Supernatural Aspects of the Characters and Settings in Macbeth
The supernatural has always intrigued mankind. People gather around to hear ghost stories and see enchanted medallions. Shakespeare realized people's fascination with the supernatural and used it in many of his tragedies. Macbeth is one of William Shakespeare's tragedies about a man, Macbeth, who wishes to become king of Scotland after being told, by three witches, that his destiny is to rule Scotland. Macbeth's ambition overtakes him so much that he goes on a killing spree. Macbeth ends up killing the king, Duncan; his friend, Banquo; and rival, Macduff; in his pursuit of procuring the crown and keeping it. In the end, richesousness does triumph over evil, but not without interactions between the characters and the supernatural. Most of the characters are somehow connected to the supernatural, either by choice or by fate. In Macbeth, Shakespeare uses an underlying motif of the supernatural to control the characters and add a new dimension to the play.
The motif of light versus dark is the most prominent theme throughout Macbeth. The opening scene is dark and desolate with "Thunder and lightning" and "An open place" in the stage directions. The thunder and lightning conveys a sense of darkness with an approaching storm. The "open place" shows that the witches prefer to meet in a place free from society where no one can eaves drop on them. The light of day before Macbeth's final battle is the major factor that predicts its outcome (Watson 144). Siward states, "The day almost itself professes yours, / And little is to do" (V. vii. 27-28). Because the battle is fought on a fair day, Macduff's powers are strengthened by the light, and Macbeth's pow...
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...tson, Robert. "Thriftless Ambition: Foolish Wishes, and the Tragedy of Macbeth." Modern Critical Interpretations: Macbeth. Ed. Harold Bloom. New York. Chelsea House Publishers, 1987. 133-168.
Supernatural Aspects of the Characters and Settings in Macbeth
Thesis: In Macbeth, Shakespeare uses an underlying motif of the supernatural to control the characters and add a new dimension to the play.
I. Light vs. Dark
A. Scenes
1. Opening
2. Closing
B. Lady Macbeth
1. Starts as dark
2. Ends as light
II. Sleeplessness
A. Sleeplessness is sign of doom
1. Macbeth
2. The sailor
B. Witches control sleep
1. The sailor
2. Lady Macbeth
III. Heaven vs. Hell
A. Inverness is hell
1. Devil
2. Duncan's murder
B. Duncan and Macduff are related to heaven
1. God's servant
2. No faults
Murder, ghosts, and floating daggers are the usual attractions for most that read William Shakespeare’s Macbeth, and yet there is an important theme that some might overlook. Written in the early 17th century, Macbeth is believed to be based upon historical events listed in Raphael Holinshed’s Chronicles of Scotland and other current events of the time. Shakespeare constructs the memorable world of Macbeth with a mysterious and sinister atmosphere, incorporating diabolical elements into this world with the appearance of Hecate, witches, prophecies and ghostly apparitions. Throughout his story, Macbeth becomes controlled by desire for power, by allowing himself to be influenced, using evil means to gain and maintain power to the point that Macbeth is blinded to all else. In Macbeth, Shakespeare vividly demonstrates a recognizable theme of the weighty pull that power holds over those with authority.
One of the main themes in William Golding's 1954 novel Lord of the Flies is that without civilization, there is no law and order. The expression of Golding's unorthodox and complex views are embodied in the many varied characters in the novel. One of Golding's unorthodox views is that only one aspect of the modern world keeps people from reverting back to savagery and that is society. Golding shows the extreme situations of what could possibly happen in a society composed of people taken from a structured society then put into a structureless society in the blink of an eye. First there is a need for order until the people on the island realize that there are no rules to dictate their lives and take Daveers into their own hands. Golding is also a master of contrasting characterization. This can be seen in the conflicts between the characters of Jack, the savage; Simon, the savior; and Piggy, the one with all the ideas.
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
In Shakespeare’s Macbeth, the repercussions of Macbeth murdering his King are very numerous. Through themes that include, imagery, soliloquies, atmosphere, and supernatural beings, Shakespeare enforces the magnitude of Macbeth’s crime. Most of these factors are linked together.
