Ta-Na-E-Ka ending story Mary fought with her grandfather, She ran out of the house. Mary ran into the woods, Slamming into a tree, she ran to the house crying. She met with her grandfather and he spoke loudly to her, “MARY! WHERE WERE YOU?” Mary spoke in defense, “I WAS IN THE WOODS YOU TOLD ME TO DO TA-NA-E-KA AGAIN!” Her grandfather replies, “YOU ARE LYING!” Mary spoke with a great roar, “LIES,I HAVEN’T LIED TO YOU A SINGLE SECOND!” Her grandfather pointed to the woods, “GO! NOW!” He called her back, “WHERE ARE YOU GOING!?” She replied, “TO THE WOODS!” She stomped off huffing Mary ran off into the woods she tripped on a rock while running she found a man towering above her with a black coat and a clown mask …show more content…
she was running and tripped she got up and ran as fast as she could she found a shack she flung into the shack getting shelter she found a pistol unloaded she couldn’t find any bullets so she just threw it at him (meh.) She jumps through a window grabbing onto a branch and pulling herself up, she falls onto her back, she gets up, she runs as fast as she can.
She hides behind a tree, ripping a branch off, the man followed, BAM! The branch slams into the man’s head, she laughs running, she finds a river flowing with fish and other aquamarines. She grabs a bass, she trips and falls into the river (Hey at least she takes a bath, right?) she scampers to get out, SUCCESS! She runs into a camp of men she hides behind a building with arms and other weapons in it she grabs a knife out of the building. (to help kill deer and stuff.) She runs into a deer on the way back to the area she was in, a deer rams into her, causing her to fly backward and land on her back. She struggles to get up, blood streaming down her arms she grabs the knife, slamming it into the deer. She runs, jumping over the river and almost tripping, she made a small camp with wood to make a small hut and a fire to keep warm, she heats the deer to eat. She cuts the deer into small strips to eat. She falls asleep in the hut, a Small pack of wolves approach her in the middle of the night she wakes up to the wolves biting her legs and arms. She saw the scars on her body, she struggles free she manages to kick one wolf in the lungs and stun it. Five days passed without her even knowing it. She sees her grandfather in the woods she asks him “Yes..?” He replies to her “Hello mary, It has been five days.” She seemed surprised “R-really!?” He replied “Yes.” He said to her “Let’s go.” She states “Yes sir.” Mary and her father were happy to be finished with
Ta-Na-E-Ka
For a long while, Mary oscillated between good and bad days. One day in May 1771, Mary wrote "I mourn that I had no more communication with God " On a day in September she cried out, "H...
“The only Mary story we talked about was the wedding story-the time she persuaded her son, practically against his will, to manufacture wine in the kitchen out of plain water.”
... call to be His servant. Embedded in Mary’s decision was the full awareness that she would suffer ridicule, contempt, and loneliness.
Living in Maryland, the narrator and her little brother Joey lived a very simple life. There mother had job that required many hours, and her father was unemployed and still in the process of trying to find a job. They lived in a very run down house in a very small poor community. One summer day, the narrator , Joey, and a group of kids from the community were bored and wanted to do something different. So,the narrator and the kids went down to one of the elders home, Miss Lottie. Miss Lottie was the old woman that everyone made stories about and for the kids they knew her as the witch. In the summer time Miss Lottie would always be in her front yard planting marigolds, which were an easy target to destroy. The kids all took part in throwing rock at Miss Lottie's marigolds, and the narrator was the coordinator. After they sprinted back to the oak tree, the narrator started to feel guilt for what she
Mary Warren’s basic goodness is demonstrated on many occasions. She has been hired by John Proctor to help his wife Elizabeth with household chores. Mary proves to be a kind girl who gets along well with Mrs. Proctor. Although Mary has become a court official in Salem, she still gets up early in the morning to clean the Proctors’ house. While in court, Mary passes the time by making Goody Proctor a present of a small rag doll called a poppet. Upset by the court proceedings, Mary tells Mr. Proctor that she is "all shuddery inside" because Goody Osburn will hang. When the poppet becomes false proof of witchcraft against Elizabeth, Mary willingly explains that the poppet is hers. She also makes a vain attempt to comfort John Proctor as the court officials drag his wife away in chains.
