticized because most of the cast are white, and suggested that it showcased an "African colonial fantasy," according to the Guardian.
But the director of the video, Joseph Kahn, defended Swift against the attackers.
In a statement, Kahn said, "We collectively decided it would have been historically inaccurate to load the crew with more black actors as the video would have been accused of rewriting history. This video is set in the past by a crew set in the present."
"This is not a video about colonialism but a love story on the set of a period film crew in Africa, 1950," he said.
Taylor Swift's representative denied the allegations that the 'Bad Blood' hit maker is doing
During the scene when the three girls are in a bar performing in a talent show and the filmmaker scans the venue, show that it was a ‘white’ place and the coloured girls weren’t welcomed. They were put into the corner so they were out of sight. During the talent show you see a white person performing and straight away you can tell that they aren’t talented, but when the three Aboriginal girls come up they perform a country song “Today I start lovin you again”, at the end of their performance the only person to applaud them was a child that is innocent and clearly oblivious to the racial prejudice of the society in which he is living. At the end of the competition, the white performer with the least amount of talent won the prize money, demonstrating clear prejudice and
The other ladies in the short film talk about how they thought that she had a “ real problem with [her] ethnicity like [she] had a problem with the fact that [she] was born African-American (Reynolds). This, along with the documentary on Lacey Schwartz, shows that a person’s sense of blackness is very much a product of what others around them define blackness as.
Before we get into the movie specifically, we should first talk about representation and how race is represented in the media in general. Representation is defined as the assigning of meaning through language and in culture. (CITE) Representation isn't reality, but rather a mere construction of reality and the meaning behind it. (CITE) Through representation we are able to shape how people are seen by others. Race is an aspect of people which is often represented in the media in different ways. Race itself is not a category of nature, but rather...
... Not only does this provide an example of the ambient racism in this story, but it also relates to the previous statement of how the filmmakers exaggerated the sexual energy of black people.
Being one of the few black students to attend Tisch School of the Arts, the aspiring filmmaker’s first year at New York University was a particularly difficult one. Lee’s experiences, race, and upbringing have all led him to create controversial films to provide audiences with an insight into racial issues. Spike Lee’s first student production, The Answer, was a short ten minute film which told of a young black screenwriter who rewrote D.W. Griffith’s The Birth of a Nation. The film was not well accepted among the faculty at New York University, stating Lee had not yet mastered “film grammar.” Lee went on to believe the faculty took offense to his criticisms towards the respected director’s stereotypical portrayals of black characters (1).
In “The Sweetheart of Song Tra Bong,” Rat Kiley recounts the time when Mark Fossie brought in his girlfriend, Mary Anne Bell, from Ohio to Nam. Mary Anne is a curious and very friendly seventeen-year- old girl who just graduated from high school. She constantly asks questions about the war. Tension grows between Mary Anne and Mark when Mary Anne starts to become more involved in the war. She helps with taking care of the injured soldiers and learns how to operate an M-16. Mark suggests that the two of them go back home, but Mary Anne refuses. She begins to return to the camp late at night, or not at all. One day in the early morning, Mark cannot find Mary Anne and panics, only to discover that she is out on an ambush with the Green Berets. Mark has a talk with Mary Anne in which they make plans to get married. However, over the next several weeks, an undeniable tension grows between the two. Mary Anne suddenly disappears after Mark starts to make plans for her return home. After about three weeks, Mary Anne returns to the camp and disappears into the Special Forces area, and Mark waits for her there. He hears a woman, Mary Anne, chanting along with strange music and bursts into the hootch to confront her. O’Brien uses disturbing imagery to emphasize how the war takes away one’s innocence and changes one forever.
After Taylor Swift’s Wildest Dreams music video premiered during the MTV Video Music Awards on Sunday, it gained criticism for allegedly glorifying white colonialism. Critics also slammed the video for using Africa as the setting for a love story of white people, according to USA Today.
Growing up, my dad controlled the radio almost always, and his choice was the local country station. This lead to hearing my fair share of Kenny Chesney, Keith Urban, and Martina McBride. They often sung about beer, front porches and Jesus, and none of that really resonated with me.I never truly hated the music, it was absolutely inoffensive listening, but very few songs struck a chord with me. That is until I heard the Dixie Chicks. They made beautiful use of harmony, melody, instrumentation, emotion and storytelling that worked together beautifully.
-Paradox: black independent filmmakers, want to make films that speak from their experiences, but the people whose story it is don’t want to go see it -Techniques/visuals: •Juxtaposition of long shots and close-ups •No white characters at all – contrast of black characters wearing all white •Narrative of Nana and the unborn child (relates to slavery)
In conclusion, after view this film, it is clear that one can see how black youth are being viewed as killers and savages. This is not true. There have been many admirable scholars and scientists who come from the African American culture. This movie, though it depicts what goes on in South America, takes the violence committed by black youth too far. One cannot view a film and take it that this is what a race is like. The filmmakers depicted black youth in a harsher light.
...ggests that “there would be no difference between her work and that of a black director” (152). I think that when Livingston says, “I’d love for a black director to have made this film,” she is simply stating that she doesn’t care who made it, but that she is just happy that it is out there for people to experience learning about this subculture (Hooks 152).
White people and rappers during the late 1970’s and 1980’s seem to be offended when asked about their role in the hip hop community. They think that black people are becoming a part of a cultural movement and they should join in. The heated responses from the white people in the film are typical answers. They symbolize people who are afraid. The white people are joining a movement that is becoming more and more popular. Black communities feel like others are joining in on their fun. They seem to not enjoy people of another race
(125) Privilege is inclined to white males through every facet of our everyday that inconspicuously creates racism through classism. While Crash holds a very touching message on a personal level of human compassion, it unfortunately is also a perfect snapshot Aude Lorde's "'mythical norm,' which each one of us within our hearts knows 'that is not me.'" (178) This is otherwise known in America as "white, thin, male, young, heterosexual, christian and financially secure," where "the trappings of power reside..." (Lorde 178) So why all the fuss about a movie? It's just a film, and some would say that it's not meant to solve the America's issues with racism and classism. While this is true, it is dangerous for such a prevalent film like Crash, which won three Academy Awards including Best Picture in 2005 in addition to a slew of other accolades, to perpetuate that elusive, intangible type of oppression that we all live in, but some still deny. As Langston writes in Tired of Playing
African American representation in the film industry has always been a topic for discussion. Whether talking about character types and roles, the actors being cast or not cast, and the lack of diversity in front of and behind the camera. ‘The contemporary status of race in mainstream American culture is intimately bound to the process of representation within and through the mass media.’ (Rocchio, 2000, p. 4). Any role that was to be played by an African American kept in with the dominant stereotypes of the time of production; incompetent, child like, hyper-sexualised or criminal.
Drinking Diet Coke leads to reduced calorie intake, which in turn, does not cause weight gain. The marketers of Coca Cola illustrate this in their most recent advertisement. Coca Cola 's "Regret Nothing" advertisement for Diet Coke presents a snapshot of two women who appear to be at a pool party. This is apparent because they are sitting on the side of a pool laughing as someone splashes them. The viewer can assume that the weather is warm and pleasant by the amount of skin that the girls ' dresses show and the fact that they are in a pool. It is evident that the two women are having a good time by their expressions. The marketing department of Coca Cola uses multiple visual aids to suggest that if an individual drinks Diet Coke, he or she