The Strange World of Sula Peace
Strange, a word that does so well to fit the going ons within the world of Sula Peace. From the strangeness of Bottom’s residents, to the five strange occurrences that tout the superstitious attitudes of these characters, oddities seem to permeate Toni Morrison’s work. The Bottom, a ramshackle collection of dozens that think the,
By taking a step back, one can analyze not only the five specific strange things that Morrison create but the strangeness of each character, their relationships and their settings.
Sula Peace, a supercilious girl is the epitome of strange in the eyes of everyone in town. Her rose birthmark, her mother Hannah Peace, the evolving house she lives in, and the assortment of individuals that she has as her company within the home seems to all...strange. However, what is discovered throughout the text is that, much of this ‘strangeness’ is truly a matter of perspective. That being said, due to the towns incredibly superstitious attitude and mindset, a tumbleweed
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could roll through the street and they might think there’s an omen associated with it. What one can hone in on is Eva’s house, “...a house of many rooms that had been built over a period of five years to the specifications of its owner, who kept on adding thing…” (30). The house seems to exemplify the strangeness that occurs within the novel, while there seems to be a disorder to its architecture, and a craziness about its inhabitants, it somehow seems to work. Like the house Sula and her unconventional lifestyle seems to thrive in the chaos that comes with disorder and yet functions just fine. Without digressing, the topic at hand is that of the strange occurrences that Toni Morrison intertwines within her story and by using dark, resonant language she breathes new life into the plot and narrative. With Hannah Pearce and her inability to like her daughter Sula, the first strange occurrence mistakenly happens, as Sula unfortunately overhears her mother talking with her friends and blurting out the truth. This lack of a motherly instinct is what strikes a chord deep within Sula and allows her to remove herself from that familiar bond one would normally have with their family. As a result when the sequence of strange occurrences that follows there is little surprise as to why Sula acts the way she does towards both Eva and Hannah. What Morrison does strikingly well is play on the small subtleties of these relationships and uses them to her advantage as the piece plays itself out. Not until the end of the novel does one realize why Sula only stands with an interested look upon her face as her mother burns to death, or even why she put her grandmother away in a home. Sula is fraught with strained relationships and at times it is difficult to catch onto the hints that Morrison leaves scattered throughout, as to what the meanings of certain scenes are.
Such as the theme of fire and water within the confines of death and life. Eva thinks her son is in need of release as he did back in his early life and as such she sets him on fire to give him a ‘rebirth’. It is extremely strange that the intentional death of her son is later followed by the accidental death of her daughter by immolation as well. Furthermore, Sula’s killing of Chicken Little does little except strengthen the Morrison using a negative character or situation that results in a positive result. In this case, Nel and Sula’s bond with each is strengthened to new heights from this experience. It even serves as a pivotal memory at the end of the novel when Neil comes to the realization that this connection with Sula was what she has been craving her whole
life. Morrison’s most developed characters are the women, who are fiercely independent and practically bulldoze over the minor characters that seem to get in their way. Sula specifically manifested herself as a strong independent character from her early childhood. Furthermore, Morrison uses this as an opportunity to address the issues of sexism, racisms and a patriarchal household. It is seen within both Nel’s and Sula’s lifes that the women are who take command of their lives. Sula also greatly diverges from the Victorian style of writing in that, Sula Peace takes control of her sex life and makes the meaning of love and sex to be something that is unique to her. However, due to her upbringing there was little in place to teach the social norms and what is associated with sleeping around. Regardless, Sula makes her way to live a rich and adventurous life that doesn’t interact at all with the conventional side of life that Nel resides in. This is what seems to put her in the same category as Shadrack in the eyes of the townspeople, she is someone who does not follow their traditions and ways of living, therefore she’s a strange oddity who must be watched constantly. Morrison ends the books with Sula’s death and Nel finally realizing what she had been missing all along, but never brings any resolution to Eva’s character, the Peace’s house, their residents or that of Bottom. The hints that Morrison leaves behind creates a tantalizingly frustrating picture of what could happen to the residents of Bottom.
Toni Morrison’s novel Sula is rich with paradox and contradiction from the name of a community on top of a hill called "Bottom" to a family full of discord named "Peace." There are no clear distinctions in the novel, and this is most apparent in the meaning of the relationship between the two main characters, Sula and Nel. Although they are characterized differently, they also have many similarities. Literary critics have interpreted the girls in several different ways: as lesbians (Smith 8), as the two halves of a single person (Coleman 145), and as representations of the dichotomy between good and evil (Bergenholtz 4 of 9). The ambiguity of these two characters allows for infinite speculation, but regardless of how the reader interprets the relationship their bond is undeniable. The most striking example of their connection occurs right before the accidental death of Chicken Little. In the passage preceding his death, Nel and Sula conduct an almost ceremonial commitment to one another that is sealed permanently when "the water darkened and closed quickly over the place where Chicken Little sank" (Morrison 61):
The people of the Bottom in Medallion, Ohio “knew Shadrack was crazy but that did not mean that he didn't have any sense or, even more important, that he had no power” (Morrison 15). In Toni Morrison’s novel Sula, Shadrack is a brief, but largely considerable character. His significance stems from the fact that he personifies one of Morrison’s main themes in the novel, which is the need for order, as well as that he serves as human embodiment of the community’s repressed feelings. As is often the case with any introverted emotion, the townspeople’s eventual acceptance of Shadrack causes both liberation and grief. However, Shadrack is not a sage, omnipotent being; he is merely an undiluted representation of the thoughts which others within the community cannot and will not express.
Davis, Cynthia A. "Self, Society, and Myth in Toni Morrison's Fiction." Contemporary Literature 23.3 (1982)
The lack of support and affection protagonists, Sula Peace and Nel Wright, causes them to construct their lives on their own without a motherly figure. Toni Morrison’s novel, Sula, displays the development of Sula and Nel through childhood into adulthood. Before Sula and Nel enter the story, Morrison describes the history of the Peace and Wright family. The Peace family live abnormally to their town of Medallion, Ohio. Whereas the Wrights have a conventional life style, living up to society’s expectations.The importance of a healthy mother-daughter relationship is shown through the interactions of Eva and Hannah Peace, Hannah and Sula, and between Helene Wright and Nel. When Sula and Nel become friends they realize the improper parenting they
In the book Sula by Toni Morrison, Morrison’s ambiguous link between good, evil, and guilt, she is able to show that these terms are relative to each other and often occur mutually. In her comparison of good and evil, Sula states that "Being good to somebody is just like being mean to somebody. Risky. You don't get nothing for it" (145). Good and evil are being compared as if they are equal and that is how the book is structured. For instance, Eva's burning of Plum is a complex conjunction of motherly love and practicality and cannot be described as simply being a good act or a bad one. The killing of Chicken Little is a similarly ambiguous situation from which Sula and Nel's feelings are unclear. Lastly Sula, upon her death bed, questions what it means to be good and suggests that it what may be considered bad could in reality be good. Both in the syncopated style of Morrison's writing and the morally ambiguous portrayal of characters, cause the reader to question morals and think about them on a larger scale.
Sula by Toni Morrison is a very complex novel with many underlying themes. Some of the themes that exist are good and evil, friendship and love, survival and community, and death. In Marie Nigro's article, "In Search of Self: Frustration and Denial in Toni Morrison's Sula" Nigro deals with the themes of survival and community. According to Nigro, "Sula celebrates many lives: It is the story of the friendship of two African-American women; it is the story of growing up black and female; but most of all, it is the story of a community" (1). Sula contains so many important themes that it is hard to say which one is the most important. I agree with Marie Nigro when she says that Sula is a story about community. I believe that community and how the community of Bottom survives is an important theme of the story. But I do not believe that it is a central theme of the story. When I think back on the novel Sula in twenty years, I will remember the relationship and friendship between Nel and Sula. I will not remember the dynamics of the community.
In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.
Morrison shows readers a side of American History rarely seen. She shows the deepness of prejudice and how many different ways it has effected people. While she does this she also tells a story of soul searching, Milkman tries to find himself among many people who are confused and ate up by hate and prejudice. In the end, he is able to find who he is and where he stands on all of the issues that are going on around him. When he gets this understanding Milkman retrieves, and achieves his childhood dream of flying.
