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Rise of photography
Rise of photography
Why is photography important in our society today
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According to American writer, teacher, and human rights activist Susan Sontag’s work, “On Photography,” Sontag concludes that although photography is traditionally seen as to capture precious family moments and history, it can also mean a defense against anxiety and can even be a tool of power at a lot of times. When taking pictures, it gives people the authority to take control or manipulate the type of image we want, helping get in touch with an unfamiliar environment we may be confused with, as well as becoming a self-framing practice on portraying our identities. I agree with Sontag’s analysis, because I also think that taking pictures is becoming a stronger defense mechanism we apply to the world, gaining our experience and gaining the …show more content…
Thus, “photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure” (Sontag 131). The art of photography is not only a soothing tool, but the power of self-productivity without having the thoughts of worry blocking someone’s mind. In this case, tourism is a modern day, popular example that Sontag uses where “photography develops in tandem” (Sontag 131). Tourism requires a lot of people to come out of their shell and encounter new habitats for a short period of time. Unaware of the different customs explored as well as the inability to communicate, these heavy psychological and social situations may cause people to feel uneasy. However, carrying around a camera and taking pictures of what one is experiencing creates a mindset of pleasure and peace. When all gathered up, these photographs create proof or certification that the trip was made, enjoyed, and well carried out. For me, I have always never thought about going on a trip without my high quality professional SONY camera, my iPhone6 with its brilliant zoom lens, as well as my tripod other extra photographic equipment. I have the natural instinct to grab my camera or smartphone and take pictures; not to capture the moment, but rather to avoid myself feeling confused of where I was and what exactly I am looking at or even doing. The more pictures I took, I was getting the feel of becoming close with the places I was visiting. After returning back home from a three month summer vacation in Korea, I printed out almost all of the photos I had taken. Looking through them the next several days, I was able to happily reminisce the good times that are now in the past. Just by reminiscing at the photographs,
As the camera’s popularity grew, the use of it shifted from an art form into a social rite, a statement of authority and security. The act of taking photographs, and the photos produced, act as mementos or proof of the past. Photographs summarize an event all within itself, creating an immortal piece, allowing the people to grasp onto the ownership of area in which they feel insecure. On the other hand, Sontag states that the deed of taking photographs occupies the same need for “cosmopolitans […] as it does for lower-middle-class [citizens]”(177). With that being said, how can there be any power at all in photography, but a fake sensation we created from the act of photography to fill our insecurities. By tapping into the insecurities of the readers, Sontag forces them to connect with the words and consider their actions relating to photography more
Photography allows us to maintain memories and relish them whenever we desire. Although some advocates might argue that people are no longer enjoying experiences instead taking more pictures, in the essay, “Why We Take Pictures”, by Susan Sontag, she conflates that photography can be used as a defense against anxiety and a tool of empowerment. I agree with Sontag on the significance of photographs and how it allows us to store a part of our extended relatives so we are able to hold on the memories of family. Therefore, we must appreciate how photography allows us to manage anxiety, express feelings and remember our loved ones.
In the essay “Why We Take Pictures” by Susan Sontag, she argues that taking photos can be a tool of power and sometimes even a defense against anxiety(353). Taking pictures can be a great source of power, according to Sontag. The photographer has the power to show what they want and people can choose whether or not to be in the photo. Sontag uses the example of a family photo; as some family photos portray the family being happy, many people cannot see that the family might not actually be as happy as they look. Sontag also uses examples like nuclear families and traveling in order to enforce her claims about picture taking. In a nuclear family, Sontag believes that taking a picture of that family can help relieve some anxiety because people
Sontag, Susan. "Essay | Photography Enhances Our Understanding of the World." BookRags. BookRags. Web. 15 Apr. 2014.
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
In Alain de Botton’s collection of philosophical essays, The Art of Travel and Tim Winton’s short story ‘Neighbours’, the representation of people and landscapes leads us to a greater awareness of the complexity of human attitudes and behaviours. This is explored through the idea that changes in one’s receptivity to the landscape can determine their perspective of it and thus influence their behaviour and attitude towards those people in the landscape. The desire for a new landscape is due to the non-receptivity to the old landscape, this is explored in de Botton’s first essay, ‘On Anticipation’ with his experience of Barbados. The representation presented to him by the travel brochure was a severe abbreviation of reality, and thus his expectations of Barbados were overtly influenced by the misleading representation given to him.
