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As far as personal experience of creating and consulting monsters go, most individuals find themselves lacking. Victor Frankenstein, however, has an abundance of credentials. With his extensive history on the subject, one expects him to be a master of the art. Pity for Frankenstein arises naturally after learning of the disastrous results his studies imparted on his life. Upon closer evaluation however, pity transforms into antipathy. Pity for the monster, at first detestable, becomes much more prevalent upon closer scrutiny. Whereas Victor Frankenstein brings about his own destruction, the monster has little control in curbing the course of his personal misfortune. Frankenstein has the ability to avoid every sorrow he encounters in the story …show more content…
if he only recognizes the evil of his work. The monster has no chance for joy from the moment of his becoming aware, even when he actively pursues it. At first, Victor Frankenstein appears very competent, if not admirable, in regards to his intelligence and ambition.
He desires knowledge. He wants prestige. He seeks discovery. Frankenstein defines the ideal, passionate student. His pursues his goal with ardor and eagerness. Sympathizing to Frankenstein when he was a young, inspired, innocent pupil is easy. He is swept up in his world of possibilities of which he was rapidly learning. The strenuous acquisition of enlightenment invigorates him, “. . . from the midst of this darkness a sudden light broke in upon me. . .I was surprised that among so many men of genius, who had directed their inquiries towards the same science, that I alone should be reserved to discover so astonishing a secret,” (34). I empathize to the temptation of pride, but for Frankenstein, pride is his …show more content…
hamartia. Victor’s complete intoxication of his scrupulous undertaking sweeps away any residing sympathy. His reckless pursuit brings about his undoing. Had he disregarded what he could do, in lieu of what he should do, he would have avoided so much suffering. He knew what he sought after was horrific “as [he] dabbled among the unhallowed damps of the grave, or tortured the living animal to the lifeless clay” (36). His selfish pride and urge to affirm his own knowledge forbade him to forego his heinous effort, “. . . but I could not rear my thoughts from my employment, loathsome in itself, but which had taken an irresistible hold of my imagination,” (37). Frankenstein’s undoing results from his own brash decisions. The monster’s unfortunate fate, however, does not originate from himself. They result from the events and characters surrounding him. His very life is induced at the hands of a man. He learns by observing man. He develops his understanding by the treatment he receivs from man. The monster is a creature of consequence; the treatment of others constructs him. Therefore, he inspires pity more than repugnance. From the initial moments of his life, the monster faces a world without compassion.
His own creator cannot bear the sight of him, let alone his presence. He is not man, though he was created by parts of them. He is not a beast, though he has the strength of them. Circumstances and the abhorrence with which everyone reacts with when they see him forces the creature into solitude and desolation. He discovers his own self-hatred as well, “. . .when I became fully convinced that I was in reality the monster I am, I was filled with the bitterest sensations of despondence and mortification. Alas! I did not yet entirely know the fatal effects of this miserable deformity,” (90). The monster laments his existence, and acutely feels the absence of companionship. He seeks friendship but even the most gentle of souls cannot stomach the sight of him. The monster promises to leave, to separate himself from the rest of mankind so long as he receives a
mate. Is it wrong to desire a release from isolation? Frankenstein denies him this solace. He tears away the monster’s hope in front of his very eyes, “The wretch saw me destroy the creature on whose future existence he depended for happiness, and, with a howl of devilish despair and revenge, withdrew,” (139). The monster murders, destroys, terrifies. But had he received a little mercy, a little instruction, he would have acted differently. If he had a relief to the oppression of seclusion, the monster believed he could be happy. He swears to leave in peace. Instead, he faces dashed hopes and the constant reminder that others had what he could not. “Shall each man,’ cried he, ‘find a wife for his bosom, and each beast have his mate, and I be alone? . . . Are you to be happy, while I grovel in the intensity of my wretchedness?” (140). The weight of knowing he would never have a partner tormented the creature, but the idea of his creator securing that unattainable happiness tortured him even more. The creature swears that if he cannot attain his own felicity, neither can his creator. Despair rakes the creature