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Blues in african american culture
African American contribution to rhythm and blues
Blues in african american culture
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Video Review #5
The title of this video is “The Land Where the Blues Began” and it is a documentary that was produced by The Mississippi Authority for Educational Television & Alan Lomax. The sometimes visible narrator is none other than Alan Lomax, a renowned ethnomusicologist and collector, as well as the son of John Lomax. The overarching theme in this documentary centers on exploring the roots of the blues. In the introduction of the documentary Alan Lomax talks about how blues belongs to everyone presently and has even created more recent genres such as jazz and rock n’ roll. In saying this Alan Lomax fears that the origin of blues has been forgotten. Throughout the video we are introduced to blues musicians who were whiteness the phenomena
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that was and is the blues and it became a part of their everyday lives. Similar to what we have seen and discussed in every chapter thus far this semester, again we seen music being incorporated into everyday work with the field workers slamming their hoes rhythmically along with the song that they were singing. The first musician that we are introduced to is Lonnie Pitchford, a one-stringed guitar player from Mississippi.
It is well known that many influential blues musicians and songs originate from the Mississippi Delta. The guitar that he plays strongly resembles the one string instrument from Africa. Lonnie also has a very interesting way of recreating the diddley bow on the wooden post of his home by nailing two ends of a wire very tightly. What I found most interesting about this crafting process is the means by which it was tuned which involved moving a small metal cylinder up and down the post in order to get the pitch that you want. I’d also like to note that the music specifically blues, was an essential if not the most essential thing in their lives. If turning part of your home into an instrument doesn’t convince people that it is you passion, then nothing will. The best thing about Pitchford is that he is making music because he loves it and can express himself. His motivations are based on filling up stadiums or selling …show more content…
records. Another interesting musician that we were introduced to was Napoleon Strickland. Strickland also plays the guitar and the fife. He actually shows us how he makes his fife which I think was important to include in this film because it shows that you don’t need money to make music. I pretty sure the only things he use to make the fife were bamboo/a stick, and a long thin piece of heated metal. Neither of which should be hard to come across. Later in the video we see Strickland playing along with drummers. In the clip that we see they seem to just be playing for fun or practice because there is no crowd or audience present to experience the performance. Despite the fact that there is no audience at this specific performance, Lomax explains that is was common for Strickland along with other musicians to play at summer picnics. I am pretty familiar with blues because I studied it last semester in African American music, but this film was helpful because I heard and saw some musicians that I had not seen or heard before.
Because of that it was useful in expanding my knowledge of not only blues, but of music in general. I understand that all music originated from earlier forms that were considered primitive, but I didn’t expect early blues to be as primitive as what we saw in the documentary. That being said, the simplicity didn’t take away from the quality of the music in my opinion, because I enjoyed every song and tune that I heard. I would have liked for this video to address why white musicians weren’t more involved in the blues. I think it would have also been useful if this video would’ve gone more in depth with the different styles of blues. Lastly I think this video could’ve been improved if it would’ve shown how blues has directly influenced popular genres we listen to today. I know this video is a few years old which is why it fails to address some of the questions, but overall it was a very informative video and I would recommend it to not only anyone doing research, but also to those who simply want to learn about the
blues.
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
While not true for everyone, people are a product of their environment. The surroundings that a person is exposed to, may have a direct influence on the decisions they make in life. Even if someone is smart and has great aspirations, the environment they are brought up in may be holding them back. People who make terrible choices and then are shocked by the consequences are simply coming from a context in which those weren't as bad a choices as they turned out to be. This is the case for Sonny of James Baldwin’s “Sonny’s Blues.” Although Sonny was an aspiring musician, the surroundings of Harlem would provide opportunities to make poor decisions that may not have been presented to him had he been in a different environment. For this reason,
In “Blame It On the Blues” the author Angela Davis, argues against critics, like Samuel Charters and Paul Oliver, who say that the Blues lacks social commentary or political protest, by saying that the Blues was a subtle protest against gender and racial inequality. Davis uses various songs from Ma Rainey and Bessie Smith to prove this.
