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Kate Chopin’s “The Story of an Hour” essay
Kate Chopin’s “The Story of an Hour” essay
Kate Chopin’s “The Story of an Hour” essay
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In this story by Kate Chopin, the heart trouble is both a symbolic and physical malady that stands for her ambivalence towards her unhappiness and marriage conjoined inability to be free. The first thing we qauire in the book is that Louise is suffering from a heart problem;additionally we learn that her heart problem is also the reason why the announcement of the death of Brently seems so threatening now. It is also clear that an individual with a heart problem would certainly not deal with such terrible news. In any instance where Louise tries to go through the idea of her renewed independence, her heart races as the blood in her veins pumps to the extremes. As the story ends, Louise dies. The diagnosis of her heart disease looks appropriate to her disease but it seems even more appropriate since she experienced shock once she saw Brently. Surely, such shock is enough to drive her to her deathbed. It is however ironic that the doctor concludes that the main reason as to the death of Louiseis overwhelming joy. It is ironic because it is not joy that had led to her death but rather loss of joy, which had killed her. Louise had certainly died because of a broken heart that was caused by the idea of suddenly losing her much loved independence (Chopin, The Story of an Hour)
An Open window
The window in the story that Louise kept staring much of the time in the story represents the opportunities and the freedom that stood in the way of her life once her husband was dead. Through the window,Louise can see fluffy clouds, blue skies, and treetops. She smells a coming rainstorm; she can hear people and singing birds through the window. All she goesthrough her renewed life suggests new life and a spring of rebound joy. Indulged in this new...
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...t act on its own programming. The house cannot therefore make any decisions to stop working from the humans who are already dead. The house therefore represents order in the midst of chaos; the house is the only thing that is functioning with all the things around it destroyed. It is the only thing that bears meaning despite there being total destruction after nuclearwar; it is the only place that holds to purpose despite the meaningless things happening. The house tries to fight entropy but does not win, it rubble just falls into the larger rubble of the city that is now destroyed. This symbolizes the pessimistic view of determination of humans in the search for meaning in the world (Chopin, There Will Come Soft Rains).
Work Cited
Chopin, Kate, and Per Seyersted. The Complete Works of Kate Chopin. Baton Rouge: Louisiana State University Press, 1970. Print.
Chopin, Kate. The Awakening and Selected Short Stories of Kate Chopin. New York: Penguin Books, 1996.
Seyersted, Per, and Emily Toth, eds. A Kate Chopin Miscellany. Natchitoches: Northwestern State University Press, 1979.
Davis, Sara de Saussure. "Kate Chopin." Dictionary of Literary Biography, Vol. 12 pp. 59-71. Literature Resource Center. Gale Group Databases. Central Lib. Fort Worth, TX. 11 Feb. 2003
Chopin, Kate. The Awakening. The Norton Anthology of American Literature. Ed. Nina Baym et al. 2nd ed. Vol. 2. New York: W. W. Norton & Co., 1985.
Boren, Lynda S., and Sara DeSaussure Davis, eds. Kate Chopin Reconsidered: Beyond the Bayou. Baton Rouge: Louisiana State UP, 1999. Print.
Cambridge UP, 1988. Papke, Mary E. Verging on the Abyss: The Social Fiction of Kate Chopin and Edith Wharton. Westport, CT: Greenwood, 1990. Seyersted, Per. Kate Chopin: A Critical Biography.
Wyatt, Neal "Biography of Kate Chopin" English 384: Women Writers. Ed. Ann M. Woodlief Copyright: 1998, Virginia Commonwealth University. (26 Jan. 1999) http://www.vcu.edu/engweb/eng384/katebio.htm
* Seyersted, Per. Kate Chopin: A Critical Biography. Baton Rouge: Louisiana State University Press, 1969.
Chopin, Kate, and Kate Chopin. The Story of an Hour. Logan, IA: Perfection Learning, 2001. Print.
Seyersted, Per. The Complete Works of Kate Chopin . Louisiana: Louisiana State University Press, 1969.
Chopin, Kate. Complete Novels and Stories. Ed. Sandra M. Gilbert. New York: Library of America, 2002. Print.
Symbols are used to represent something else. They can range from a red octagon representing a stop sign to a fish representing Jesus. They give depth and entice imagination and expressive thinking. They are often overlooked but can give new meaning to the work when discovered. Symbols and symbolism can be found all around in language, in art, and in literature [PAR]. Language, in and of itself, is a bunch of symbols combined in a way to represent ideas and physical objects. In art, an artist can use symbolism to portray an underlying message behind his or her painting. Symbolism, within irony, plot, characters, etc., is used in literature [SAS]. In the novella, Billy Budd, Herman Melville effectively uses symbolism throughout the story. Billy Budd best shows symbolism through the name of the novella, Billy Budd as Jesus, and Billy's speech impediment.
In Elena Ferrante’s first chapter of Childhood in My Brilliant Friend, Elena and Lila head up to Don Achille’s apartment to retrieve their dolls. Lila leads Elena out of the safety of the “violet light” (27) of the courtyard to the black door of the “ogre of fairy tales” (27). Elena is scared because she can’t see what will happen without light on the staircase. Yet, the girls persevere up the stairs to Don Achille’s fairytale apartment to get their dolls.
Columbia Electronic Encyclopedia. “Kate Chopin.” Columbia Electronic Encyclopedia, 6th Edition, Sep2013. Academic Research Database. 1 Nov. 2013
It can be speculated that Louise is repressing her feelings for her late husband when Chopin explains “And yet she had loved him—sometimes. Often she had not” (15). This makes the reader think that she would not allow herself to think what she truly felt until he passed. The reader could also speculate that her husband often did not think of her feelings when Chopin implies “There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (14). All of these emotions could be what Louise’s “heart trouble” rooted