to such an extent that nothing can dissuade him from dragging those around him into destruction, which is the point where it is difficult to feel sympathy. Sorrow and loneliness are afflictions that everyone feels. Feeling pain, however, does not excuse punishing every person that falls under your immediate visage. The monster declares this to be his intention, “I am miserable, and they shall share my wretchedness,” (78). His utter rage dominates his sense. He clings to this avarice and forfeits his other traits in order to target Frankenstein, “You can blast my other passions; but revenge remains- revenge, henceforth dearer than light or food!” (140). He decides to live his life in chase of the creator of his unhappiness, instead of in pursuit of his own future. The monster’s reaction arises from his lack of understanding. His creator rejects him, leaving him without education, without any love. Everything the monster contacts provide a lesson. These enlightenments are insufficient, however. He cannot solely develop a conscience by observation, which explains why his is so volatile. Whenever he interacts with people, they treat him cruelly due to his appearance. These reactions leave him with very little ability to grow. When the creature behaves evilly, he faces harsh judgement and cruelty. When he behaves kindly, he faces harsh judgement and cruelty. He cannot win. I feel sympathy for Victor Frankenstein for the motivations which led to his accursed venture. This feeling is lost for Frankenstein when he displays his utter disregard in meddling in dark occupations. He understands the vileness of his pastime, but is too infatuated with the idea of glory to abandon it. I feel sympathy for the monster in his desolation and in his solitude. This regard for the creature is lessened when he reacts with complete abandon and avarice to his tragic circumstances. Instead of searching for a different source of well-being, he decides to destroy every chance of Frankenstein receiving his. Though disproportional, his response warrants more understanding due to his situation. The monster did not receive sufficient education and never secured complete understanding of virtue. Therefore, he cannot be expected to live according to a moral code he does not have. Frankenstein has no such excuse. If Frankenstein behaved benevolently or wisely, the entirety of misfortune would have been averted.
I have empathy for the monster because he was not created to be evil. His creator Victor D. Frankenstein and the people he encountered after he was created, were the ones who were being hateful towards him. The monster was happy and had a kind heart towards the people he met , but his kind heart and pleasant demeanor was short lived. People started talking about him in a bad way and that made the monster angry and also it made him a product of his environment. This is how he became who he was.
creature does not want to be alive any more, as he does not love the world he lives in any more, and this is the world we live in. I think this is how Mary Shelley wanted to achieve ‘thrilling horror’, she created a monster that was so different to us on the outside but on the inside was very much alike, and it is frightening that we never really notice what he is like on the inside until the end. We now realise that from judging someone, it can have long lasting and damaging effects on them, and this is something that we can learn from Mary Shelley.
As the monster is abused by Victor is loses its compassion, and only seeks revenge. Victor, who never had any compassion for his monster, wants to get vengeance for the people who his monster killed. The monster has compassion at first, but the more Frankenstein tries to seek revenge on him, the less compassion he has. Frankenstein was shown compassion all his life because of his loving parents and their money so he does not have any compassion. Both the monster and Victor try to get revenge on each other, but neither succeeds. Overall, Mary Shelley is trying to prove that vengeance can take the place of compassion, but vengeance is pointless.
In conclusion, Mary Shelley’s Frankenstein shows readers how irresponsibility and the excessive need for knowledge can cause suffering among others as well as oneself. Victor never intends to cause such harm; however, he is not cautious and observant with his actions, which ultimately leads to his classification as a tragic hero. The desire to learn is most definitely a wonderful trait to have, as long as one’s knowledge doesn’t reach the extent that Victor Frankenstein’s unfortunately does.
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
In her novel titled ‘Frankenstein’, Mary Shelley employs many innovative literary techniques to elicit feelings of sympathy for the monster, even though the creature’s desire for revenge may render him incapable. Are readers able to respond compassionately to the creature even though he willingly makes Victor’s life miserable by murdering those close to him?
