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Before beginning his solo career, Susumu Hirasawa was the frontman for several musical groups, including MANDRAKE, SHUN, P-MODEL, and Global Trotters. P-MODEL is often credited with founding the Japanese Techno-Pop movement in the early 70s, and has since been well known for his extensive use of creative technologies in production; He modified AMEGA software, in order to explore new methods of creating music using the PC, such as modifying a program to take thousands of samples he produced and automatically compose music. He later re-used one of those machine compositions for the theme to the 1997 anime Berserk (Phonon Belt). His use of creative technologies isn't limited to studio production, however. He also makes extensive use of self-built creative technologies on stage.
Examples of Hirasawa's on stage instruments include: The Tubular Hertz, a synthesizer making use of large pipes that are pulled by the user, and The GRAVITON, a sampler that is powered by a bike wheel; The GRAVITON was used as part of a live show performed entirely outdoors using solar and kinetic power. Recently, Hirasawa has made use of Tesla Coils and an increasingly elaborate LASER HARP, which triggers different samples when lasers are blocked in different contexts, adding a kinetic element to the sampled sound. Alongside these instruments, Hirasawa makes use of computers in order to create elaborate live shows in which the audience effects the set list, such as The Interactive Live Show.
Starting in 1995, every solo album Hirasawa has produced was accompanied by an Interactive Live Show based on the album's central themes and story (NO ROOM 2014). For these live shows, a story is told to the audience using computer generated visuals and text, displayed...
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... 2013. Web. 05 Feb. 2014. http://hirasawalyrics.tumblr.com/post/41081463055/nomonos-and-imium-story-glossary
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Hirasawa Lyrics. ""Nomonos and Imium", Day Three" "Nomonos and Imium", Day Three. N.p., 25 Jan. 2013. Web. 05 Feb. 2014. http://hirasawalyrics.tumblr.com/post/41480358311/nomonos-and-imium-day-three.
Hirasawa, Susumu. "Susumu Hirasawa Interactive Live 2013 "NOMONOS and IMIUM"" Susumu Hirasawa Interactive Live 2013 "NOMONOS and IMIUM" CHAOS UNION, 24 Jan. 2013. Web. 05 Feb. 2014.http://2013.interactive-live.org/en/.
RocketBaby. "RocketBaby's Interview with Susumu Hirasawa." RocketBaby. N.p., n.d. Web. 5 Feb. 2014.http://web.archive.org/web/20010303074111/http://rocketbaby.net/interviews_hirasawa_1.html.
Hirasawa, Susumu. "NO ROOM - 平沢進 プロフィール." NO ROOM. CHAOS UNION, n.d. Web. 12 Feb. 2014. .
History has not been kind to Tenskwatawa, otherwise known as Lalawethika or The Prophet. He is inevitably compared to his heroic brother Tecumseh and fails to measure up in both physical and moral stature. He seems hidden in the shade of his brother's name, whereas his brother would never have had the stature he received if it were not for The Prophet's religion of classical Indian heritage. Lalawethika seemed to be plentiful of both physical and social shortcomings. An unimpressive-looking man of below-average height, fond of wearing jewelry, especially small medals, which he hung from his pierced nose and ears. His most striking physical characteristic was his damaged right eye, which was permanently closed after he injured it with a bow and arrow. Lalawethika was not a likable person. He was not accepted by the other Shawnee youths and refused to take part in traditionally prestigious male activities such as hunting and fighting. As a young man he boasted of his abilities but seemed to lack anyambition. He attempted to compensate for his misfortunes but was only counterproductive in making "a truculent, bragging personality that earned him his nickname Lalawethika (The Rattle or Noisemaker)" (p. 73). Two activities Lalawethika liked were drinking and talking. He wasn't as gifted a speaker as his brother Tecumseh, but he was nonetheless manipulative and forceful. Using these qualities he became a medicine man in Tecumseh's village. Lalawethika's transformation from a lazy drunkard into a powerful spiritual leader came after a dream in which he claimed to have been visited by the Great Spirit.
In May of 1804, two men set out on an important journey that would take them across the country and discover new land, but none of it would have been possible without the aid of one woman. The Lewis and Clark Expedition was planned by Thomas Jefferson, in order to explore the unknown in the newly purchased Louisiana Territory, and also to find a water route across the continent. Along the way the group of men met a quiet native, named Sacagawea, whose impact would later have a large effect on the success of their important journey.
Tojo Hideki lived from 1884-1948 and he was a Japanese political and military leader. The premier who ordered the attack on Pearl Harbor in 1941, he personified Japanese militarism.
