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Chapter 1 Tally Youngblood is all alone because she's still an ugly and her best friend Peris has already been turned pretty. So she busts out of the ugly dorm and breaks into New Pretty Town. Tally and Peris used to do this all the time to watch the stupid new pretties at their stupid parties; they would take an old bridge that's not connected to the security system. But Tally is going to break further into New Pretty Town because she wants to talk to Peris, who is supposed to be her best friend forever. She has the scar on her hand to prove it, from that time they scarred their hands together. Now, uglies do tricks and pranks all the time, but this seems like pretty serious rule-breaking to Tally, so she wants to remain hidden. But since …show more content…
So how can they get Tally out of the building without causing a scene? Her pig mask has dissolved, so Peris takes her to the roof where she can jump off wearing a bungee jacket. But first, to get a bungee jacket, Tally sets off a fake fire alarm. And then she jumps off a building. In other words, a typical night. Chapter 3 After jumping off a building, Tally makes her way to the river. Except, instead of being hunted by pretties, who are terrible hunters, now Tally is being hunted by the wardens. Tally sees a warden by the river, which really worries her. But luckily, this person isn't a warden but another ugly who likes breaking into New Pretty Town. This is Shay, who is seriously ugly—"her eyes were too wide apart" and she's too skinny. Ugh. Shay is really impressed by Tally's trick of setting off a fire alarm. The two bond over being lonely, since their friends are almost all pretty now. Tally admits that seeing Peris kind of sucked, since he was all, like, "yeah, we're still best friends, just… be prettier." Shay has a way to get them out of New Pretty Town: a hovering
Stories of Scottsboro. By James E. Goodman. (New York: Vintage Books. c.1994. pp. 274. $16.00)
The United States of America, the land of the free. Mostly free if the skin tone matches with the approval of society. The never ending war on racism, equality, and segregation is a huge part of American culture. Prior to the Civil Rights Movement equality was laughed at. People of color were highly discriminated and hated for existing. During the years nineteen fifty to nineteen seventy, racism began to extinguish its mighty flames. Through the lives of numerous people equality would soon be a reality. Through the Autobiography “Coming of Age in Mississippi” by Anne Moody first person accounts of all the racism, social prejudice and violence shows how different America used to be. The autobiography holds nothing back, allowing the author to give insight on all the appalling events and tragedies. The Re-telling of actual events through Anne Moody’s eyes, reveal a connection to how wrong segregation was. The “Coming of Age in Mississippi” is an accurate representation of life in the south before and during the Civil Rights Movement.
Throughout the article “The Code of the Streets,” Elijah Anderson explains the differences between “decent” and “street” people that can be applied to the approaches of social control, labeling, and social conflict theories when talking about the violence among inner cities due to cultural adaptations.
The poem “anyone lived in a pretty how town” by E.E. Cummings talks about the cycle of life and the importance of structure, symbolism, and language of the poem. For instance, the poem has nine stanzas, which has a rhyming pattern of AABC. The rhythm of the poem is significant for it supports one of themes, the cycle of life. Cumming uses season to explain the poem's progress. “spring summer autumn winter” (3) and “sun moon stars rain” (8) symbolizes time passing, which represents life passing. In the poem, as the seasons and skies rotate, life continues along with them. In addition, the uses of the words “snow” (22), “buried” (27), “was by was” (28), and “day by day” (29) leading to death. Towards the end of the poem, the depression of death was mention, but Cumming was just stating the n...
America is known for expanding, being innovative, and rising above and beyond expectations. In Larson’s The Devil in the White City, it is displayed and explained how America, Chicago specifically, became the powerhouse city of constructing/ engineering. New ideas were used to make things bigger and better; making America appear superior. Advances in technology made it much easier to build, expand, and create buildings that were unfamiliar to America. Larson uses examples that signify the importance of American superiority and modernity for the country—showing America’s significance in the world, the involvement of the government with business ventures, and overpopulation which hid many murders that were committed before, during, and after
“Anyone lived in a pretty how town,” by E.E. Cummings, is a poem that alludes to the circle of life and how birth and death are a natural part of this cycle. This meaning is conveyed by a complex metaphor; broken down, this metaphor slides away to reveal the true social commentary behind it. This poem is an allegory; the speaker uses pronouns with unclear antecedents to mask the true meaning and add poetic flair to the simple belief he or she presents.
