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Discuss Tartuffe as a satirical play
Discuss Tartuffe as a satirical play
Tartuffe characters
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In Tartuffe, Cleante says of Orgon: "Ah there you go--extravagant as ever! Why can you not be rational? You never manage to take the middle course, it seems. But jump, instead, between absurd extremes." With this comment in mind, describe/discuss the character of Orgon. Use examples from the text to support your discussion
In Moliere’s comedy Tartuffe, the main focus is not on Tartuffe but of Orgon who is blindly infatuated with Tartuffe. The character Orgon represents how man could be so blind in devotion to a belief that he is unable to make accurate decisions and uses that belief to end up deceiving him. Due to Orgon’s blindness and gullibility, Tartuffe is easily able to manipulate him; gaining access to becoming Orgon’s son in law as
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well as inheritance of the house. It is not till the end of the play, that Orgon’s perspective of Tartuffe changes and results in Tartuffe’s removal. This essay will examine the different unreasonable acts of Orgon with his self obsession with Tartuffe, the reasonable characters that try to talk sense into him, and how Orgon “changes” at the end of the play. Orgon, who is portrayed as an unreasonable character ignores his family’s reasonable doubts about Tartuffe.
A quote that shows Orgon’s first sign of ignorance occurs in 1.4. In this scene Dorine and Cleante are updating Orgon on his wife’s condition. All Orgon can say is, “Ah, and Tartuffe?” (10) He shows no sympathy for his wife, and his blind infatuation with Tartuffe continues. Another quote that Orgon says that sets him apart from the rest of his family occurred in 1.5 when Cleante tries to offer reasonable advice. “He’s taught me to love nothing and no one! / Mother, father, wife, daughter, son− / They could die right now, I’d feel no pain” (25-27). It is unreasonable to even say this to someone in your family; Orgon’s unreasonableness is beyond any of his family’s reasonable doubts of Tartuffe. This quote truly shows how deep in obsession Orgon really is, and how unrational he is as a …show more content…
character. The reasonable characters in this play are Cleante, Elmire, and Dorine, they try to make Orgon see reason and change his mind about Tartuffe.
Cleante is the first character who tries to persuade Orgon about Tartuffe’s suspicious character in 1.5. He offers advice to Orgon by saying,” I believe you praise him quite sincerely, / I also think you’ll pay for this quite dearly / He’s a fraud, this man whom you adore” (174-176). Orgon chooses to ignore the advice of Cleante. Dorine, Orgon’s daughter Mariane’s maid is shocked to find out that Orgon is forcing his daughter to marry Tartuffe. In 2.2 Dorine addresses Orgon about the forced marriage
saying: DORINE: And who will blame the fates For failure of this marriage made in hell? And whose fault will it be? Not hard to tell. Since everyone you know will see the truth: You gave your daughter away to Tartuffe. (2.2.136-40) And in response for Dorine’s plea with Orgon about his foolish, unreasonable decision to make his daughter marry Tartuffe Orgon tells her to stop talking. Elmire, Orgon’s wife is trying to convince her husband of Tartuffe’s treachery in 4.3. “And now I wonder have you lost your mind? / Your love for this one man has made you blind. / Can you stand there and say you don’t believe / A word we’ve said? That we’re here to deceive?” (42-45) Due to Orgon’s unchanging character he pays his wife no mind and says that she is lying. Not only is Orgon blind with his obsession with Tartuffe and deaf to all his family members when it comes to reasonable advice. Only when Elmire get’s raped by Tartuffe does he hear and realize how unholy Tartuffe really was. Orgon experiences “change” in the play, he goes from praising Tartuffe in 1.5 when he was being offered advice by Cleante saying: ORGON. If you only could know him as I do, You would be his true disciple too. The universe, your ecstasy would span. This is a man…who…ha!..well, such a man. Behold him. Let him teach you profound peace. When we first met, I felt my troubles cease. Yes, I was changed after I talked with him. (1.5.14-20) To suddenly, in 5.1 after realizing that Orgon had been deceived by Taruffe “changes” by saying this about Tartuffe: ORGON. What? With his wicked heart and corrupt soul, Yet I’m to keep my rage under control? Yes me who took him in, right off the street? Damn all holy men! They’re filled with deceit! I now renounce them all, down to the man, And I’ll treat them worse than Satan can. (5.1.31-6) This is where Orgon makes a “change” and made it seem like Tartuffe was always unholy from the beginning. He immediately makes a change from being religious to calling out everyone who is religious as being unholy without thinking of being reasonable. Even at the end of the play when Tartuffe is jailed and Orgon with his family escapes eviction from their home, Orgon will never truly change or become enlightened to becoming a reasonable character. As stated by Mander, Gertrud, “The victim never learns from experience: ridiculous characters are incapable of learning from this manner, for one of their weaknesses is always unreasonableness, lack of insight, and unresponsiveness in the face of attempts to persuade their folly…” (Mander, 32-33) Orgon as a character even till the end remains the same unreasonable character from start to finish.
Orgon and candide were two major characters from different books that were devoted to Tartuffe and pangloss respectively. Orgon was a man that followed Tartuffe blindly and candide was a devoted student of pangloss. Orgon and Tartuffe both depended on Tartuffe and pangloss to the point of folly.
