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The role of women in literature
Portrayal of women in literature
Portrayal of women in literature
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Most of the characters in the story have ambiguous tales, but the statement of the woman who has come to the Shimizu temple, also known as the wife of the murdered man, is one of the most controversial. Based on the information from the testimonies of the dead husband and Tajomaru, its deduced she was violated in some way by Tajomaru. She goes through traumatic events that make her account untrustworthy. For example, she gives a radically, contradicting detail about her husband on page 5, “Beneath the cold contempt in his eye, there was hatred. Shame, grief, and anger...I don’t know how to express my heart at that time”. Contrary, her mother, describes her son-in-law “of gentle disposition, so I am sure he did nothing to provoke the anger of …show more content…
others” (2). The mother's approval of the son exemplifies his nature because she would not let her daughter marry an inferior man. Furthermore, the wife gathers she should kill a man from a supposed look in her husband's eyes. Then she tries to commit suicide multiple times, but is unsuccessful. She is clearly not stable and finishes talking by breaking into “violent sobbing” (6). The wife's narrative creates confusion for the reader because they do not know who tells the truth. Ultimately, the author's use of unreliable narrative in the structure of his text added mystery to the plot and the individual behind the murder. Moreover, Tajomaru is another character with an unreliable narrative.
He is a robber and is also suspected to be the a killer in a previous crime. After he claims he fought the husband to the death, he is steadfast in his emotions and says he is ready for the maximum penalty from the police. Tajomaru is erratic because he is controlled by single desires that consume his mind in seconds. Tajomaru first saw the couple in the afternoon and he says, “That may have been one reason; she looked like a Bodhisattva. At that moment I made up my mind to capture her even if I had to kill her mind” (2). His resolve to kill a man for a girl was made after a glimpse of her face when the wind briefly blew her scarf. In addition, when Tajomaru concocted a plan that did not require the death of the husband, he decided it was good enough to leave him tied to a tree. But when the wife asks him to kill the husband, he says, “Then a furious desire to kill him seized me” (4). A mere request enveloped his mind into one thought and destroyed his resolve to keep the man alive. Tajomaru is not reliable because he does not think of the consequences of his actions and lives only in the present second. The capriciousness and fickleness of his character make his testimony unreliable. Tajomaru was the first to claim responsibility for the murder of the husband. His narrative adds suspense to the plot and readers are sitting on the edge of their chairs, biting their nails, and fervently reading on to find
out what happened next and who the killer is. Unfortunately, the story results in a inconclusive murderer, adding tension to the piece. The lack of definite conclusion opens endless debates on who is the killer. Others might argue that the narratives are reliable based on the nature of their job titles or positions. Yet almost every single person has a trait or quality that makes their testimony unreliable, including their title. Although the policeman is the law and is expected to tell the truth, he has a burning desire to incarcerate Tajomaru and surmises Tajomaru is the culprit. The Buddhist priest is religious and that affects how he describes what he saw. Tajomaru has questionable morals and he is a robber. The Old Woman is the mother of the wife so she is biased to protect her daughter. The wife has gone through traumatic events and her emotional state is suspicious. And finally, the title of the husband's testimonial is, "The Story of the Murdered Man, as Told Through a Medium" (6). His narrative is definitely unsound because his version is being told by someone else. Those who do not believe in mediums will not even consider his words as truth. The medium could have fabricated or altered the details. The narratives muddled the truth and clouds the story with mystery and suspense for those seeking the truth. Nonetheless, the open ended conclusion leaves readers tense at all the different possibilities and loose ends left by the author and his use of unreliable narratives.
... to the husband. Yet the reader is presented with woman Wang, who ran away with another man from her husband, Jen. Some of the reasons of her departure could have been neglect from her husband, that she had bound feet and that she had no children. Her actions contradicted any moral wife at that time. After relentless pursuit of happiness woman Wang returned home, there she met her death. The Legal Code justified certain parameters of vengeance on behave of the husband toward his adulterous wife. Nevertheless, Jen was not allowed by the law to simply slaughter his wife. Moreover Jen accused an innocent Kao, for which Jen could have been sentenced to death. Were woman Wang's actions right is for the reader to decide.
The story “ Idolatry” by Sherman Alexie is an example of flash fiction. It starts where Mary, an Indian, waited many hours for an audition without being impatient because her surroundings involved tasks that take a long time to finish. After a long time waiting, she got the chance to show her talent, but she was not expecting the response of the judges. She only sang the first verse of the song and got stopped. They told her “ You are a horrible singer” and “ never sing again” this kind of comment ruined her dream of becoming a singer. She learned in a hasty manner that her entire life was full of lies from her loved ones.
... a confession was made, the mother expressed feelings of hatred, violence, and a wish to kill.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
Pradesh, Madhya. "World Heritage Sites- Sanchi." Archeological Survey of India. Web. 28 Feb. 2014. .
