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Use of Symbolism
Use of Symbolism
Significance of symbolism in literature
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“Greasy Lake" is the story of a group of teenage boys, some what wanna be tough-guys, searching for the one episode that will establish their place in the tough-guy world. The story starts with the narrator giving us the impression that he thinks that he and the others should have taken notice of some of he signs about themselves. If they would have taken notice they would have realized that they were far from the tough-guys they wanted to be. Instead, the teenagers ignore these signs and continue in search of their tough-guy status. In the story, the author Dennis Vannatta uses many symbols to establish the theme. He uses vehicles as symbols in the story to express the theme of each owner. For example, in the beginning of the story, the
car they drive to Greasy Lake is described as an old station wagon, which is definitely not what one would consider the ride of a tough-guy. When the boys arrive at the lake, a "chopper" is parked by the lake, and next to it is a 57 Chevy. Both are hotrods that symbolize a "greaser" tough guy image. The Chevy owner is a rough "muscle-bound" man who "beats the tar" out of the teenagers. The biker who is regarded as a burnt-out main-liner, is dangerous by description alone. In the story the cars represent the dangerous individuals who drive them. Another symbol of the dangers that the young “tough-guys” face is Greasy Lake. It is described as a dark, murky cold and disquieting all of that spells danger. Its shores that are covered in broken glass and debris and marshy shallows create an atmosphere only the dangerous reckless type would be attracted to. It is a symbol that nothing good lies within, as the narrator discovered this immediately when he got in the water to hide. The turning point for the narrator and the story was when he found the biker’s body. In just a short period of time he has taken a beating, he has beaten someone with a tire iron, he almost raped a girl; he found a dead man and he watched his mother's car get destroyed, all because him and his friends wanted to be tough-guys. When he was hiding in the water he has a chance to reflect on all of the nights events he has an awakening. He realizes that tough- guys are not all they are cracked up to be and what actually happens to tough guys. As he gets out of the water he realizes that he needs to change and that being a tough guy is not where it is at. This is kind of like a rebirth for him a baptism and an awakening. As the sun comes up and the birds chirping replace the sound of crickets and he leaves the pool of dark dangerous water it signals his rebirth and his baptism as a new young man. The young man tells the story of this incident like a person that has learned from his experiences. In the beginning of the story he viewed sex, drugs and rock and roll as natural things. But as the story ends and the chaos subsides, he sees nature for the first time, with eyes of a person matured by this experience. The "sun firing buds and opening blossoms" replaced the once revered pot smoke and beer. At the end of the story, the girl from the Mustang says to the young men that they look like "some pretty bad characters”. When the young men hear this they finally, collectively, they realized that being a tough-guy requires more than just pretending to be one and looking like one. And that if they continued down the tough guy path their fate would be that similar to the floating biker. To show that they actually made a transformation, the young men , who before would have jumped at the idea, turned down the girls' offer of drugs and a good time. "Greasy Lake" is a wonderful example of the saying, "watch what you wish for, you just may get it."
The narrator and his friends in “Greasy Lake” tries to make themselves look like rebels. They wanted to appear to be bad to everyone around them. Boyle writes “We were all dangerous characters then. We wore torn up leather jackets, slouched around with toothpicks in our mouths, sniffed glue and ether and what somebody claimed was cocaine” (529). The narrator and his friends also did many other things to produce the effect of being cool and intimidating. In the end of the story the narrator and his friends have the chance to keep up their false bad guy image; however they decides to choose a higher road.
The lake itself plays a major role throughout the story, as it mirrors the characters almost exactly. For example, the lake is described as being “fetid and murky, the mud banks glittering with broken glass and strewn with beer cans” (125). The characters are also described as being “greasy” or “dangerous” several times, which ties the lake and the characters together through their similarities. The narrator explains, “We were bad. At night we went up to Greasy Lake” (124). This demonstrates the importance that the surroundings in which the main characters’ choose to be in is extremely important to the image that they reflect. At the beginning of the story, these characters’ images and specifically being “bad” is essentially all that mattered to them. “We wore torn up leather jackets…drank gin and grape juice…sniffed glue and ether and what somebody claimed was cocaine” (124). They went out of their ...