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
Only in the end does Orgon come to the realization that he's been fooled all along, and finally comes to accept the fact that Tartuffe is a lying, scheming fraud. The first instance where we see Orgon’s obsession with Tartuffe is when he came back from his trip and asked what was going on.
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants.
Examining the difference between reality and appearance is strongly manifested in this story. The author has made an impressive account of what is really happening to families whether during the earlier days or the modern times. The story of Tartuffe is a great lesson for every person that people should not be easily deceived by first impressions and the story of the Monkey King showed outspokenness along with truthfulness in intentions.
Out of the plays that we could have chosen to produce, I have decided to go with Molière’s, “Tartuffe.” This play is a comedy that comes from 17th century France and is heavily influenced by two large sources of experience for Molière. Those sources are the rules and structure for a play put in place by the French academy and the lessons of improvisation taught by the Commedia dell’Arte. This piece is written in fives acts that are in a unique alexandrine style of verse which have 12 syllables in a line and usually ends with rhyming words. The reason I chose this play is because, in my opinion, things like television, movies, plays, and other forms of media and entertainment are meant to transport you away from all the bad things happening in real life and focus you on something fun and/or interesting. I find this play to have a lot of fun moments that can be mined for even more comedy and I think it has the good chance to keep a large audience entertained for a long period of time. To accomplish my goal I will use elements of situational comedies, France in the 1660’s, and one of Molière’s plays, “A school for girls.”
In these few chapters that we read, we have already learned a lot about Okonkwo, his life, and how he shows sympathy to some, but to others he is heartless. Okonkwo is other wise known as an unsympathetic person. Okonkwo is a clan leader of umuofia who holds many titles and is well known among his people. Okonkwo's daily life consists of tending to the three yam farms he has produced and to make numerous offerings to numerous gods and to help himself and his family. Okonkwo's personality is hard driven, since his father did not provide for him and his family Okonkwo had to start man hood early and this led him to be very successful in his adulthood, Okonkwo is an unsympathetic character who only shows sympathy rarely because he believes it's a sign of weakness Okonkwo's family relationships make him a sympathetic character because when his children show signs of manliness or do their jobs right he shows sympathy towards them. He is an unsympathetic character because whenever he get a little mad he has to take his anger out on something and that is usually vented by beating his wife's.
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
When Damis tells Orgon that he has overheard Tartuffe's advances towards Elmire. Orgon is so outraged that he disinherits Damis and banishes him from the house. In his obsession, Orgon is mentally deaf and blind. Only when he hides under the table and hears Tartuffe's advances toward Elmire, does reality finally confront Orgon's idealism and Tartuffe? is not a problem with the.
In "Tartuffe", Orgon was manipulated by Tartuffe, a. religious hypocrite, which Orgon had offered all his belongings to Tartuffe. Elmire, wife of a man.... ... middle of paper ... ... Though the stories, in these ways, share endings and morals, religious purposes, they are distinct and individual: "The Journey to The West" and "Tartuffe" were both created in two.
A theme of the play Tartuffe is justice. Justice, or the lack of justice, can be seen in the relationship between father and son, father and daughter, and guest and host. Lacanian philosophy, which focuses on language and the conflict that the male feels due to a disintegration of oneness, can be used to look at injustice as it manifests itself in the male conflict within the play.
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
She believes that their distaste for Tartuffe stems from his ability to condemn their sins and point out their moral flaws. At Dorines’ intimation that Madame only spends her time so harshly criticizing the world around her due to her fear of abandonment, Madame Pernelle takes her leave, reminding them that they should count themselves fortunate to have such a holy and blessed man such as Tartuffe present among them. Upon her departure, the remaining family puzzles at how their grandmother, as well as their father, could be so blind to Tartuffe’s insincerity, recounting the many instances in which Tartuffe deceived Orgon and Madame Pernelle with his charms. As Cleante leaves to rest, Damis asks her if she would inquire as to the status of Mariane’s marriage to Valere because, should they not wed, Damis would then not be able to marry Valere’s
Orgon is deceived because he cannot or refuses to see Tartuffe for the con artist he is. Tartuffe is hugely successful for most of the play because he is so good at wearing a mask of piety to cover his deception. Orgon regards Tartuffe as his religious guide and is blind to the fact that Tartuffe is deceiving him.
Tartuffe is a satirical comedic play written by Molière in 1664. It is focused around the family of Orgon and the character of Tartuffe, who has become Orgon’s personal holy man. Before being brought into Orgon’s home, Tartuffe was nothing more than a common beggar who learned how to act pious. Throughout this play, we see Orgon give everything he owns to Tartuffe: his love, his money, his daughter, and even the deed to his house. While everyone else in the household sees Tartuffe for who he really is, Orgon remains blind to it throughout most of the play. Orgon is warned many times by different members of the household, including his own son, yet he only chooses to lash out against those speaking. From early on in the play we as readers are able to recognize that Tartuffe is no more than a hypocrite and Orgon is a blind fool. In the play Tartuffe by Molière there are several different important themes that impact this work,