Mary Warren is in court admitting to the lies she tells earlier in the play, but is very unsure of herself. Furthermore the judge makes it worse by repeatedly asking “ Has he ever threatened you?” (Miller 101) after he hears her unsurety. Upon entering the court Abigail notices the weak state Mary is in. Taking advantage of this Abigail begins to pretend that Mary is performing witchcraft in the courtroom. Abigail begins to see a “bird” being controlled by Mary, yelling “ Oh, please, Mary!” Don’t come down.” (Miller 115). Just as Abigail did to Tituba she notices the effect her performance is having and continues the onslaught “Mary, please don’t hurt me!” (Miller 115) which sways the court more. This convinces the judge, Danforth, that he is witnessing witchcraft and he pleads “Mary Warren! Draw back your spirit out of them!” (Miller 116) to try and stop the madness. While this is going on Mary Warren keeps on attempting to defend herself, “They’re sporting!... Stop it!!” (Miller 116) but to no avail. Becoming overwhelmed by the situation Mary falters just as Tituba did and joins Abigail. This leads to Abigail being able to continue her lying and remain in control without opposition.
Near the middle of the story we see Mary exhibit her bad sinister character; her personality and feelings suddenly change when she murders her own husband by hitting him at the back of the head with a frozen lamb leg. After denying all of Mary’s helpful deeds, Patrick told her to sit down so that he can tell her something serious; the story doesn’t tell us what he says to her but Mary suddenly changes after he tells her something, her “instinct was not to believe any of it” (Dahl 2). She just responded with “I’ll get the supper” (Dahl 2) and felt nothing of her body except for nausea and a desire to vomit. She went down the cellar, opened the freezer, grabbed a frozen leg of lamb, went back upstairs, came behind Patrick, and swung the big leg of lamb as hard as she could to the back of his head killing him. This act of sudden violence shows how much she has gone ...
The Narrator’s family treats her like a monster by resenting and neglecting her, faking her death, and locking her in her room all day. The Narrator’s family resents her, proof of this is found when the Narrator states “[My mother] came and went as quickly as she could.
The way he remembers the story of Bloody Mary is that you have to be standing in front of a mirror. When retelling the story, he paused before specifying that you have to be standing in front of a mirror in the bathroom. You must be by yourself or else it will not work. You must turn out the lights, leaving only a small light on, such as a night light. Next, you have to say the name Bloody Mary thirteen times. He paused again, and then included that you must be turning around in a circle, wh...
Furthermore, Mary’s father was abusive in the family home to both Mary and her mother. A lifelong criminal, who was known to commit violent armed robberies, was not a good influence for Mary. Billy was often out of work, depending on earnings form Betty to sustain the house. It must be noted that there is some question if Billy is actually Mary’s father, given Betty’s profession; chances are great that Billy was just another victimizer in Mary’s lif...
birth, Mary returns to the school to find that it suffered during her absence with Fanny. Mary then
down with but she could not find him. She went down the hill by herself and was very
It was about one-thirty in the morning in the town of Homestead Michigan. The almost florescent light of the moon bouncing off the fresh puddles that covered the ground. The grass and trees were covered in a thin layer of water causing every little beam of light to reflect back up. Anyone who may have been outside at this time would have without double, smelled the mix of fresh dirt and night crawlers. As the moonlight started to fade away through the cloud cover, three buses made there way through the streets and parked in front of HHS, the local high school.
Ta tatau (tattoo) by Emma Kruse Va’ai, follows on a short narrative told by an eight-year-old Samoan girl. The young girl witnesses her father (Manu) have a complicated tattoo in the name of tradition. As illustrated in the short story, the traditional tattoo is of great significance to the Samoa people and is considered as a conventional practice. Moreover, it is marked as an essential part of their culture, and a ritual that also binds families together. The short narrative revolves around the young girl 's father getting tattooed revealing the Samoan culture as the story attains momentum. Ideally, the Samoan girl describes the tattoo in her father’s body as ink patterns that make a visible process that appears natural as the symbol completes.