Although Macbeth is not classed as being a supernatural play or a play of the occult, there are some elements in the play that Shakespeare uses to effect. It is necessary however, to define what is meant by the terms ‘occult’ and ‘supernatural’: the term ‘occult’ is defined as being ‘supernatural beliefs, practises or phenomenon’ and the term ‘supernatural’ is defined as being ‘attributed to some force beyond scientific understanding or the laws of nature’; both these terms can be associated with gothic writing. Gothic writing usually involves elements that invoke a feeling of fear, repulsion and abhorrence from its readers or audience. Writers use imagery of the supernatural to achieve this effect, for example in Shelley’s Frankenstein the descriptions of Frankenstein’s creature: language and imagery here being used to invoke the emotion of fear.
Foakes, Francis. "A New Perspective of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 58-64.
From the very beginning of the play, supernatural and unnatural forces have inspired and encouraged Macbeth. They interfere with natural events and completely change the character of Macbeth and his wife. Witches, apparitions, ghosts, and other unnatural images are used to demonstrate the evil effects and consequences those forces can have. Shakespeare is successful in telling his audience that only evil will come when Macbeth or any other person tampers with natural forces for personal gain.
At the beginning of Lord of the Flies, the boys create a democratic government. As the story progresses, the initial democracy on the island is ignored, and a dictatorship rises in its place. This dictatorship fails to keep the boys in order. The author, William Golding, shows that without the institution of a strong government and set of rules people will become impulsive and seek instant gratification. In the absence of order, people tend not to become disciplined of their own accord, but rather dissolve into destructive chaos.
In William Shakespeare’s Macbeth, the supernatural and the role they play in motivating characters is apparent throughout the duration of the play. The supernatural is what causes conflict in the play and the prophecies from the witches in act one scene three is the inciting action in the piece. The supernatural causes the future conflict by motivating Macbeth to kill Duncan so he could become king of Scotland. Through temptation, the supernatural motivates characters to think arrogantly and for their own benefit. The supernatural in Macbeth presents prophecies which tempt Macbeth and Banquo with the idea of power. This leads Macbeth to contradict his loyal and courageous personality by planning a treacherous murder on Duncan with the arrogant intention of becoming king and later killing other characters in the play with the only purpose of keeping his own powers. Both Macbeth and Banquo were also tempted by the original prophecies and showed clear motivation to act upon them. However, there is a clear contrast between the immediacy in which the two characters began taking actions and the logic put into their decisions.
As with all great works of literature, William Shakespeare’s Macbeth has spawned countless essays concerning its interpretation. Two such essays, “Shakespearean Tragedy” and “General Macbeth,” produced by two eminent literary critics, A.C. Bradley and Mary McCarthy, find themselves in conflict. The essays’ respective authors diverge on subjective points such as interpretation of character, original intent, and meaning. Bradley’s Macbeth is courageous and encumbered by the dregs of guilt, while McCarthy’s version takes a less orthodox path.
part of the make up of his play, but also uses the two characters to
113 Macbeth. Oxford: Oxford University Press. 1990. The. Coursen, H. R. Macbeth: A Guide to the Play. London: Greenwood Press, 1997.
In the English Renaissance, there was a strong belief in the existence of the supernatural. Thus, the supernatural is a recurring aspect in William Shakespeare 's Macbeth and is an integral and important part of the plot. The role of the supernatural in Macbeth is to bring out emotional reactions within Macbeth that cloud his judgement, affecting his actions which ultimately leads to his downfall. This is demonstrated through the ambiguous prophecies of the witches, the supernatural phenomenon that Macbeth sees, and the apparitions that foreshadow how he will meet his end.
To conclude Shakespeare used the supernatural, to show how easily someone’s fatal flaw can be exploited to bring them to an end. This is extremely relevant to his audience at that time as well, no one knows, but Shakespeare could have been a non believer in the supernatural and wanted to show it as a figment of the mind, that can only result in insanity or he could have believed the popular opinion that the supernatural did exist and caused terror and evil throughout that period. Either way he wrote Macbeth in such a way to leave questions about the supernatural in peoples mind.
...he supernatural is one element in Macbeth that was used cleverly by Shakespeare to get various messages across to the audience. The messages are brought across between the lines of the plays which requires audiences to reflect critically to get the underlying meaning of his play. Shakespeare did not merely show ghosts and witches in the supernatural as a thriller, but also tied in the political and religious aspects of the society during his time.