Symbolism is one of the most effective and powerful elements in writing. We see various examples of this all throughout "The Things They Carried." Symbolism enables us to tell a story one way, while all along trying to say another. I believe Tim O'Brien has achieved success in doing so in "The Things They Carried."
There are many themes highlighted in the short story Greasy Lake, by T. Coraghessan Boyle. Some of these themes include being adventurous, violence, and being young and restless. However, there is a main message that stands out more than the others and is the most centered theme of the story. This is the theme of coming of age through the narrator’s journey to finding out what it means to be “bad,” and whether or not he wanted to make bad choices.
One of the main symbols in the story is the red convertible itself. It symbolizes the relationship between the two brothers, and how it brings them closer throughout the story. The color of the convertible is also very symbolic. Since the two boys are Native American, the red convertible is supposed to represent their skin color. Both boys trade ownership of the vehicle throughout the story, but ultimately the car ends up in Lyman 's possession. As was stated before, the car
...e of the meanings to be determined by the reader, but clearly conveys the meaning behind others. Such variety provides something or someone for any reader to relate to. Symbolism, hidden or obvious, serves to connect the reader with the characters of “The Things They Carried” and follow their development with interest and ease. In many cases, symbols answer the question which the entire story is based upon, why the men carry the things they do.
Symbolism is commonly used by authors that make short stories. Guin is a prime example of how much symbolism is used in short stories such as “The Ones Who Walk Away from Omelas” and “Sur.” In both of these stories Guin uses symbolism to show hidden meanings and ideas. In “The Ones Who Walk Away from Omelas” there is a perfect Utopian city, yet in this perfect city there is a child locked in a broom closet and it is never let out. A few people leave the city when they find out about the child, but most people stay. Furthermore, in “Sur” there is a group of girls that travel to the South Pole and reach it before anyone else, yet they leave no sign or marker at the South Pole. Guin’s stories are very farfetched and use many symbols. Both “Sur” and “The Ones Who Walk Away from Omelas” have many symbols such as colors, characters, objects, and weather. The four types of symbols that Guin uses help the readers understand the themes in her short stories. Although her stories are farfetched, they need symbolism in them or the reader would not understand the theme; therefore the symbols make Guin’s stories much more enjoyable.
In this country, the age of the internal combustion engine has found its niche, states Jack Burden. And where cars go, roads must follow. Warren uses the exposition to describe a road in detail. Highway 58 has two components. Jack notes that the road has a slick, black line down the center and a dazzling concrete slab on both sides of the line. Because of the heat and light reflecting off the slab, only the black line is clear. Since the contrasting colors of the road are specified, the archetypes of the colors can be examined. The white of the slab is associated with purity, peace, and wholesomeness, while black of the line is associated with darkness, ignorance, and even death. Warren develops tension in the symbol of the road through the
The Powerful Symbol of Water in Beloved Water. It expresses its’ power in the form of hurricanes and flash floods. It displays its gentleness, washing dirt off a child's scabbed knee. Water has been used to quench the thirst of many longing throats; and it has been the cause of death to those who unfavorably crossed its path. It possesses the power of total destruction, yet it holds the bases of all life. Generally, is a natural purifier, washing the dirt from our bodies. Water is a symbol of transition from dirty to clean. In Beloved, Morrison uses water to introduce a transition between stages in a character's life. Water separates one stage of a character's life from another. Paul D.'s escape from Alfred, Georgia was directly helped and represented by the rain that had fallen in the past weeks. Paul D. was sent to Alfred, George because he tried to kill Brandywine, his master after the schoolteacher. In Alfred, he worked on a chain gang with forty-five other captured slaves. They worked all day long with "the best hand-forged chain in Georgia" threading them together. They A man's breaking point was challenged everyday. It was hell for Paul D. Then it rained. Water gave Paul D. his freedom. The rain raised the water level in the in-ground cell so they could dive, "down through the mud under the bars, blind groping," in search of the other side (p. 110). One by one each of the forty-six men dug through for the ground. They dug for breath, they dug for each other, and they three separate times to make the reader aware that water is the main cause of the transition in Paul D.'s life (p.109-10). Paul D.'s is now a free black man. A free black man traveling to 124. Water represents Sethe's transition from slavery to freedom.