According to Sontag, “It is mainly a social rite, a defense against anxiety, and a tool of power. Memorializing the achievements of individuals…” (8). Photography of family members is what cameras are made to do these days because we want to memorialize our loved one through their photographs. It becomes a social rite where photographs are used to unite families and keep them intact. Their achievements and successes in life are best distinguished through family pictures. And when it comes to family problems, these photographs lessens the worry as problematic people are always reminded that their families are always there to support them. Furthermore, Sontag explains that other people, especially the ones with psychological problems, use photography for hidden desires. According to Sontag, “The camera doesn’t rape, or even possess, though it may intrude, trespass, distort, exploit, and, … assassinate – all activities that… can be conducted from a distance… “ (13). Taking a picture of a person requires some distance, but one of the hundreds of reasons could be due to a person’s hidden fascination of others. Let’s say my photo was taken by an obsessed creep, he could be planning to use the photo either in a violent way or sexual way. There will always be that subconscious aspiration present when people aim the camera and then
“Recently, photography has become almost as widely practiced an amusement as sex and dancing, which means that, like every mass art form, photography is not practiced by most people as an art. It is mainly a social rite, a defense against anxiety, and a tool of power” (Sontag 8). After reading this quote in my head multiple times, I started to realize that people use it for different purposes. When I took a photography class in college, it was under the category “art.” Which made me think of it as a form of art, when there are so many other ways to view photography. Sontag changed my opinion about photography after further interpreting her quote because to have a camera in our hand, being able to capture the world through our lens is to have a tool of
Whereas men had a so-called “head-start” with painting and sculpture, photography was pioneered by and equally associated with both genders. Sexualized images of women circulated via mass media. Described as a voyeuristic medium, photography was a powerful tool in deconstructing the male gaze and bringing private moments into the public domain (Bonney 1985: 11).
To begin with, photography appeared to me as something entertaining a simple step in which one took a camera and simply shot a photograph of oneself or a friend. When I was handed my schedule for Mrs. Jones’s class, I felt as if this class had in store a special reward for me. As the days went by, Instead of being anxious of getting out of class I had a craving for additional time in the class. The class kept my eyes glued to the screen ...
In this paper I will focus on the work of Ariella Azoulay, I will compare her ideas with Susan Sontag’s arguments about the spectator of photography in relation to the ethical and political responsibilities which are present in the contemporary photographic practice. I will also have a look at Joscelyn Jurich’s perspective on the two authors mentioned above. Ariella Azoulay in her book ‘The Civil Contract of Photography’ 2008, talks about photographic theory in combination with political philosophy. The idea that citizenship is based on a “new ontological-political understanding of photography” (23). The photographic act which involves different mediums, those are – the photographer, camera, subject photographed and the spectator; where none
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
Sontag feels that photography endears itself to voyeurism, exploitation, and an imperceptible aggression. Sontag expresses this when she writes, “Still there's something predatory the act of taking a picture. To photograph people is to violate them, by seeing them as they never see themselves, by taking knowledge of them they can never have, it turns people into objects that can be symbolically possessed.”, here Sontag shines a light on the often invasive nature of photography. Capturing an image is a way of symbolically capturing a part of that person, which is forever frozen in that moment recorded on film. Sontag also argues that photographing an individual is a way of participating in that person's eventuality (death). She writes “To take a photograph is to participate in another person's or things mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it all photographs testify to time’s relentless melt.”, so essentially Sontag argues photographs serve as a physical reminder of the inevitable corrosion that time visits upon all things. To photograph a loved one, a pet, a cherished place or thing is an inadvertent reminder that, that person, place or thing will inevitably age, decay and cease to be. This appropriation is often done unintentionally but is appropriation nonetheless and aids in altering our outlook and
In Sontag’s On Photography, she claims photography limits our understanding of the world. Though Sontag acknowledges “photographs fill in blanks in our mental pictures”, she believes “the camera’s rendering of reality must always hide more than it discloses.” She argues photographs offer merely “a semblance of knowledge” on the real world.
Photography has created an outlet for the masses to story tell. It has a way of speaking without words like most art forms and is a manner of expression in itself. To eradicate photography from humans would be equivalent to taking away a limb from humankind. Our society has grown an immense amount of dependency on it. Photography has become almost a daily menial task such as brushing your teeth; where we must take pictures of the things we deem important or equally unimportant, even more so with the invention of social media outlets such as Instagram and Snapchat, where photography is the main source of communication between people who use them. Susan Sontag offers the basis of what taking pictures can undertake in both our daily lives and moments that are not part of our daily lives, such as travel. Traveling to places where one is not accustomed can flare pent up anxiety. A way to subdue that anxiety could be through taking pictures, since it’s the only factor that we have total control over in a space where we don’t have much, or, any control of our surrounding environment. On the other hand, taking photos can also be a tool of power in the same sense as it allows for it to be a defense against anxiety. With the camera in our hands, we have the power to decide who, what, where, when, and why we take a picture. This in turn also gives the person who took the picture power over those who later analyze the photos, letting them decide the meaning of the photo individually, despite the intended or true meaning.