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Analysis of daddy sylvia plath
Analysis of daddy sylvia plath
Essays on sylvia plath
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“How frail the human heart must be, a mirrored pool of thought.” - Sylvia Plath (BrainyQuote). Plath has brought to light the large population of depressed and “mentally ill” people across the world. Plath herself struggled to find a way out of the depressed state she felt trapped in. Plath had a very hard life filled with one tragic event after another with few breaks of happiness in between. Plath’s life and poetry have inspired many people to seek help and has shown them they are not alone in their sadness. Plath never saw an end to her suffering, and could not take it anymore. Her tragic life and death, although sad, has helped many people around the world gain a better understanding of life with a “mental illness”. In the first
Plath’s poems have often expressed the unfair standard of perfection put on women by the media. For example, in Plath’s poem ‘The Applicant ‘ one line says “First, are you our sort of a person? Do you wear a glass eye, false teeth or a crutch, a brace or a hook” (Poetry Foundation). This states if you have nothing fake, then you do not fit in society. Another poem called ‘Face Lift’ expresses the pressure put on women by society to look ageless even from a young age. The main line from ‘Face Lift’ that expresses having wrinkles as unattractive is “Now she's done for, the dewlapped lady I watched settle, line by line, in my mirror old sock-face, sagged on a darning egg.” (All Poetry). The poem clearly states throughout it that looking older is undesirable and it is encouraged to get a “face lift” to correct this. In her time being a bigger woman was desirable as stated in her poem ‘Heavy Women’. The first stanza, it states “Irrefutable, beautifully smug as Venus, pedestalled on a half-shell, shawled in blond hair and the salt, scrim of a sea breeze, the women settle in their belling dresses. Over each weighty stomach a face floats calm as a moon or a cloud.” (Internal.org). This paints a picture of the perfect woman to her. I believe her poems helped to bring to light not only society's unfair expectations on women, but many other
It is a message from Plath to her father speaking of everything he has put her through. It expresses Plath’s anger towards her father and to a certain degree, grief because of his death. Plath’s life is rough when she is writing this because she is going through a deep depression and she is having suicidal thoughts. Plath’s father was an authoritative figure in her life and had strict policies which were extreme. ‘Daddy’ has an angry tone which makes one think Plath hated her father. Plath had written this poem shortly before her suicide in 1963 to express her still present grief (Shmoop).The form this poem takes is a ballad. In this poem Plath paints a picture of what her childhood looked like when her father was present and how her life was affected after his death.The poem also paints an image of Plath's father and how he acted. There is this constant theme of loss and grief throughout this poem. One of the sound devices used is slant rhyme in what seems to be once every other stanza. For example, “And a love of the rack and the screw. And I said I do, I do.”. One of the sensory devices used throughout the poem is a paradox. Throughout the first part of the poem Plath describes how it feels to lose her father and how much his death affects her life. It also tells of all the sorrow and pain she seems to be going through because of him. On the contrary, the second part of ‘Daddy’ seems to
Specifically, both the context of the poem and Plath’s life. In “Daddy” Plath displays what is called an Electra complex. The Electra complex is similar to the Oedipus complex where the daughter feels an unyielding sense of affection towards her father. In the book “The Norton Introduction to Literature” by Kelly J. Mays, it goes more into detail about the Electra complex where despite Electra having a “tyrannical” father, “Electra persists in loving her deeply flawed father long after he is dead” (1100). In order to translate this complex into her writing, Plath chose to compare her flawed father to a well-known tyrannical force. By using this comparison we get a sense of what her relationship with her father was like. The Electra complex is also apparent throughout the poem, where in the beginning we see how her younger self associated her father with this god-like figure and despite the obvious fear Plath had for him through the line “I have always been scared of you,” (41) she wanted to end her life in order to “get back” to him (59). Supporting the notion that Plath did have an Electra complex with her father at least throughout her childhood.
The first two stanzas, lines 1-10, tell the readers that Plath, for thirty years, has been afraid of her father, so scared that she dares not to “breathe or Achoo.” She has been living in fear, although she announces that he’s already dead. It is obvious that she believes that her father continues to control her life from the grave. She says that she “has had to kill” him, but he’s already dead, indicating her initial promise to forget him. She calls him a “bag full of God,” telling us that she considers her father a very strong, omnipotent being, someone who is superior in her eyes.
Sylvia Plath a highly acclaimed twentieth century American poet whose writings were mostly influenced by her life experiences. Her father died shortly after her eighth birthday and her first documented attempt at suicide was in her early twenties. She was married at age twenty-three and when she discovered her husband was having an affair she left him with their two children. Her depression and the abandonment she felt as a child and as a woman is what inspires most of her works. Daddy is a major decision point where Plath decides to overcome her father’s death by telling him she will no longer allow his memory to control her.