When he first awakens with a smile towards his creator, the creature is abandoned and learns by himself about how the world works. Despite his rough start in his new life, the creature experiences nature with no harsh emotions. “[The creature]... could distinguish, nothing; but feeling pain... Soon a gentle light and gave [the creature] a sensation of pleasure. [He] started and beheld a radiant form rise from among the trees. [He] gazed with a kind wonder” (Shelley 100). When the creature was a sobbing mess, he could have taken the chance to only let in anger and hate for the life he has been thrown into. But the creatures is distracted and in awe of the sunrise, a symbol of new hope and new start. Because of his hideous appearance, the creature receives negative reactions. “[The creature] entered... the children shrieked and... the women fainted. The whole village was roused: some fled, some attacked [him], until, grievously bruised by stones and many other kinds of missile weapons [the creature] escaped... [the creature]... miserable from the inclemency of the season, and still more from the barbarity of man” (Shelley 103). If the creature was a true monster, he would have fought back against the villagers. Because a true evil being would attack without hesitation. Because of his deformity, people automatical...
Can you imagine losing all of your loved ones to an evil beast? Or being abandoned by everyone you came in contact with? Mary Shelley portrays numerous emotions in Frankenstein. Sympathy and hatred are two that are constantly shown throughout novel. Mary Shelley enlists sympathy and hatred towards Victor and the monster by presenting them in different viewpoints. The views of sympathy and hatred towards the main characters change as the narration changes in the novel Frankenstein.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Frankenstein defied human boundaries when he created the monster and because of this not only his life, but the lives of others have also shifted, this has caused their lives to spiral into an unjustified conclusion. Curiosity was the main cause of him learning how to create such a thing, his lack of caring for the thing that he created led to his undoing. His motivation for creating life, comes from the fact that he lost someone dear to him. Although Victor was young when his mother died, it had serious effects on the way he viewed life and maybe even himself. Once you take on the father role you have to stick to it, otherwise creating life
creature is not to blame - it is the creator. For this reason, we feel
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
...luding intelligence, compassion, and emotions. The monster attempts to make friends with his peer humans, despite his continuous rejection. His efforts show that even the monster experiences vulnerability and desire for companionship. The monster proves his intelligence as he devises a plan to learn the English language by observing his neighbors. Meanwhile, Doctor Frankenstein lacks the human quality of intelligence as he fails to foresee the effects of taking creation of life into his own hands. The doctor also lacks compassion when he abandons his creation, the equivalent of a parent leaving his child. Frankenstein flees from his monster because he actually fears the monster as much as the rest of society due to its frightening stature. Doctor Frankenstein and his creation exemplify the qualities people should exude to consider themselves members of the human race.
Victor Frankenstein is originally a happy character that loves to learn and read a large variety of books. He was a fiery individual who sought to understand all knowledge; regardless of how practical the information was. Evidence of this is when his father tells him not to worry about fictional writers like Cornelius Agrippa. Yet, Frankenstein states, “But here were books, and here were men who had penetrated deeper and knew more. I took their word for all that they averred, and I became their disciple” (21). Frankenstein embodies the movement in science to understand everything, and that is not necessarily a good thing (Storment 2). Frankenstein only understands that this train of thought is bad when he reaches the pinnacle of knowledge and produces the creature. The fruits of Frankenstein’s labor end up costing him the lives of his friends and family, as well as his own sanity. The feeling of guilt thrives in Frankenstein because he knows his work was the direct cause of the chaos in his life. In Frankenstein’s case, his goal of total enlightenment led to his pitiful demise. Frankenstein’s creature was not originally a monster. He is born with good intentions and is a gentle- although atrocious looking- being until he learns of the sins of the human race. The ultimate factor in the creature’s progression from harmless to
Many readers have sympathised with Frankenstein’s creation, the unnamed monster, because he is badly treated by most people who he comes across. Victor created the monster with dead body parts that he got though grave robbing once he got all of the parts it took him 2 years to build a body. Victor is very obsessed with his work because he would not let any one help him or see him his fiancée is very worried he might be doing something he would regret.