The short novel takes place in a speeding elegant sports car. The driver, who is the narrator, refers to himself as Papa. Papa is driving his daughter and a poet and family "friend," Henri. While driving, Papa informs them that he is aware of Henri's affair with both Papa's daughter and wife, and he is going to crash the car and all of its passengers into the stone wall of a desolate farmhouse. His purpose for this violent action is not, as would be easily concluded, to get revenge--that would simply be a bonus; his real purpose is to produce art. Papa is somewhat of an artist, and he has decided that the ultimate aesthetic is produced by the melding of the automobile into a new complex array according to his mental blueprint:
1. Santiago physically conforms to accepting pain when he is holding onto the rope with his hand even though it is pulling on him. He still endures and accepts the pain, although he knows the loss of the marlin is still going to occur. He does this because he views the big marlin as a worth opponent and has the courage to continue what he started.
The car motif appears in several locations throughout the story, most notably at the beginning and end. The very first page of the story includes Elain driving the car in order to transport her husband home from the hospital. This shows that Elaine has begun to take more of the family responsibility, as well as her ability to cope with the tragedy that has struck the family. The motif appears a second time when the narrator describes how he taught his children to drive. He becomes discouraged by the fact that he was the one who initially taught the other family members to drive, but he has now become helpless, and a burden on his family. The motif appears a final time in the last line of the story when the narrator describes how he is learning to drive again. This represents his final acceptance of his lot in life and the fact that he has made peace with himself and can learn to cope. The car motif is not the only element used to illustrate the theme. Rindo also uses symbolism to demonstrate a theme of perseverance. Examples of this occur throughout the story; the most obvious one appears when the narrator describes the cars parked outside his house. A rusted white hearse belongs to Neon, Sarah's boyfriend. The car has a purple decoration on the side; the color purple is often used to represent cancer. The two symbols, combined, suggest that death will come suddenly, accompanied by cancer. Rindo includes another example of symbolism in one of the gifts given to the narrator, a puzzle which displays the Statue of Liberty while under construction, covered in scaffolding and braces; these metal supports could symbolize the crutches and the prosthetic leg that the narrator relies on. Symbolism appears a final time when the narrator mentions the black spots that mar the kitchen
Automobiles symbolize the good and bad, people often look at the make of the car. It represents what, and who you are. Driving a Hyundai people will assume you aren't wealthy rather it means you are rather on a budget in comparison when you see someone drive a Range Rover you think of the person as being wealthy. For example, there is a video on YouTube where these guys rent Ferraris in Las Vegas. To show those women want guys for...
Now cars aren’t just a way to get around anymore. They are part of a person. The car helps people by the car being a way that the person expresses themselves. Also it cars represent who a person is. If the person a muscle car lover, import lover, or a truck lover. It also turns into a way to help with work. So now the automobile is used in a way to represent a person or a working tool that helps people in everyday jobs.
For Thao, the car is a symbol of his newfound independence. Automoblies are significant representations of the American dream because of “the unrestrained capacity to move,” which became equated early in the American cultural imagination with personal reinvention and self-determination. Those who could control their own movement were deemed self-sufficient, independent agents” (Heitmann & Uhlman). For Thao, he is no longer restrained by the gang to follow his dreams. The last scene in the movie, at 1:50:00, is the true embodiment of the American Dream.