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Now and then character analysis
Now and then character analysis
Literature and psychology essay
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In Shakespeare's taming of the shrew there is an array of complicated themes, characters, and plots but none might be as noticeable as the arch Katharina Minola complets throughout the play. From the very beginning of the story the audience is introduced to a seemingly horrid and foul mouthed woman named Katharina who is the eldest daughter of a nobleman named baptista. From various pieces of text evidence we can see that the people around Katharina do not think very highly of her such as when Grimio states “Any man is so very a fool to be married to hell” (I, i, 126-127) when he is referring to the prospect of someone marrying Katharina. In other parts of the text it can be seen that Katharina is a very foul mouthed, hot-tempered, ill-mannered, and stubborn person, for example when she states “I'faith, sir, you shall never need to fear: I wis it is not halfway to her heart; But if it were, doubt not her care should be To comb your noddle with a three-legg'd stool And paint your face and use you like a fool.” (I, i, 61-65) from this straightforward insult directed at the suitors it is very clearly shown what kind of person Katharina is. …show more content…
From both these quotes Katharina can be seen as a rude and all round unlikable and nasty person, for instance when the suitors are talking about Katharina they mention several times how rough and horrible she is going far as to comparing her to hell. Furthermore when Katharina first meets them she clearly expresses her intention of hitting them on the head with a stool and turning them into fools for no apparent reason. However later on in the story after she is subjected to unusual punishments by her newlywed husband Petruchio she very quickly adjusts into a much more submissive and polite manner. One of the most obvious examples of this is when they are making there way back to Paudu for a dinner and they have a conversation about the sky, here after Petruchio clearly lies about the sun being the moon Katharina simply replies “Forward, I pray, since we have come so far, And be it moon, or sun, or what you please: And if you please to call it a rush-candle, Henceforth I vow it shall be so for me. Another example of this is when at the party Petruchio and several other men place a bet on whose wife is more submissive and who would comply to their orders of coming to them, only Petruchio's wife Katharina comes and upon arriving completes the following speech on the duties of women to her husband, specifically she states “Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign; one that cares for thee, And for thy maintenance commits his body To painful labour both by sea and land,” (V, ii, 155-158). From both these piece of evidence we can see how submissive Katharina becomes and how at least her outward attitude to Males and specifically husbands change, this is an almost 180 degree switch to what she believed at the start of the play. After analysing Katharina as a character throughout the play it is clearly evident that she undergoes a massive metamorphoses and becomes a lot more obedient and calm, ultimately Katharina was successfully tamed.
A very prominent theme in Shakespeare's The Taming of the Shrew is society's double standards of men and women. In the play, Katherina is a very free-willed, independent woman who wishes to follow her own path in life and is not dependent on a man for her happiness. Petruchio is also free-willed, independent and speaks his mind freely. However, where Petruchio is praised for these characteristics, Katherina is scorned and called names. Petruchio is manly and Katherina is bitchy for the same traits.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from eachothers' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58)
In the beginning of Taming of the Shrew, the idea of how Katherine acts, as a shrew. When Katherine is conversing with Hortensio, Katherine verbally expresses how she prefers to act. I' faith, sir, you shall never need to fear. I wish it is not halfway to her heart. But if it were, doubt not her care should be To comb your noddle with a three-legged stool. And paint your face and use you like a fool” a quote made by Katherine in act 1 scene 1, saying that she couldn’t care less, and explaining that the only interest she could have in Hortensio would be to hit him with a stool and make a fool out of him and he responds with, “From all such devils, good Lord, deliver us!” explain to keep him away from all women like her” In the movie 10 things I hate about you, we are introduced to Kat first, when a stray
Macbeth's wife, Lady Macbeth, is one of the most frightening and powerful female character in the play. Both of them are trying to seek the throne and become king and queen.
Yet, both women seem to accept their role as wives by the end. Upon further examination, one will find that Beatrice is a much more complex character. One would have to agree with the critic who said, "Katharina is a character sketched in bold, rapid stokes, with none of Beatrice's sophistication, verbal brilliance, or emotional depth." In Taming of the Shrew, the first introduction to Katharina, by Gremio and Hortensio, tells that she is a shrew (1.I.54-60) and that she will never find a groom. When she first speaks we see her responding to these insults, but she was provoked so her words seem appropriate.
In Shakespeare's The Taming of the Shrew the elements of farce are exemplified in terms of character, plot, and writing style. The stereotyped characters in The Taming of the Shrew are typical of a farce. Katherina is an outstanding example of a farcical character. Katherina, although stereotyped as a boisterous shrew, can be portrayed as a person needing sympathy due to Baptista's favoritism. The quote, "She is your treasure, she must have a husband: I must dance barefoot on her wedding day…" (A. II S. 1 L. 36-37), makes it obvious that Baptista favors Bianca. In terms of plot, Shakespeare devises the plot to resemble a situation comedy. Although the subplot is more romantic, both the subplot and the main plot revolve around the principle of a favoristic father who is outwitted by his child and her lover.
find a wife. "I come to wives it wealthy in Padua; If wealthy, then happily in
many years. She is hurt and she seeks revenge. This is seen in Act II. Scene I, when Katherine sums up her own state: "I will go sit and weep." Till I can find an occasion of revenge" (35-36). It is an immature response. but the only one she knows, and it serves the dual purpose of cloaking her. hurt. The transformation, which she undergoes near the end of the play, is not one of character, but one of attitude. At the end of the play, we find out that her negative attitude becomes a positive one. & nbsp; The shrew is not a shrew at all beneath the surface. & nbsp; The play begins by introducing Katherine with her father's words of shame towards her when he offers his eldest daughter to the two suitors of Bianca. The audience is then given their first impression of Katherine.
In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
A Shakespearean scholar expanded on this, “The play enacts the defeat of the threat of a woman’s revolt; it does so in a comic form – thus so offers the audience the chance to revel in and reinforce their misogyny while at the same time feeling good” (Gay). The Taming of the Shrew at many points is just praising the men in the novel despite their behavior and putting down the women for being anything but perfect. The novel makes the actions happening comedic and the reader does not get upset at the things happening, but in reading further into it and comparing it to modern day, it is not hard to see the plain and simple abuse. Although gender roles are still prominent in today’s society, they are toned back. In contemporary versions of The Taming of The Shrew, such as 10 Things I Hate About You and Kiss Me Kate, the character Kate is always mitigated.
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The marriage formed between the two is a match made in heaven for two reasons. First, because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them.
Due to the patriarchal society of the Elizabethan era, women were expected to succumb to men and follow their orders. Shakespeare created Katherina in order to challenge Elizabethan society’s view that a dominant woman was a symptom of disorder . She has little respect for men and speaks bluntly A prime example of this is when she tells Hortensio that she will, “Use you like a fool.” Katherina employs the use of mockery, violence and a rhyming couplet in order to indicate her disdain of Hortensio. The simile also serves to demonstrate that she does not...
The Taming of the Shrew is one of the earliest comedies written by William Shakespeare. The Taming of the Shrew focuses a great deal on courtship and marriage. Especially the life after marriage, which was generally not focused on in other comedies. Notably, the play focuses on the social roles that each character plays, and how each character faces the major struggles of their social roles. Which plays into one of the most prevalent themes of The Taming of the Shrew. The theme of how social roles play into a person’s individual happiness. This is displayed through the characters in the play that desperately try to break out of the social roles that are forced upon them. This exemplified through the character, Katherine, an upper-class young maiden-in-waiting, who wishes to have nothing to do with her role.
marriage as well as being a wife is the proper role in life as did