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Edgar allan poe analysis writing
Edgar allan poe analysis writing
Edgar allan poe analysis writing
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Another example of symbolism used in the story is when the shapeless splotch of white hair on the black cat is signified as a structure to hang criminals, bringing the narrator into madness by the cat’s physique, During one night drunk at a tavern, the narrator who had just finished off Pluto finds a cat who looked exactly like the one he had killed, but with a minor difference, just a white shapeless splotch on its breast. Noticing its affection for him, he took the cat in as his pet, but soon found himself being annoyed by it, and then that feeling turned into hatred. However, he still kept it as a pet until he nervously and frantically realized the white splotch actually meant. He said, “This object, above all, made me hate and dread the monster. I would have gotten rid of it had I …show more content…
dared. The white patch was not the image of an awful-- of a ghastly thing! It was the GALLOWS! --the sad and terrible machine of Horror and of Crime, of Agony, and of Death (Poe 52)!” The black cat had a splotch of white hair that took the shape of a gallows, to remind the narrator of his crimes he has committed. It signifies his death by hanging, as he was later caught of his crime and sentenced to death in which the black cat stood at the corpse in sight of this. Furthermore, it teaches a lesson to be wary of your perverseness, and that whatever crime is committed will never go unpunished, whether it be imprisonment or even living your whole life with guilt, dealing with yourself as a murderer. Through symbolism, it gives objects and such deep meaning in future events that will show the consequences by not being wary of your life decisions, leading to your outbreak of your perverseness. Personification gives a lifeless object, animal, or idea humanlike qualities to display just how difficult it is to refrain from doing the wrong and why you should be more careful of the choices you make before its influence ultimately releases your perverseness. One example of personification used in the story is to show his perverseness taking over him without him consciously letting it do so, leading to the death of Pluto by his own hands. During the rising action of the story, the narrator began consuming alcohol, which led to his physical abuse against his animals and to his wife.
At one night, he cut off Pluto’s eye, which would develop into his perverseness leaking out. Finally, the perverseness has all but taken over him, “As I said, this spirit of perverseness finally defeated me. My soul longed to torment itself--to be violent to itself--to do wrong just for the sake of doing wrong. This mysterious longing urged me to continue and finally to finish the injury to the innocent brute. One morning in cold blood, I slipped a noose about its neck and hung it from the limb of a tree. I hung it with tears streaming from my eyes and with bittersweet remorse (Poe 24-25).” This quote shows the result of his alcoholism, which is his outburst of perverseness into his murder of his cat Pluto. Additionally, the term “finally defeated me” explains how he has always had it like anyone else would, but his has grown formidable enough to take over him, since he killed Pluto knowing how sad he would be by its death. It exhibits how if you are not wary of yourself turning evil, whether or not you or happy about what you are doing, it could lead to an unfavorable outcome. Another example of personification used in the story is to show perverseness as the only
thing that can cope with him when he realized his crimes, to show how far he has fallen down in humanity, and that he can no longer climb back up to how he used to be. During the story, the narrator had been drunk at a tavern again after the events of him physically abusing those around him and murdering his cat Pluto. He spots a black cat who was nearly identical to the one he had murdered, Pluto, so he took it in as a pet but soon found himself annoyed by it, and later loathe and despised it. After discovering the true meaning by the white splotch of hair on the cat, he started to fear it leading to this, “Under the pressure of these torments, the last little bit of good within me disappeared. Evil thoughts became my only friends--the darkest and most evil of thoughts. My usual moodiness increased until I hated everything and everyone. I did not even try to control my many sudden outbursts of anger. My uncomplaining wife was usually the victim of my fury (Poe 55).” By personifying his “evil thoughts” as his only friends, it showed his loneliness and him accepting his perverseness. When faced with the truth that he is a criminal, his perverseness would take over him completely, losing all the little bits of remorse and guilt he had for others. Due to this, he would later find himself murdering his wife in pure anger. As shown numerous times, if he had just avoided alcohol in the beginning, none of these terrible things would happen to him and those around him. Personification brings perverseness as a sort of demon and companion for the narrator as he struggles to cope with what’s right or wrong, ultimately choosing it as his companion and leading to serious consequences. By looking at irony, symbolism, and personification in this story by Poe, one can see that everyone has the spirit of perverseness, which is important because one must be careful of the choices they make in life. Irony is used in the story to better grasp how big of an influence perverseness has on someone, which dissipates bonds between one another. On the other hand, symbolism is applied in the story to show the black cat as sort of a grim reaper for the narrator after all the crimes he has committed. Personification is utilized in the story to show how difficult it is to escape the spirit of perverseness, and why you should make the right choices before things get out of hand. In the story “The Black Cat,” much like Poe’s other stories about the macabre and/or mystery, are largely influenced by his tragic and unfortunate life plagued by alcohol, blood, death, and poverty. His argument of perverseness and the choices you make in life is something he has experienced before, and he creates this story to indirectly warn readers about this, so they won’t make the same mistake he had done with his life. With the choice only given to you, how will you shape your life?
