The novel begins with the author, Kurt Vonnegut, relating the story of how he and a friend returned to Dresden, the site of the most devastating firebombing in all of World War Two. This introduction, which is really the first chapter of the book, is written in first person as Vonnegut injects himself into a mostly fictional story. There are a few instances whereupon the author mentions himself being part of the action, but other than the first and last chapters, the book is mostly written in third person and tells the story of the fictional character, Billy. Vonnegut and his friend Bernard O’Hare discuss the significance of Dresden at O’Hare’s house after the author tells his friend that he is having trouble writing the novel based on their shared experience. While visiting, Vonnegut receives no insight from his friend, however, the subtitle of the book when Bernard’s wife, Mary O’Hare, who is clearly upset with Vonnegut’s visit and his attempts to discuss such a traumatic event with her husband, tells them that they were just children during the war. She is placated when Vonnegut says that she will never see John Wayne or Frank Sinatra play in the movie version, that it won’t be a falsely heroic story. He tells her that he’ll call the book “The Children’s Crusade” (this is the subtitle of the novel). Vonnegut ends this “introduction” by saying that, like Lot’s wife, he is a mere pillar of salt for having looked back at Dresden. Beginning in Chapter Two, the novel becomes a third person account of Billy Pilgrim’s life, jumping back and forth in time repeatedly from his birth in 1922 to his death in 1976 and numerous events in between. There are also hints here that this story might not be entirely reliable. Vonnegut writes th... ... middle of paper ... ...dgar Derby is shot by a firing squad after stealing a teapot from the rubble of Dresden. But there are a few other poignant moments following the destruction of the German city. Billy and a few other prisoners find a coffin-shaped wagon and begin searching for food and souvenirs. After a while Billy lies down in the wagon and dozes in the sun. He says that it is a moment that he would like to relive over and over. He is woken from his bliss, however, by a German couple who point out that the horses pulling the wagon are bleeding and injured. It is at this time that Billy cries for the first and only time in the war. The book also ends with what Vonnegut says is perhaps the only thing one can say about something as uselessly destructive and absurd as war. A bird sings “poo-tee-weet” as Billy lies in the sun in the decimated city of Dresden at the end of World War Two.
When Billy Pilgrim goes to war in Germany, he is soon captured by the Germans and taken to a prisoner camp. While there, he is mocked and ridiculed. He is a very passive character, and so is not bothered by this taunting, but when Billy realizes that the war doesn’t just affect soldiers and people, but all animals, such as the horses they find after the bombing of Dresden, his life is scarred forever. He sees that the horses are bleeding from their mouths and that they are in agony when walking. When Billy sees that his colleagues had mistreated the horses, he realizes that that is what war does to the entire world. Billy is forever changed and even weeps (197). This may have been the trigger for PTSD in Billy’s life to begin with.
After serving in World War Two, Kurt Vonnegut wrote Slaughterhouse-Five about his experiences through Billy Pilgrim, the protagonist in the novel. Slaughterhouse-Five is a dark novel about war and death. Post-Traumatic Stress Disorder is a mental disease that inflicts people who endured a traumatic event. Some of the common symptoms include flashbacks and creating alternate worlds which Billy Pilgrim experienced various times throughout Slaughterhouse-Five. Billy Pilgrim believes he has become “unstuck in time” (Vonnegut 29) and travels to different moments throughout his life. Pilgrim is never in one event for long and his flashbacks are triggered by almost everything he does. While his “time-traveling” is sporadic and never to a relevant time, all of Billy Pilgrims flashbacks are connected through actions done in each of the visions. Perhaps the most important flashback occurred at ...
Kurt Vonnegut places his experiences and his views in the text. He begins the book by stating, “All this happened, more or less. The war parts, anyway, are pretty much true...I’ve changed all of the names.” Viewing war as a sen...
Billy Pilgrim time travels to various moments in his life at random, which suggests he has no power over his mind and the memories that haunt him. He “is spastic in time, (and) has no control over where he is going next” (Vonnegut 43), as he struggles to make sense of his past. Billy’s ability to remember events in an erratic sequence, mirrors the happenings of war. War is sudden, fast paced, and filled with unexpected twists and turns. Billy cannot forget what he experienced during his time as a soldier, and in turn his mind subconsciously imitates this hectic quality of war. This behavior proves that although the war is over, “psychologically, Billy has never fully left” (Vees-Gulani). For many soldiers, especially those who were prisoners of war (POW), it is inevitable that their mind will not be like it once was (Vees-Gulani).
Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view of humanity which can only be mocked by humor. At the beginning of the novel the narrator is researching for a book he is writing. The book was to be about the day the atomic bomb was dropped on Hiroshima and the lives of the people who created the bomb. The narrator travels through the plot of the story, with characters flying in and out, in almost a daze. He is involved in events which are helplessly beyond his control, but which are inevitably leading to a destination at the end.
When Vonnegut created Billy Pilgrim, he made Billy subject to the experience of the war. In fact, Billy experiences it almost. exactly the same as Vonnegut himself had, including the experiences of being a POW and in the firebombing of Dresden. The. But in Billy's case, Vonnegut writes it with.
One can only imagine the intense emotional scarring that one would suffer after exiting an underground shelter with a dozen other men to find a city destroyed and its people dead, corpses laying all around. These feelings are what prompted Kurt Vonnegut to write Slaughterhouse-Five as he did. The main character of this novel mirrors the author in many ways, but the striking similarity is their inability to deal with the events of Dresden on the night of February 13, 1945. Section Two- Critical Commentaries Kurt Vonnegut's work is nothing new to critics, but Slaughterhouse-Five is considered to be his best work.
The novel Slaughterhouse Five by Kurt Vonnegut is a narrative about a man named Billy Pilgrim. Billy participates in World War II and the novel follows his life and focuses on his reaction to the war and his travels to an extraterrestrial planet called Tralfamadore. Many speculate that this book reflects Vonnegut’s feelings about war and have drawn parallels between Vonnegut and Billy Pilgrim. Kurt Vonnegut has the characters read various texts throughout Slaughterhouse Five to emphasize his feelings about war.
Billy Pilgrim's life is far from normal. Throughout most of his adult life he has been moving backwards and forwards through time, from one event to another, in a non-sequential order. At least, this schizophrenic life is hard to understand. Because Vonnegut wants the reader to relate to Billy Pilgrim, he uses distinct images to tell the story.
In Slaughterhouse- Five, Kurt Vonnegut’s themes of war and time travel to tell the story of World War II in Dresden through the eyes of Billy Pilgrim. Vonnegut uses flashbacks and blackouts to bring Billy back and forth throughout different eras of his life in order for him to develop a way to cope with the bombing in Dresden.
However, the books present response to war in a contrasting way. The incorporation of repetition, balance, and the idea of little control of one’s fate display parallelism between Billy Pilgrim and the soldiers of The Things They Carried while still distinguishing the existing psychological and internal contrast between them. When Billy is leading a parade in front of the Dresdeners prior to the bombing, Vonnegut
“How nice – to feel nothing, and still get full credit for being alive” (Vonnegut 50). In Slaughterhouse-Five, Kurt Vonnegut introduces the genuine danger war implements on the innocent minds of soldiers by introducing Billy Pilgrim as a prisoner and Dresden bombing survivor. Kurt Vonnegut’s anti-war novel appropriates around a science fiction theme where Billy Pilgrim becomes “unstuck” in time. This allows Billy to experience his life disorderly.
In life, there are usually no smooth adjustments. It is abrupt and sudden. Billy Pilgrim (protagonist) travels through time in an awkward chronological order. In life, people do not adapt to different situations without any problem. In this book, shifting from one situation to another is meant to be a pain.
Billy Pilgrim is also not like Pilgrim who is the main character in the “The Pilgrim’s Progress”, although they have same last name. His experience is very horrible in the war, there are just have violence and cruel, like the soldier who is in the “Three musketeers”. Imaginary, a man who just naive and have a great lucky, how can he keep his life in the war, just lucky? It is funny. Thus, though the whole novel “Slaughter-Five” by Kurt Vonnegut, the main character, Billy Pilgrim is a contradictory person who has the naive and sane attitude together, in almost time he looks like a child, but his wise can “see” at his speaking and action, likes his speaking “So it goes.” (2) Not only is the indifference to the lives, or the hatred and
...and Gomorrah, except that Dresden does not represent inherent evil. Through the biblical reference of Lot’s wife and her role in Sodom and Gomorrah, a critique of war and of the slaughter of the innocent lives is presented in Slaughterhouse-Five. Ultimately, the work creates a dichotomy between the narrator and protagonist, Billy Pilgrim. It emphasizes the narrator’s value on human life and stresses the importance of compassion and being human. Slaughterhouse-Five elucidates the horrors of war and the stagnation it leaves those involved and fails to offer a way forward, but powerfully relishes in the value of human life and the importance being nonviolent.