The playfulness of rhyme makes the texts violence and disturbing metaphors about the speakers father creates an even creepier tone that matches perfectly with the themes of the piece. The abundance and repetition of Oo is almost suffocating and gives a childish tone to the piece, although the subject matter is far from it: oo makes this poem seem more disturbing than a nursery rhyme – it 's not a bedtime story, but a howl in the night. Furthermore, the poem follows a free verse rhyme scheme in which allows Plath to show that perhaps the death of her father and husband has set her free, however, there is still some iambic rhythm that is carried in some sections of the piece. Many critics have argued that the rhyme gives lyricism to the piece, often associated with happiness in terms of poetry: Despite that she uses free verse, the poem has much musicality due to rhyme. It is this nursery rhyme style that gave the idea of a more rigid structure in the undone version of Daddy. Although not as fixed as Sonnet or Haiku form, the erasure of certain words makes the poems form look almost purposeful similar and removes the haunting and disturbing rhyme of the original. Not only does this allow the reader to see that there is love for the speakers father in the undone piece but it also shows the adoration for her father to be more developed than completely removed, like in the 1962 version. The undone poem reverberates hauntingly to Plath’s original work, both having their own distinctive beauty and
"The bell jar hung, suspended, a few feet above my head…” For most people, when the name Sylvia Plath comes to mind, the word “psychotic” is the word that follows; however, there was more to Plath than her demented works. Throughout her shortened life, Plath had a variety of titles bestowed upon her: daughter, sister, student, wife, mother, teacher, author, and poetess However, Sylvia Plath was a haunted soul, as she also had the labels of “manic depressive” and “bipolar.” Her constant struggles with her mental illnesses are evident in her writing, especially her semi-autobiographical novel, The Bell Jar.
Plath’s works were known for their extremely feminist and suicidal themes. Plath wrote about whatever came to her mind and used writing as a way to express her feelings. Plath is credited with furthering the genre of confessional poetry. Plath was also the first poet to receive the Pulitzer Prize after death. Although Plath had taken her life, her legacy still lives on in many ways.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings.
In William Somerset Maugham’s philosophical work The Razor’s Edge, the main character Larry uses personal experiences to draw conclusions on several questions about God, life, and evil. By the end of the novel, Larry refutes the existence of the traditional Christian God, explains evil as the product of heredity and a poor environment, and suggests the existence of an afterlife through his views on reincarnation. These conclusions are based on his experiences in World War I, the tragic deaths of his friends Patsy and Sophie, as well as his own experiences traveling and meditating.
Plath and Sexton's lifetimes spanned a period of remarkable change in the social role of women in America, and both are obviously feminist poets caught somewhere between the submissive pasts of their mothers and the liberated futures awaiting their daughters. With few established female poets to emulate, Plath and Sexton broke new ground with their intensely personal, confessional poetry. Their anger and frustration with female subjugation, as well as their agonizing personal struggles and triumphs appear undisguised in their works, but the fact that both Sexton and Plath committed suicide inevitably colors what the reader gleans from their poems. However, although their poems, such as Plath's "Daddy" and Sexton's "Little Girl, My String Bean, My Lovely Woman," deal with the authors' private experiences, they retain elements of universality; their language cuts through a layer of individual perspective to reach a current of raw emotion common to all human, but especially female, understanding.
In the poem, “Daddy,” Sylvia Plath shows her character to have a love for her father as well as an obvious sense of resentment and anger towards him. She sets the tone through the structure of the poem along with her use of certain diction, imagery, and metaphors/similes. The author, Sylvia Plath, chooses words that demonstrate the characters hatred and bitterness towards the oppression she is living with under the control of her father and later, her husband. Plath’s word choice includes many words that a child might use. There is also an integration of German words which help set the tone as well. She creates imagery through her use of metaphors and similes which allow the reader to connect certain ideas and convey the dark, depressing tone of the poem.
After reading the poem “Mad Girl’s Love Song” and doing some research on Plath, I came to find out that the poem was very similar to Plath’s personal life. The poem is basically about a young girl who fell in love and gave her all to a boy who never came back to love her. The young girl fell in a depression and made herself believe that she was making it all up. She still had hope that she and the boy could be happy someday, but it never happened and it drove her insane. Perhaps the boy could have been Plath’s husband, Hughes. Everything about the poem is so similar to her marriage with Hughes; the story makes the reader believe the poem could possibly be about Plath herself.
Throughout the poem "Daddy" by Sylvia Plath, the author struggles to escape the memory of her father who died when she was only ten years old. She also expresses anger at her husband, Ted Hughes, who abandoned her for another woman. The confessional poem begins with a series of metaphors about Plath's father which progress from godlike to demonic. Near the end, a new metaphor emerges, when the author realizes that her estranged husband is actually the vampire of her dead father, sent to torture her. This hyperbole is central to the meaning of the poem. Lines 75-76 express a hope that they will stop oppressing her: "Daddy, you can lie back now / There ís a stake in your fat black heart." She concludes that her father can return to the grave, because she has finally rid herself of the strain he had caused her, by killing his vampire form. Despite this seeming closure, however, we will see that the author does not overcome her trauma.
Sylvia Plath has brought the attention of many Women’s studies supporters while being recognized as a great American poet. Most of her attention has come as a result of her tragic suicide at age thirty, but many of her poems reflect actual events throughout her life, transformed into psychoanalytical readings. One of Plath’s most renowned poems is “Daddy”. In this poem there are ideas about a woman’s relationship with men, a possible insight on aspects of Plath’s life, and possible influences from the theories of Sigmund Freud.
A brief introduction to psychoanalysis is necessary before we can begin to interpret Plaths poems. Art is the expression of unconscious infantile desires and the strongest of these desires is the wish to “do away with his father and…to take his mother to wife” (Freud, “Introductory Lectures on Psycho-Analysis 411).This is what Freud called the Oedipal conflict. For women the desire is of course reversed to killing the mother and marrying the father and is called the Electra complex. Children resolve this conflict by identifying with their same sex parent. Loss of a parent can prevent the normal resolution of the Oedipal conflict and result in a fixation or obsession with the lost object (object is the term used to define the internal representations of others). The desire to have the lost object back is also the desire for what Freud called primary narcissism. ...