In living his life and even in his manner of negotiating death, Poe was a captive of the imp of perversity. But with art as his shield, the realms of perversity became a haven for his troubled soul. . . Perversion is a complex strategy of mind, with its unique principles for regulating the negotiations between desire and authority. To achieve its aims, the perverse strategy employs mechanisms of mystification, concealment and illusion, devices characteristic of the tales of Edgar Allen Poe. The perverse strategy is, as Poe might have put it, a faculty of human soul. (46)
Black Humor in Vonnegut's Cat's Cradle The phrase Black Humor has the broad meaning of poking "fun at subjects considered deadly serious or even taboo by some"2. This definition is simple, and yet embodies an important idea that is often lost in more complex definitions: the idea that Black Humor can actually be "fun", and provoke laughter. This is not, of course, the only important aspect of the term, and I shall explore some of the other important defining features of Black Humor before moving on to discuss its use in Kurt Vonnegut's Cat's Cradle3. Many critics have attempted definitions of Black Humor, none of them entirely successfully. The most significant recurring features of these definitions are that Black Humor works with: absurdity, ironic detachment4; opposing moral views held in equipoise, humanity's lack of a sense of purpose in the unpredictable nuclear age, the realization of the complexity of moral and aesthetic experience which affects the individual's ability to choose a course of action5; and a playing with the reader's ideas of reality6.
Symbolism “acts as webbing between theme and story. Themes alone can sound preachy, and stories alone can sound shallow. Symbolism weaves the two together” (Hall). Symbolism uses the story to convey the theme. Darkness is used in the novel to show the secrecy and lies that the story has. The whole story involves secrecy among two women and a man. Without symbolism the story would just have a very dark house and two very mysterious and disturbed women. Instead there is a feel of secrecy right from the beginning. Symbolism gives the story excitement, while also providing the reader with a good read. The author can read the first few pages and determine the story is not a happy
In almost every story, one can find symbolism throughout the text to help the reader better understand what the writer wants the reader to takeout from his/her story. Symbolism is something that must be analyzed and explored to experience a deeper meaning to the story. Sometimes, symbolism throughout a story may not be noticeable when first read, but going back to analyze the text can add a deeper meaning to words and can also help to enhance the meaning behind the story line. In some instances, symbolism can leave a reader to ponder what the writer is trying to express with the symbolism used in the story; for symbolism can be interpreted differently and can have many layers of meaning to it. Some good examples of short stories that use symbolism to extend the meaning behind the story line are “The Lottery,” “The Jilting of Granny Weatherall,” and “The Jury of Her Peers”.
I chose to focus my ideas and thoughts on Stan Brakhage’s film Cat’s Cradle. When I watched the film the first time around I was intrigued by the profound filming in the short film. In only six minutes Brakhage gave us so much information. My favorite part about Brakhage is that he declined to use sound in his Avant-garde films. Cat’s Cradle captured its audience with its intense dark hues of orange and red. The director Stan Brakhage set the beautiful and gentle mood. Although the Cat’s Cradle is a short film it does bring up big social issues regarding domestic roles in the household.
Lucio Fulci 's The Black Cat is featured in Arrow 's phenomenal Edgar Allan Poe 's Black Cats Limited Edition, which also features the fantastically named Sergio Martino film Your Vice is a Locked Room and Only I Have the Key (the review can be read here). The Arrow Box set is limited to 3000 copies and comes with an impressive limited edition 80-page booklet containing new articles on the films, Lucio Fulci’s last ever interview and a reprint of Poe’s original story. The box set contains the two films in a nice hard cardboard case and each film also has reversible sleeves showcasing the original and newly commissioned artwork. It 's a stellar package and worth the price. Now, with that said, let 's get on with the review of Fulci 's The Black Cat, which is a very loose adaption of Poe 's Black Cat short story.
Symbolism is the use of a person, place, or thing to represent an idea or quality. In the story The Yellow Wallpaper is filled with symbolism the pattern of the wallpaper, the moonlight, and the house. The pattern of the yellow wallpaper can be seen as a cage. This can be why the narrator feels like she is trapped inside the wallpaper. The moonlight can symbolize the narrator because during the day she remains motionless due to her husband watching her and at night she creeps through the room and remains alert and awake. “At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by...
The narrator explains himself as a loving and caring person who was fond of animals. The narrator in this story implies, “From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions, I was especially fond of animals, and was indulged by my parents with a great variety of pets” (Poe 718). This is shown by the amount of animals he and his wife owned. His favorite pet was Pluto and its name symbolizes evil and misfortune. Pluto is the mythological god of the dead and ruler of the underworld. An article states, “Poe drew upon superstition about cats as sacred and as having special powers, as well as upon medieval beliefs that black cats were Satan’s favorite disguise when he roamed the earth” (Sova 1). Poe probably picked the black cat as the narrators pet because cats are very mysterious creatures and black cats have many myths of being bad luck and associated with
Next, symbolism is always an integral part of any Poe story. The most obvious of symbolic references in this story is the cat’s name, Pluto. This is the Roman god of the underworld. Pluto contributes to a strong sense of hell and may even symbolize the devil himself. Another immensely symbolic part of “The Black Cat” is the title itself, since onyx cats have long connoted bad luck and misfortune. The most amazing thing about the symbolism in this story or in any other of Poe’s is that there are probably many symbols that only Poe himself ever knew were in his writings.