Thornton Wilder was born on April 17, 1897, and died on December 7, 1975. He was born in Madison, Wisconsin to Amos Wilder, an American diplomat, and Isabella Wilder. Thornton Wilder started writing plays in The Thacher School in Ojai, California, and graduated from Berkeley High School in 1915. He served in the Coast Guard in World War II. After the war he attended Oberlin College, then Yale University where he earned his B.A. in 1920. His writing was honed at Yale where he was a part of the Alpha Delta Phi Fraternity which is a literary society. In 1926, he earned his M.A. in French from Princeton University. Wilder won Pulitzer Prizes for The Bridge of San Luis Rey in 1928, Our Town in 1938, and The Skin of Our Teeth in 1942. He also won the Peace Prize of the German Book Trade in 1957, the Presidential Medal of Freedom in 1963, and the National Book Award in 1967 for his novel The Eighth Day.
E. E. Cummings ' "anyone lived in a pretty how town" is often interpreted as a love poem (Macksoud 72), but it can be analyzed more deeply to reflect societal themes. Cummings ' use of grammar and punctuation is unconventional and at the same time organized in a way that draws the reader to certain conclusions about the way the citizens of the "how town" live. None of the protagonists are given a name, and yet knowing their titles—"anyone," "women and men," "children," "someone," "everyone," and "noone"—and analyzing the contrast between the individual and the group is essential to understanding the message the poem conveys (Kidder 143).
Nestled deep within the Berkshire Mountains rests the small town of Westfield, Massachusetts. Every morning, a light, tepid fog settles among the quiet streets, devising a peaceful and calm atmosphere. Light winds gently brisk through the many oak trees, swaying the branches back and forth. From afar, the tall mountains border the limits of Westfield, forming a panorama of natural landscape. Fortunately, I was able to call the town of Westfield my home for many years. However, the town serves as more than a source of scenery. Westfield, Massachusetts, has profound personal importance as it portrays the majority of my lifetime. In fact, residing in Westfield has positively impacted my life as a result of the particular climate, historic motif, and community entrenched within the town.
Topic: This story is about twins and one sister that found a book of fantasy that someone had written, and in that moment it start appearing trolls, monsters etc, and together they need to combat the monster.
After the Civil War, realism became a dominant form of writing in the United States, with writers attempting to write about everyday life. After realism came naturalism, a form of writing similar to realism, but with more pessimism. One of the reasons for this pessimism stems from free will and the question of whether people possess it or not. In realism, it is definitely true, while in naturalism it seems less so, but the options are often less than ideal. Because choices do exist for characters, free will is still there, which indicates that naturalism is a derivative form of realism. In Stephen Crane’s “Maggie: A Girl of the Streets,” the characters may have little chance to escape the world they inhabit, like Maggie, Jimmie, and Pete, but choices are there, even if these choices aren’t very good.
river that connects to other parts of the countryside. Later on, Daisy and Piper are sent to
Theodore Dreiser was an American novelist and journalist of the naturalist school. His novels often featured main characters that succeeded at their objectives despite a lack of a firm moral code, and literary situations that more closely resemble studies of nature than tales of choice and agency. The novel Sister Carrie, written by Dreiser, is a story of a woman who flees country life for Chicago, Illinois and falls into a wayward life of sin. It ruthlessly exposes the hypocrisy and meanness of middle-class standards, and creates a new tradition in literary realism. In his life, Dreisor had also lived a harsh childhood with his family, living in five different towns, including a short time in Chicago. His youth was an emotionally unstable time for him, further worsened by the teachings of his German American catholic school. He was forced to stick to the strict teachings of his school, Roman Catholic religious denomination, which most likely lead to the deep criticisms of the Catholic religion shown in his later writings.
Sacrifice, even when it comes to one’s ultimate end, is crucial in order to survive as a productive race. In the book Tale of Two Cities by Charles Dickens, he illustrates the hardships of the early-nineteenth-century lifestyles. With the resurrection of an evicted man, the novel sprouts from a broken family recovering and growing. This novel incorporates many grand gestures and adventures, such as the French Revolution, treason trials, and the sacrifice of one’s own life in the name of love.
The night ebbed in the darkness brUGHT t about the memory of the most tragic event in the history of the small town of Greenville. Not knowing the tragedy that would unfold the citizens rested quietly in the slumber of that hot August night. Storm clouds loomed on the horizon with blazes of light that speckled the sky. In the distance the soft rumble of thunder brought no alarm to this quiet little town. Jenny and Blade lived in the rural area of green pine forests on the outskirts of this sleepy little town. Nowhere in the history of Greenville had such a tragedy happens, and no one was aware of the destruction that loomed on the horizon. As the night closed near the midnight hour, the wind seemed to awaken the lifeless living things in