Others do not explore the significance of how blues music relates to the commonly-agreed-upon basic themes of individualism and alienation. The chief value of living with music lies in its power to give us an orientation in time. In doing so, it gives connotation to all those indefinable aspects of experience, which nevertheless helps us make what we are. Works Cited • http://learning.hccs.edu/faculty/marie.dybala/engl-1302/research-paper-assignments-and-documents/baldwin-articles-on-sonnys-blues/Sherard%20Sonnys%20Bebop.pdfhttp://cai.ucdavis.edu/uccp/sblecture.html#bebop • http://wps.ablongman.com/wps/media/objects/1321/1353476/essays/jbgioia.htmlhttp://cai.ucdavis.edu/uccp/sonnylinks.html • http://introduction-to-literature.wikispaces.com/Baldwin+and+Sonny's+Blues http://davinci.choate.edu/dloeb/webpages/SummerSchool/sonny'sblues.htm http://www.marinaskendzic.com/essayscriticalpieces/baldwinssonnysblues.html • http://www.jstor.org/pss/2901246
This shows us how white people thought of African Americans as inferior, and they just wanted to dominate the society making no place for other races to express themselves. Even though African Americans were citizens of the state of Mississippi they were still discriminated against. This documentary does a great job of showing us the suffering of these people in hopes to remind everyone, especially the government, to not make the same mistakes and discriminate against citizens no matter what their race is because this will only cause a division to our nation when everyone should be
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
Blues has played an extreme role in todays’ music. The music genre of blues, helps us express ourselves in which you can feel it from the ubiquitous in the jazz to the blues scale and the specific chord progressions. To start off, the blues is musically originated by African Americans in the deep South of the United States. Growing up in a southern household, I was used to listening to a variety music, but blues was always most listened to. Every time I listen to blues, the lyrics often deal with personal adversity, and it goes far beyond pity.
In James Baldwin’s short story, Sonny’s Blues, he describes a story of pain and prejudice. The theme of suffering makes the readers relate to it. The story is told in the realistic point of view of Sonny’s brother. The setting and time of the story also has great significance to the story. From beginning to end, the story is well developed.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
For Stanley, the blues tell the stories of the African-American community. Some of the stories talk about the harshness of their lives, but they also talk about the good times they had. [People] play the blues to get rid of the blues not to get them." (Lamb, 1). When people play or even listen to the blues, they are letting all of their worries go. They are not worrying about their job, the bills, or their kids. They are just trying to enjoy the moment when the blues are playing. The blues are some people's release from the stresses of their lives.
The blues is a musical genre originated in the Deep South by African-Americans. This genre is characterized as a lament or as a melancholy piece of music performed through storytelling. Blues saw a rise in the late 19th century and attracted the attention of many party goers and city workers. By the 20th century, the blues expanded throughout the United States and to various parts of the world. One person that was particularly affected by this movement was Bessie Smith. As a youth, Smith performed throughout the city of Chattanooga, TN to raise money for her impoverished family. Venturing out into the streets of Chattanooga allowed for Bessie to be exposed to what was known as “secular” music. Eventually, Smith was able to launch her career
Guitars were used because they had a broad range of notes, they were portable, affordable, and they were permitted by slave owners at that time. The slave owners didn't permit drums because they thought the drums could be used to signal to each other. There were many beginning Blues musicians but only a few had their songs written, published, or recorded.
Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press.
The textbook describes the blues as “a creation of black slaves who adapted their African musical heritage to the American environment” (p.2). Further, when listening to progressive rock you can sort of hear traces of the blues in it. The Moody Blues is a band from the 1960s that started out as a blues group, but that shifted to a classic rock group in the mid 1960s. Robin Tower is the guitarist for Procol Harum, but before them he was the guitarist in the R&B band The Paramounts. Finally, Juthro Tull was also a blues band before switching to classic rock. All three of these bands have roots in different genres of music and this could have influenced their music in the rock genre to not quite sound like all the other rock groups. This goes back to what we were discussing in class on Monday September 11th how there is a fresh new sound that all the other musicians want to sound like, but more and more artists start adopting this new sound then the sound then becomes old. However, the textbook explains progressive rock as a hybrid form of music that than influenced bands in North America such as
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf