Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sweat by zora hurston analysis
What is life in literature
Sweat by zora hurston analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
“Sometimes I wonder if men and women really suit each other. Perhaps they should live next door and just visit now and then.” This quote by Katharine Hepburn is what Delia and Skyes from the short story “Sweat” should have done. The marriage between the two, if one would dare to call it a marriage, is volatile and dangerous at best, which makes it perfect for Delia’s greatest fear to be a snake: a crafty, toxic, devilish creature. These characteristics snakes possess are the same Skyes does. Thus why, In Sweat, Delia's greatest fear was a snake because it embodied her husband.
One way the snake embodies Delia's husband, Skyes, is that they are both crafty. In Genesis 3, one of the first things said is that, “the serpent [is] more crafty than any of the wild animals the Lord God had made.” This is further proven when the serpent, or snake, deceives Eve into eating fruit from the tree (Genesis 4-7). Skyes shows how he is crafty when he uses his whip to scare Delia, who believed it was a snake (Hurston 3-5). This action is clever because Delia’s fear of snakes could kill her if Skyes scared her bad enough. This could be considered a crafty scheme because if Delia was dead, he could have the house like he wants to. Furthermore, his “whole manner hoping, praying for an argument” (Hurston 9) could be seen as crafty because if he enraged Delia enough, she might just leave the house and never return. Moreover, the arguments and confrontation that he provokes are not only crafty, but they are also toxic.
Skyes was also embodied by the snake because of how they are toxic. Snakes have venom in their fangs, meant to cause harm and death, while Skyes has venom in his words and fists. Delia has dealt with Skyes venomous emotional abuse for ...
... middle of paper ...
...the way he seems to enjoy causing pain and agitation onto his wife, Delia. Furthermore, the snake embodies Skyes because of its association to the devil. The devil steals, kills, hurts, and simply cause’s pain onto others as Skyes does on his wife. It is quite easy to see that author, Zora Neale Hurston, uses the snake more than just a terrifying animal that Delia does not favor.
Works Cited
"Genesis 3 (New International Version)." biblegateway.com. N.p., n.d. Web. 22 Feb. 2014. .
"John 10:10 (New International Version)." biblegateway.com. N.p., n.d. Web. 22 Feb. 2014. .
Kennedy, X. J., and Dana Gioia. "Sweat by Zora Neale Huurston." An introduction to fiction. 11th ed. Boston: Longman, 2010. 529-537. Print.
MLA formatting by BibMe.org.
Delia's repose was suddenly upset by interference from her husband, Sykes, who dropped "something long, round, limp and black" upon her shoulders. Delia's worst fear was that of snakes, and her husband found joy in mocking and terrifying her. After brief argument, Sykes continued to disrupt Delia's work by kicking the clothes around and threatening throw them outside or hit her. He also mentioned a promise to "Gawd and a couple of other men" that he would no longer have white people's clothes in his house. At this she responds in a manner greatly surprising to Sykes:
Besides physical and emotional abuse Delia had to put up with mental abuse from her husband. At one time, Sykes put a snake into a soap box to scare Delia. Knowing that Delia had an enormous fear of snakes, not to mention anything as small as an earthworm. Other mental and emotional abuse was that Sykes ran another woman in town, making it known to Delia and everyone else in town. He made it no secret when he was going to see Bertha, his mistress. The only thing Delia ever said about his affair was, 'that ole snaggle-toothed black woman you runnin' with ain't comin' heah to pile up on mah sweat and blood.
Ménez, Andre’. The Subtle Beast: Snakes, from Myth to Medicine. New York, New York: CRC Press, 2003.
“Sweat” starts with Delia Jones soaking clothes and wondering where her husband has gone. While she had been in her thoughts she is frightened by bullwhip by her husband Sykes as he knows how much she afraid of snakes. Sykes doesn’t like her working for white people and ruins her work. Delia is too furious at this and frightens her husband with a frying pan. Sykes just leaves the place and goes to her mistress. Here, Delia remembers how her husband has cheated her, how her earnings are wasted on other woman and she has
The effect the reader perceives in the passage of Rattler is attained from the usage of the author¡¯s imagery. The author describes the pre-action of the battle between the man and the snake as a ¡°furious signal, quite sportingly warning [the man] that [he] had made an unprovoked attack, attempted to take [the snake¡¯s] life... ¡± The warning signal is portrayed in order to reveal the significance of both the man¡¯s and the snake¡¯s value of life. The author sets an image of how one of their lives must end in order to keep the world in peace. In addition, the author describes how ¡°there was blood in [snake¡¯s] mouth and poison dripping from his fangs; it was all a nasty sight, pitiful now that it was done.¡± This bloody image of snake¡¯s impending death shows the significance of the man¡¯s acceptance toward the snake. In a sense, the reader can interpret the man¡¯s sympathy toward the snake because of the possibility that he should have let him go instead of killing him.
Hurd, Myles Raymond. "What Goes Around Comes Around: Characterization, Climax, and Closure in Hurston's 'Sweat'." Gale Artemis Literary Sources (1993).