Mishima, Yukio. The Sound of Waves. Trans. Meredith Weatherby and Yoshinori Kinoshita. New York: Vintage, 1994. Print.
What exactly did Storm do to stand out from the pack? He wasn’t just a guy who knew people; he was a man with innovative ideas and the tenacity to fully realize his goals. In this book I intend to shed light on Storm Thorgerson, world-famous album designer.
Interviews // Nausicaa.net. Trans. Ryoko Toyama. Ed. Team Ghiblink. N.p., n.d. Web. 27 Apr. 2014.
There’s a room upstairs that you might care to take a look at...There’s no tele-screen!” (100) --> Represents the contrast between the place where there is a sense of freedom and the Party 's control over the
Hirohito was born in Tokyo, Japan April 29th 1901 and die on 1989 in Tokyo. He was the ruler of Japan from 1926 until he died. He was the longest running monarch in japans history. Hirohito was born in Aoyama Palace in Tokyo and was tought at Peers’ School and at the Crown Prince’s organization. He urbanized an interest in marine biology on which he wrote more than a few books. He visited Europe in 1921 becoming the first Japanese crown prince to travel. Upon his come back he was named prince when his father died his name was he Taisho emperor retired for the reason of his mental illness. 1924 hirohito wedded the princess Nagako Kuni. Hirohito gained emperor of Japan on December 25th 1926 subsequently after the death of his father. Histime in power was designated “Bright peace” During WWII he nearly attacked all of his nearby neighbors connected his self with the Nazi Germany and launched a awful assault on the U.S naval base at Pearl Harbor. Hirohito later depicted him self as a almost helpless monarch many scholars have come to believe he played an lively role in the war. After Japan surrendered in 1945 he became a figurehead with no political control. He was the eldest son of the Crown Prince Yoshihito was born on April 29Th 1901. According to custom the imperial family members were not raised by their parents. Hirohito attended schools set up for children of nobility. He received rigorous instruction in military matters along with others subjects such as math and physics. He went on a 34 man entourage traveled to Western Europe for a six month tour it was the fist time a Japanese crown prince had gone abroad. Japan hirohito became regent for his chronically ill father and assumed the emperor. September 1923 a earthquake hit t...
...11). Sound Upon Sound: The Conversation. [Online] Available from Sound on Sight: http://www.soundonsight.org/sound-upon-sound-the-conversation/ [Accessed 05 February 2012]
Polyphonic is operating on a “shoestring budget” of $150,000. The company is not helped by initial discussions about HSS with potential customers, which have resulted in cold receptions, at best, about the product’s potential application to the music processes despite its multiple strengths.
Yasunari Kawabata was the first Japanese person to win the Nobel Prize for Literature. His style combined elements of classic Japanese prose with modern psychological narrative and exploration of human sexuality. Deeply influenced by the culture of his homeland, his writings capture the vivid and melancholy beauty and spirituality of Japan, while his own experiences and studies contributed to his assay into emotion.
"This Month in Physics History." This Month in Physics History. N.p., n.d. Web. 07 Jan. 2014.
People in different country has different views or belief of magic and superstition, which of course varies on which culture they came from or choose to follow. When I started researching Chinua Achebe and his books, I noticed that all or most of his books talks about Africa and its cultures and beliefs. Achebe is most famous for his book called Things Fall Apart.
In Hamlet on the Holodeck, Janet Murray argues that we live in an age of electronic incubabula. Noting that it took fifty years after the invention of the printing press to establish the conventions of the printed book, she writes, "The garish videogames and tangled Web sites of the current digital environment are part of a similar period of technical evolution, part of a similar struggle for the conventions of coherent communication" (28). Although I disagree in various ways with her vision of where electronic narrative is going, it does seem likely that in twenty years, or fifty, certain things will be obvious about electronic narrative that those of us who are working in the field today simply do not see. Alongside the obvious drawbacks--forget marble and gilded monuments, it would be nice for a work to outlast the average Yugo--are some advantages, not the least of which is what Michael Joyce calls "the momentary advantage of our awkwardness": we have an opportunity to see our interactions with electronic media before they become as transparent as our interactions with print media have become. The particular interaction I want to look at today is the interaction of technology and imagination. If computer media do nothing else, they surely offer the imagination new opportunities; indeed, the past ten years of electronic writing has been an era of extraordinary technical innovation. Yet this is also, again, an age of incubabula, of awkwardness. My question today is, what can we say about this awkwardness, insofar as it pertains to the interaction of technology and the imagination?
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.