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Recommended: Symbolism
When an author writes a short story, they often use symbolism to convey what they mean in as little words as possible; or to spread a message that is easier for others to grasp. “Young Goodman Brown,” by Nathaniel Hawthorne, and “Hills Like White Elephants,” by Ernest Hemingway, are two such short stories that make great use of symbolism throughout the work. “Young Goodman Brown,” a story that is nearly all symbolism, has to be interpreted properly; so that the reader might understand and learn from what he is reading. “Hills Like White Elephants,” a story that uses less symbolism than the previous story, is a story that uses symbolism to talk about something that was forbidden at the time that this story takes place. Both stories use different styles of symbolism, and hidden meanings, to convey what the author is trying to get across to his readers.
The symbolism in “Hills Like White Elephants” is very exclusive, but effective. Throughout the story, the hills are said to appear like white elephants, though only in color. The white elephant was a very rare and precious gift, but it was also very costly and could not be used as a beast of burden or killed (Weeks 77). So then we know that something is either seen as precious or as a very costly annoyance. This story starts out with a man and a girl having a conversation while waiting at a train station. The couple is enjoying drinks at a bar and the girl is talking about how the hills look like white elephants, although only in their color. The man seems to ignore her, since he has other things on his mind. The man then tells her it is “An awfully simple operation… It’s just to let the air in (Mays 790).” We now know what the white elephant is a symbol for, a child. The man wants...
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... get an abortion. Although these two stories use symbolism differently, they are still masterfully created by their authors; and they use symbolism in a way that helps us to grasp what they are trying to convey.
Works Cited
Hawthorne, Nathaniel. Young Goodman Brown. Charlottesville, Va: University of Virginia Library, 1996. eBook Collection (EBSCOhost). Web. 2 Mar. 2014.
Mays, Kelly J. "Hills like White Elephants." The Norton Introduction to Literature. 500 Fifth Avenue, New York, N.Y.: W. W. Norton & Company, Inc., 2013. 788-792. Print.
Walsh Jr., Thomas F. "The Bedeviling Of Young Goodman Brown." Modern Language Quarterly 19.4 (1958): 331. Literary Reference Center Plus. Web. 2 Mar. 2014.
Weeks Jr., Lewis E. "Hemingway Hills: Symbolism In 'Hills Like White Elephants'." Studies In Short Fiction 17.1 (1980): 75. Literary Reference Center Plus. Web. 2 Mar. 2014.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
Charters, Ann, ed. "Hills Like White Elephants." The Story and Its Writer: An Introduction to s Short Fiction, IV, 615-618. Boston: Bedford Books, 1995.
The 89-103. Literature Resource Center -. Gale. Renner, Stanley. A. Moving to the girl's side of 'Hills Like White Elephants.'.
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
Symbolism is commonly used by authors that make short stories. Guin is a prime example of how much symbolism is used in short stories such as “The Ones Who Walk Away from Omelas” and “Sur.” In both of these stories Guin uses symbolism to show hidden meanings and ideas. In “The Ones Who Walk Away from Omelas” there is a perfect Utopian city, yet in this perfect city there is a child locked in a broom closet and it is never let out. A few people leave the city when they find out about the child, but most people stay. Furthermore, in “Sur” there is a group of girls that travel to the South Pole and reach it before anyone else, yet they leave no sign or marker at the South Pole. Guin’s stories are very farfetched and use many symbols. Both “Sur” and “The Ones Who Walk Away from Omelas” have many symbols such as colors, characters, objects, and weather. The four types of symbols that Guin uses help the readers understand the themes in her short stories. Although her stories are farfetched, they need symbolism in them or the reader would not understand the theme; therefore the symbols make Guin’s stories much more enjoyable.
“The Hills Like White Elephants” is a short story that is about an American man and a girl called Jig. They are sitting at a table outside a train station, waiting for a train to Madrid. While they wait they order drinks and have a heated ongoing conversation over whether or not Jig will have an operation that would be of great significance to their relationship. “The Hills Like White Elephants” by Ernest Hemingway has two important symbols in the story, the hills and the drinks both of which help to give us a better understanding of what is going on between the American and his girl.
