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Representation of women in Shakespeare
The theme of women in Shakespeare works
The theme of women in Shakespeare works
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“Katharine the curst, a title for a maid of all titles the worst,” (I:II 130-131). In the Taming of the Shrew, many people view Katherina as an evil hellion. She is indeed stubborn, opinionated, aggressive, and violent; but I believe much of her actions stem from justified bitterness toward the world she lives in. It is obvious from the beginning that Kate resents having her body and freedoms controlled by her father and the men around her (I:I 102-105). Kate, above all, does not wish to be wed without her permission to a man. In fact, her very first line is begging her father not to marry her to people like Hortensio and Gremio (I:I 57-58). Because of the extremely male-dominated society at that time, she is considered a shrew and a “fiend …show more content…
of hell”, and thus unmarriageable. The fact that she is considered so terrible works in her favor, for if she is not desired by any, she will not be given to them. Unfortunately, this plan is broken when Petruchio comes in search of her dowry. Later in the play, we get more information about the causes of Kate’s behavior when she accosts her sister Bianca.
Act II starts with Kate dragging a bound Bianca into a room her father is already occupying, Taken at surface level, this action can be used to strengthen the argument that Kate is evil, but if we consider the lines later said by Kate, we can conclude that she is indeed severely envious of her sister and her suitors, regardless of the fact that she finds them idiotic. Kate is also angered by her father’s obvious favoritism towards her more mild sister. She even states her displeasure blatantly to her father saying, “...she is your treasure,” and, “I will go sit and weep, till I can find occasion for revenge.” (II:I 31-36). Clearly she takes out her anger on her sister as opposed to her …show more content…
father. Although Kate is well motivated, she does not exactly go about exhibiting her feelings in a decent manner.
On more than one or two occasions, she physically hurts Hortensio (II:I 141 ½) and Bianca (II:I 22 ½), while she threatens numerous time to injure almost every character in the play. The fact that she does this is what truly makes her a shrew, rather than her opinions. Kate acts in a childish and temperamental manner, lashing out and bullying to get her way. So how does Kate’s attitude go from this, “No shame but mine; I must, forsooth, be forced to give my hand, opposed against my heart, unto a mad-brained rudesby…” (III:II 8-20) to this, “What is your sir, that you [Petruchio] send for me?” (V:II 104). At the beginning of the play, Katherine lashes out at everyone around her with violence and spite, but at the end she is completely subservient to her husband. I do not truly believe that Katherine has been “tamed” by Petruchio, but rather has developed a more mature
attitude. You can see the transformation happening in Katherine near the middle of the play, as she is forced to bear immense humiliation. First, she is almost stood up at the altar by her groom to be, (III:II 1-7) and then again when Petruchio forces her to leave the wedding feast early, (III:II 184-239). Later Petruchio starves her and refuses to clothe her (IV:I 149-153) so she learns to pretend. When they return to Padua, you can see a marked difference between the Kate at the beginning of the play and the Kate near the end. When Petruchio insists that Vincentio is a fair maid instead of an old man, Katherine goes along with it (IV:V 26-40), although I imagine it is said sarcastically. We cannot truly know how Shakespeare meant for Kate to be portrayed or the result of her “taming”, but based on Kate’s previous behavior so shortly before her speech to her peers, it is easy to assume that there is more to her “taming” than what is told.
However, it is the the effects of each of these situations that allow us to evaluate the two as a whole. Although Kat’s emotions go up and down about Patrick nonstop throughout the movie, in the end she is much happier than she was before she met Patrick. Similarly, Katherine ends up stating how submission has “made her heart great”, implying that she is content with the situation, but she does not appear to be truly happy with Petruchio. She is aware that she has no choice in regards to submission, and that her life will be better if she just accepts it. Thus, Katherine’s happiness is superficial as opposed to Kat’s which is real. Also feminism did not exist until the 19th century, so during the time of Shakespeare Katherine and Bianca did not even think of the idea that they could have a choice when it comes to men. Marriages were arranged, and that concept was accepted for many centuries,In fact, Katherine and Bianca are not even considered to be citizens because they
In the play, Taming of the Shrew, this character is known as Petruchio. In act 1 scene 2, Petruchio insists on meeting Kat no matter who tells her of his behavior, for he was only looking at one factor – that she had a rich father. Upon meeting Baptista, Petruchio insists on meeting Katherine. “Lucentio” and Petruchio battle, promising this and that to Katherine until Baptista finally chooses Petruchio. Upon meeting Katherine, she immediately is biting at his heels. With his quick wit he is responding with equal amounts of insults which frustrates Katherine. Every insult Katherine throws at Petruchio he manages to throw back a sexual innuendo. further along into the story with Kate and Petruchio. Petruchio
Yet, both women seem to accept their role as wives by the end. Upon further examination, one will find that Beatrice is a much more complex character. One would have to agree with the critic who said, "Katharina is a character sketched in bold, rapid stokes, with none of Beatrice's sophistication, verbal brilliance, or emotional depth." In Taming of the Shrew, the first introduction to Katharina, by Gremio and Hortensio, tells that she is a shrew (1.I.54-60) and that she will never find a groom. When she first speaks we see her responding to these insults, but she was provoked so her words seem appropriate.