The narration is first person, as told by the narrator. We never hear directly from the wife so we must use our imagination in order to acknowledge or sympathize with her character. Not much is revealed about the wife’s history or appearance, but we d...
Suskind creates a narrator with a kaleidoscopic view. The narrator morphs from a gossiper, to reader’s friend, to historian, journalist, and ultimately an accomplice to the murders. With many different personas why does the reader still trust him? There are many sides to the storyteller of Perfume, and the reader may realize too late that there seems to be a fine line between friends to accomplice to murderer.
Roark undertakes this responsibility and manufactures an astounding temple yet is sued when he completes the project by Stoddard, who is guided by Toohey, in light of the fact that he proclaims the final product disobeys every proper image of a religious structure. Roark is discovered guilty and sentenced to pay for the modifications of the temple. Toohey's motivation is to pulverize Roark's image so future commissions would be inadequate on the account that the public would remember him being involved in a scandal and that he is viewed as an "enemy of
In conclusion, the author’s choice of utilizing the third person narration is what provided the high level of ignorance, as the voice concentrated on the protagonist husband. It brought the reader to the place of how inadequately the husband treated the wife and how he was oblivious of how his actions affected her. The reader is also able to envision that the protagonist is not cognizant that he is not being truthful to himself. It permits the reader to realize the how boring, prideful, thoughtless, and insensitive the protagonist is overall.
The memories of the deaths of his friends and disappearance of others make him feel dizzy and sick as he recounts on how much he was robbed off of his adolescent life by these occurrences. Toru feels “sick” and “dizzy”; of course, he leans “forward in his seat, face in hands to keep his skull from splitting open”. “I 'm fine, thanks,” I said with a smile. “Just feeling kind of blue" (6). It is evident that he has not recovered or got over these losses he had to spend a significant amount of time trying to get an identity from books, films, and music which he seems not to
In Tantra love is worship. This is the easy method to meet the ultimate bliss and ecstasy. Tantra considers man and woman two energies which unite to create new energy. Tantra is based on the mutual love and respect for your opposite partner. Tantra is not a black magic or this has not to have any spell on anybody. It is the mutual trust love and respect that creates a undivided bond between the two loving souls. Once the intimacy is developed then doubt confusion jealousy cannot remain between the two loving partners.
The book “The Sacred and the Profane: The Nature of Religion”, written by Mircea Eliade, investigates four aspects of the sacred universe: space, time, nature, and self. Eliade splits each aspect into two forms of perception, the sacred and profane. Religious men, specifically the ancient, traditional men, view the universe as sacred. In other words, they acknowledge a distinct qualitative difference between a sacred and profane (non-sacred) universe; whereas, nonreligious, specifically modern men, are unable to understand such differences in the world. This claim rests on the on the concept of heirophanies or manifestations of the sacred. A hierophany is the religious man’s source of absolute reality and it illuminates the glory and power of God. This manifestation of divine glory charges a site with special significance, thereby losing a sense of homogeneity throughout the universe. Eliade’s underlying thesis is that due to the human experience of both the sacred and profane in day to day life, the transitional zones between the two are exceptionally illuminated and charged with the divine glory of the sacred.
The Theme of Love is presented by the widow, as she demonstrates a deeper love for her dead husband. She refuses to following the precession with the loose hair, and the beating of the naked breast in front of the crowd. At the beginning of the story, the widow is presented as being devoted. Her actions are described as being overly devoted to her dead husband by the dissatisfaction with the traditional norms of mourning. Petronius writes, “She followed the dead man even to his resting place, and began to watch and weep night and day over the body” (1, paragraph 2) Petronius suggests the widow’s love by her state of mind being lost in her grief, “Even to his resting place”. Another example of the love the widow demonstrates through the story is the sacrifice of her dead husband body to save her new love. The widow reacts to the soldier’s grief, for a crucified man’s body has been taken and he will have to take its place. She shows that even ...
The narrator of the woman’s rose starts by describing the content of a wooden box which has been kept with special care over the years. This box is special because it contains a rose which is unique. Among the rose once belonged some other flowers but none are as important as the rose which resisted the test of time. The narrator moves on by describing the story behind her rose. When she was still fifteen, she visited a village where single men constituted the majority of the population. The narrator describes the only girl who was seen there and the young girl had power to seduce the men. Every one of them was falling for her. As soon as the narrator made her apparition in the village, the young girl became
The way Tajomaru confessed his crime was definitely full of arrogance. “Sure, I killed the man…, now that you’ve got me, I’m not going to hide anything. I’m no coward.” It was a self-sacrifice type of confession. He was trying to persuade the readers to believe that he did it with utmost certainty. “… I always knew my head would end up hanging…, so let me have the ultimate punishment,” he said. He knew that by confessing, he would end up dead. Still, he confessed, which would also make the readers believe that he was telling the truth since he was willing to die. But, despite of that, the readers can’t still be sure whether he really was the murderer. It’s because Tajomaru had something to gain from this confession. He was a bandit. Telling