Hurston, Zora N. "Sweat." Literature: A Portable Anthology. Ed. Janet E. Gardener, Beverly Lawn, Jack Ridl, and Peter Schakel. Boston: Bedford/St.Martin, 2013. 176-79. Print.
...ng point, ‘“Mah cup is done run ovah,”’ again, another metaphorical illustration of how tired she is of being physically mistreated and mentally abused by Sykes, thus, her rage is channeled towards protecting herself and the property she has assumed through her dedication as a washwoman. Hurston makes this ever so clear as Delia shouts at Sykes, ‘“Don't think Ah'm gointuh be run 'way fum mah house neither.”’ Sykes has been unfaithful to Delia for a while now and she has finally taken the final straw. Hurston empowers Delia, through writing, “Delia said this with no signs of fear and Sykes departed from the house, threatening her, but made not the slightest move to carry out any of them.” This is an important step for Delia towards independence. Delia is no longer afraid of Sykes, however she has one more fear to overcome before she is completely free of oppression.
“No more, she lives no more, serpent in her room. No more, he has killed Cleopatra…” The “serpent” imagery here is the symbol of treason and disloyalty. Her angry lover compares her to a serpent. Rather than her being in her room, it is empty of her presence and instead a lingering feeling of grief and anger fills her empty space. “No more, he has killed Cleopatra” refers to two aspects: her death by means of the serpent, and her serpent-like character which was the cause of her demise. “Death” Could refer to his love interest figuratively being dead to him because of her
Sykes had a mistress named Bertha who he spoiled all the time, but the people in town always wondered why he never paid attention to Delia. Walter Thomas, one of the men from the store, said, “Ah 'd uh married huh mahself if he hadnter beat me to it.” (Hurston) All the men in town were jealous of Sykes because of Delia. But Sykes, on the other hand, didn 't see what he had right in front of him. The plotting of Delia 's death was all done by Sykes. He went out of his way to get a rattlesnake and place it in the clothes hamper with the lid on, hoping it would strike her while washing clothes. When Delia saw the snake, she scurried outside and hid in the barn until Sykes arrived home. Delia calmly stated, “Ah done de bes ' ah could. If things aint right, Gawd knows it aint mah fault.” (Hurston) After the freak accident of Sykes being struck by the rattlesnake and suffering a long and painful death, Delia, hearing all the screaming and moaning coming from inside her “broken” home, sat under a Chinaberry tree that was in the front yard. She felt a sense of relief after she heard Sykes crying for her help and her knowing that she could not do anything to help. Her fear of their relationship and of him that went on for 15 years, was finally over and she felt as if she achieved her
woman, and man. The serpent’s punishment was that it had to slither the rest of its life and that serpent would be inferior to mankind. The woman’s punishment entailed becoming the
Lawrence uses figurative language in order to present his ideas of societies expectations of a man. Lawrence changes the structure and style of “Snake” in order to highlight the struggles of the narrator. Specifically, when writing about the snake he uses repetitive and flowing words. He also uses traditional devices like alliteration, for example “and flickered his two-forked tongue from his lips.” The use of these technics gives the snake an almost human like feel that the reader can connect to. At the same time, Lawrence writes about the log used to hurt the snake in a different style creating such a contrast between the snake’s description and the log. The words describing the log are much different, “and threw it at the water trough with a clatter.” The changing styles helps emphasize the internal struggle the narrator is experiencing as he tries to figure out if he should do as society dictates and kill the snake like a man or do as he wishes and leave the snake in peace as his guest at the water
Another easily recognized symbol in this story is that of the snake. "Sykes, what you throw dat whip on me like dat? You know it would skeer me - looks just like a snake, an' you knows how skeered Ah is of snakes" (Hurston 678). The snake is the main symbol in this story, it ties it together because it is mentioned at the beginning of the story and at the end. Sykes decides to bring a snake into their home, "Look in de box dere Delia, Ah done brung yuh somethin'.Syke! Syke, mah Gawd! You tak...
... Nature, including human beings, is `red in tooth and claw'; we are all `killers' in one way or another. Also, the fear which inhabits both human and snake (allowing us, generally, to avoid each other), and which acts as the catalyst for this poem, also precipitates retaliation. Instinct, it seems, won't be gainsaid by morality; as in war, our confrontation with Nature has its origins in some irrational `logic' of the soul. The intangibility of fear, as expressed in the imagery of the poem, is seen by the poet to spring from the same source as the snake, namely the earth - or, rather, what the earth symbolizes, our primitive past embedded in our subconsciouness. By revealing the kinship of feelings that permeates all Nature, Judith Wright universalises the experience of this poem.
DeLacey is the Parisian-turned-blind-peasant who lives in a cottage with his son and daughter. He is a nice old man: "descended from a good family in France", he was the only person who treats the monster kindly because he was blind. His family experiences were also tragic. This gives the monster the idea that he is not the only one who suffered from an injustice. At first the monster did not know any of the family stories or had the courage to meet them; he camped around their cottage and observed them. He started his self-education through the observation