In Shakespeare's The Taming of the Shrew the elements of farce are exemplified in terms of character, plot, and writing style. The stereotyped characters in The Taming of the Shrew are typical of a farce. Katherina is an outstanding example of a farcical character. Katherina, although stereotyped as a boisterous shrew, can be portrayed as a person needing sympathy due to Baptista's favoritism. The quote, "She is your treasure, she must have a husband: I must dance barefoot on her wedding day…" (A. II S. 1 L. 36-37), makes it obvious that Baptista favors Bianca. In terms of plot, Shakespeare devises the plot to resemble a situation comedy. Although the subplot is more romantic, both the subplot and the main plot revolve around the principle of a favoristic father who is outwitted by his child and her lover.
Her personality is strong and she is independent, unlike most women. This makes her unattractive to most suitors and gains her the label of shrew. She demonstrates her personality in the beginning of the play: "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1 57-58). Shakespeare uses the characterization of Kate to demonstrate the defiance against traditional gender roles and how Kate almost immediately speaks out for herself, unlike her sister Bianca. In addition, Kate describes her future husband as a "mate," unlike how most women would describe their lovers. Moreover, Kate is educated: "I 'faith, sir, you shall never need to fear: I wis it is not half way to her heart; But if it were, doubt not her care should be to comb your noodle with a three-legg 'd stool and paint your face and use you like a fool." (1.1 61-65). Shakespeare uses the characterization of Kate to demonstrate how she defies traditional gender roles by being the only person to speak in iambic pentameter. This demonstrates her intelligence unlike many women. In addition, Kate doesn 't enjoy receiving orders from others. When her father leaves with Bianca and tells Kate she may stay, she gets angry. "Why, and I trust I may go too, may I not? What, shall I be appointed hours; as though, belike, I knew not what to take and what to leave, ha? (1.1 103-105). Shakespeare uses the characterization of Kate to
Women’s rights are a household topic that has been around for the better part of the last century in America, however back when the play was written, women’s rights were unheard of. So when Petruchio didn’t let Kate eat or sleep after they eloped (IV.iii.47-48) “The poorest service is repaid with thanks, and so shall mine before you touch the meat.” Petruchio is controlling everything that Kate is doing, which includes whether she eats or not which is sexist nowadays, but back in the 16th century, it was normal behavior. Petruchio could possibly just be trying to get his woman the best food possible, or in the case of his wedding, the best tailored clothes for Kate. Petruchio brings in a tailor for his wedding, and when the dress doesn’t live up to his expectations, he lets the tailor know (IV.iii.113-121) “O monstrous arrogance!... that thou hast marred her gown.” Petruchio cares so much about getting everything for his wife to be perfect that he does not let one thing fall out of line for his wedding preparations. These things could be taken as sexist acts; however they were just acts...
...ironic use of manipulation before and after the wedding, Petruchio is able to tame Kate. Or so he thinks. The only real change is that Kate agrees with him, but she only does this to get her way. Therefore she is manipulating him by pretending that he has been able to tame her. He has not tamed her, because she also utilizes the art of manipulation. Before, Kate’s only defense against patriarchy is to be outspoken; now, she negotiates her own sense of power within patriarchy by using manipulation. Shakespeare’s critic of the patriarchal social structure is therefore just, because not only are women denied the same legal power as men, but their manipulative power is also disregarded and considered a weakness. Therefore women are not to be blamed for utilizing this powerful form of control, because that is what the patriarchal social structure forces them into.
many years. She is hurt and she seeks revenge. This is seen in Act II. Scene I, when Katherine sums up her own state: "I will go sit and weep." Till I can find an occasion of revenge" (35-36). It is an immature response. but the only one she knows, and it serves the dual purpose of cloaking her. hurt. The transformation, which she undergoes near the end of the play, is not one of character, but one of attitude. At the end of the play, we find out that her negative attitude becomes a positive one. & nbsp; The shrew is not a shrew at all beneath the surface. & nbsp; The play begins by introducing Katherine with her father's words of shame towards her when he offers his eldest daughter to the two suitors of Bianca. The audience is then given their first impression of Katherine.
It shows that instead of a tamed shrew, she is a woman that knows how to get what she wants but goes about it in a different way at the end of the play than at the beginning. In conclusion, Shakespeare does it again with Taming of the Shrew. On the surface, there is Kate who seems to be off the wall and kinda crazy, but at the end of the play, you realize that by acting this way and learning “life’s little secrets,” she gets the life she always wanted.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
The Taming of the Shrew unravels to reveal a wild beastly Katharine lacking respect for her family, herself and others around her. Kate is a very outspoken and vulgar woman without respect to authority. Katharine, although depicted as a beautiful woman quickly becomes the talk of Padua. Kate has found that if she is loud and obnoxious she can have her way. She screams and grunts and pushes those who she does not get along with. The general character of Katharine seems to be that of a small child.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The marriage formed between the two is a match made in heaven for two reasons. First, because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them.
Due to the patriarchal society of the Elizabethan era, women were expected to succumb to men and follow their orders. Shakespeare created Katherina in order to challenge Elizabethan society’s view that a dominant woman was a symptom of disorder . She has little respect for men and speaks bluntly A prime example of this is when she tells Hortensio that she will, “Use you like a fool.” Katherina employs the use of mockery, violence and a rhyming couplet in order to indicate her disdain of Hortensio. The simile also serves to demonstrate that she does not...