Through the negative experiences that she has had with motherhood, Sula does not want to become a mother. She sees Hannah’s sadness and frustration with Eva and recognizes her poor relationship with Hannah and does not want to repeat it. Sula’s insufficient relationship with her mother is exposed when Sula watched her mother burn and die. Sula does not attempt to help her mother, she only stands silently and watches her mother die. Eva notices this but, “remained convinced that Sula had watched Hannah burn not because she was paralyzed, but because she was interested” (78). This shows her lack of care for motherhood. She does not have kids and dies without having any. But during her life, she ends up in a similar situation as her mother She focuses only on men and people begin to hate her for this. She begins to take friends’ and neighbors’ husbands the same way Hannah did. Sula even turned on her only friend, Nel, and took her husband too. She is the reason that Nel’s husband left her. Sula adopted the same principles as her mother, and Hannah was shaped by Eva.
There are many aspects of story that come together to create a complete narrative. A lot of the tools used by writers are intentional and serve the purpose of driving home certain aspects of the story or creating and engaging, and entertaining narrative. Toni Morrison—the author of Sula—is no different. Morrison employs many writing techniques and tools in her narrative Sula. It is important for the reader to be aware of and understand some of these narrative tools that the author uses because it allows the reader to gain a better understanding and appreciation for the narrative. In Sula a few narrative techniques that allow for the argument of women experiences to shine through are the use of a third person narrator, and gaps; throughout the story these tools allow the reader to become interested in and focus in on women experiences.
Racism and sexism are both themes that are developed throughout the novel Sula, by Toni Morrison. The book is based around the black community of "The Bottom," which itself was established on a racist act. Later the characters in this town become racist as well. This internalized racism that develops may well be a survival tactic developed by the people over years, which still exists even at the end of the novel. The two main characters of this novel are Nel Wright and Sula Peace. They are both female characters and are often disadvantaged due to their gender. Nel and Sula are depicted as complete opposites that come together to almost complete one another through their once balanced friendship. Nel is shown to be a good character because she plays a socially acceptable role as a woman, submissive wife and mother, while Sula conforms to no social stereotypes and lets almost nothing hold her back, thus she is viewed as evil by the people in her community. Both women are judged by how well they fit into the preconceived social conventions and stereotypes that exist in "the Bottom."
In the novel Sula, there were other important characters besides Sula. The character in this book I would like to focus on most is Eva Peace. Eva is a woman who has a disability but remains strong, and this will be the focus of this paper since it wasn’t focused on so much in the book.
In Toni Morrison’s novel Sula, the theme of the story is good versus evil. It’s embodied into the story in various forms to question what defines right and wrong. Good versus evil is presented in forms that are understood on the surface and beneath the surface which gives it multiple meanings. The relationship between Sula and Nel is the main expression of this theme, however, there are also many other contributors such as color schemes, gender and race differences, and life and death. This theme sheds light on the significance and interpretation of issues of everyday reality which includes controversies related to identity struggles, super natural forces, the impact and relevance of upbringing on development, family structure, and racism. Morrison demonstrates the importance of good versus evil with her writing in the way that she overlaps them and interprets them as products of one another. The friendship of Sula and Nel creates a presence of good and evil within their relationship to each other and their community.
Often in nature organisms rely on one another to survive. Relationships in which each partner gives equally are called symbiotic. The two partners live harmoniously along side one another depending on each other but still have the ability to stand and act alone should they need to. However, these perfect relationships do not always exist. Sometimes, certain organisms take more than they give and as a result the other organism suffers. Those that do this are called parasites. In Toni Morrison's novel, Sula, Sula Peace and Nel Wright demonstrate a symbiotic relationship gone awry. The two start off learning from each other and giving to each other equally, but as they spend more time together Sula seems to thrive and Nel seems to wither away. The relationship does not continue in this manner for Nel realizes that in order to survive she must remove Sula from her life and reverse the negative effect of their relationship. Using the relationship that she develops between Nel and Sula, Morrison implies that codependence can be compromising to oneself, suggesting that if one cannot stand on their own the result will be fatal.
In Toni Morrison’s novel, Beloved, Morrison uses universal themes and characters that anyone can relate to today. Set in the 1800s, Beloved is about the destructive effects of American slavery. Most destructive in the novel, however, is the impact of slavery on the human soul. Morrison’s Beloved highlights how slavery contributes to the destruction of one’s identity by examining the importance of community solidarity, as well as the powers and limits of language during the 1860s.