Hemingway provides the reader with insight into this story, before it is even read, through the title. The girl in the story mentions the hills that can be seen from the train station and describes them as looking like white elephants. Jig is at a crossroads in her life, accompanied by her partner. She is pregnant and cannot decide whether to choose life for the baby, or to get an abortion. Throughout the story, she experiences persistent uncertainty over what she wants to do with her life. Whatever decision she makes will have a drastic impact in her later years as a woman. While seated at the bar inside the train station, the girl says, “The hills look like white elephants” (Hemingway). The hills that are spotted in the distance directly parallel the decision that Jig must make. Critic Kenneth Johnston was recorded stating, “A white elephant is a rare pale-gray variety of an Asian elephant held sacred by the Burmese and Siamese. The girl’s reverence for life is captured by this meaning of the phrase.” Johnston also says, “A white ...
In Hemingway’s realistic story, “Hills like white elephants” an idea about the plot is given from the author. He states that the couple waits at a train station for the next express train to come by and take off to their next destination, Madrid. While they wait, they go to a nearby bar to have a few drinks and talk among themselves. In this setting the author shows how the woman seems to be focused at the lines of the hills. He describes the hills to appear white in the sun, and the view to be brown and dry. This proves how Jig imagines the hills to appears as white elephants. “They look like white elephants” (Jig line 20). Hemingway makes the reader believe that white elephants symbolize something big and noticeable. In this case, white elephants are used as the big meaning behind the pregnancy.
In conclusion, the short story ‘Hills like White Elephants’ contains symbolism to a high degree. The most important of all symbolism is perhaps the "white elephant". As we all know, a white elephant is a gift that nobody wants. To correlate this to the story, the white elephant is the baby who wants to abort template hesitant.
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
While reading short stories, two stood out: Ernest Hemingway’s Hills Like White Elephants and Raymond Carver’s Cathedral. The themes in both stories are powerful and convey strong messages that really pose existential thoughts. Not only is each story’s theme attention grabbing, but so is the common and reoccurring use of symbolism throughout the stories. They did not just use the Element of Fiction symbolism, but even used one common symbol. Ernest Hemingway’s story Hills Like White Elephants and Raymond Carver’s story Cathedral each contain existential and similar themes such as talking versus communicating and looking versus seeing, as well as demonstrating creative and comparable symbolism throughout.
Hills Like White Elephants displays the differences in the way a man and a woman view pregnancy and abortion. The woman looks at pregnancy as a beautiful aspect of life. In the story the woman’s pregnancy is implied through their conversation. She refers to the near by hills as elephants; "They look like white elephants" (464). She is comparing the hills to her own situation, pregnancy. "They’re lovely hills. They really don’t look like white elephants. I just meant the coloring of their skin through the trees" (465). Just as the hills have their distinct beauty to her, she views pregnancy in the same fashion making the reference to the hills having skin—an enlarged mound forming off of what was once flat. The man views pregnancy just the opposite. When the girl is talking about the white elephants and agrees that the man has never seen one, his response is, "I might have, just because you say I haven’t doesn’t prove anything" (464). This shows the defensive nature of the man, and when the woman implies the he is unable to differentiate between what is beautiful and what is not.
---, "Hills Like White Elephants." The Short Stories of Ernest Hemingway. New York: Charles Scribner?s Sons, 1953. 273-278.
Hawthorne, Nathaniel. “Young Goodman Brown.” The Norton Anthology of American Literature. Ed, Nina Baym. 6th ed. 2003 1263-1272.
This short story is filled with symbolism, some of which the reader may never find. The title itself can be analyzed a lot deeper. The “hills” refers to the shape of the female body during pregnancy and the “white elephants” symbolize a property requiring much care and expense and yielding little profit (merriam-webster.com). The story is about a man and a woman taking a train to get an abortion. The train is supposed to show change and movement, something this couple appears to need because their life is very routine.