In society, one can read about drinking and murder often on reading the newspaper or watching the news. In fact,impacting on drugs soon ascend due to instances of addiction, psychotic behavior, upheaval, assault and death .This idea is explored in “ The Black Cat” by Edgar Allan Poe. Similarly, in “In The Black Cat” alcohol as a plot device is also significant because Edgar Allan Poe was an reputedly uncontrollable drunk throughout his lifetime. The narrator mentions that there is no disease worse than alcohol, and readers can infer that perhaps Poe was commenting on his own addiction and how it changed.To summarize, the narrator is in a custody waiting to
He brutally describes him stabbing the cats eye, "I took from my waistcoat-pocket a penknife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket"(p5) Pluto’s perspective of his master went from loving to fear and recognizing cruelty, experiencing both a literal and physiological change of vision. From then on Pluto sees his master differently, and sees the world differently as well in result of his now one eye. Additionally, the reader's eyes for his cat are sharpened and changed at this moment as well. The madness in the Black Cat then escalates when the narrator's hatred for Pluto consumed him, and he hangs him outside the garden.Mysteriously, when coming home drunk a few weeks after the murder of his cat, a black cat similar to Pluto appears in front of the narrator, missing an eye as well but has white fur on its stomach unlike Pluto. He brings the cat home in hope it will replace the cat he now misses and remorses for killing. Soon his liking for his cat turned to bitterness and hatred. The madness inside of him decreased with the death of Pluto, and returned with
The story is told through the subjective viewpoint of the narrator who begins by telling the reader he is writing this narrative to unburden his soul because he will die tomorrow. The events that brought him to this place in time have “…terrified, tortured and destroyed him” (Poe). This sets a suspenseful tone for the story. He blames the Fiend Intemperance for the alteration of his personality. He went from a very docile, tenderhearted man who loved his pets and wife to a violent man who inflicted this ill temperament on the very things he loves. The final break from the man that he once was, is the “…spirit of PERVERSENESS” (Poe 514). He describes this as doing something wrong because you know it is wrong. Evil consumes his every thought and he soon develops a hatred for everything. “Speaking through his narrators," Poe illustrates perversit...
Poe begins the piece with the audience doubting the narrator. One instance where the narrator indicates his mental state is when he says “My original soul seemed, at once, to take its flight from my body.” This is of course not possible. Souls are imaginary. The narrator knows he sounds insane, and that thought most likely upsets him. Throughout the piece the narrator thoughts become more jumbled and frantic. This can be indicated by the dashes in the story. The dashes become more frequent near the end of the piece when he is truly losing his mind. Another claim the narrator makes is about the supernatural. He sees pictures on the walls of his burnt house and an image of the gallows on the second cat. Part of his insanity could be attributed to guilt. The second cat and the “rope about the animal’s neck” displayed with “marvellous” accuracy was a projection of guilt from the narrator. Even when he said he felt no remorse for killing Pluto, the reader can infer that the narrator is projecting his guilt onto the second cat. His “guilt” in the form of the second cat in turn is driving him mad. The guilt may be eating away at the narrator, yet he continues to claim that he feels nothing. However, the narrator is a narcissist and will not admit he feels guilt. Poe indicates in the story that the narrator’s internal struggle worsens as he becomes “more moody, more
He states that he has begun neglecting his pets and mistreating them. At first, he is hurting all of his animals except Pluto, but then he talks about how his disease grew upon him. The narrator proclaims, “for what disease is like Alcohol” (Poe 38). He is relating alcoholism to a disease in the sense that it takes over his life, and he has no control over what he is doing and what is going on with him. He is harming his animals, whom he loves very much, because of alcoholism. He also states that “a demon instantly possessed me” (Poe 38). This further explains the fact that the narrator is no longer in control of his actions. His word choice in these two quotes emphasize that this is from the gothic era and that it is supposed to be a depressing story. He is essentially comparing alcoholism to a disease and demonic possession, which are two topics that are not very happy, but characteristic of gothic literature, and they set the scene for the rest of the
The context of the work is set between 1939 and 1944, in Danzig (Germany). But the narrator, Pilenz, tells the story about Mahlke and their adolescence, some years later, when he is already an adult. Pilenz's aim of writing this story is making a kind of catharsis in order to remove a feeling of guilt. This feeling of guilt is mainly due to the fact that, his high school fellow, Mahlke, died drowned into the sea at the end of the Second World War.