Summary Of Neil Postman's Amusing Ourselves To Death

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In Neil Postman's Amusing Ourselves to Death, published in 1985, television is said to have changed communication forever. New shows and documentaries were coming out every week at the time of publication, and the public was frenzied to consume all the added content. In the book, Postman relates television to soma, the addictive drug from Aldous Huxley’s Brave New World that is meant to exclusively give citizens good experiences, showing that television may not be as good as it is thought to be. Television has constricted the view of the world by isolating the images audiences see on their television every day. Because it was published in the 1980’s, smartphones and portable audio devices were uncommon, so virtually all media was consumed at …show more content…

Newspapers, the precursor to modern television, was much more formal and serious within its discourse, but near the middle of the nineteenth century, that seriousness began to fade away. Newspapers such as “Benjamin Day’s New York Sun” and James Bennett’s New York Herald turned away from the tradition of news as reasoned political opinion. . . and filled their pages with. . . crime and sex,” exemplifying the large turn from content requiring deep thought to entertainment and amusing stories (66). With this turn came decontextualized news, tailored to a larger audience, that was not personal to any specific group of people, creating a feedback loop which amplified this ever-growing stream of useless knowledge. This trend continued even after the switch to television, as political commercials “require its form to be used in political campaigns” (129). These commercials are one of the main elements present within an entertainment-based media, Postman argues that it brings together “in compact form all of the arts of show business – music, drama, imagery, humor, [and] celebrity” (126). Multiple television shows have featured politicians such as Everett Dirksen on What’s My Line, Gerald Ford and Henry Kissinger on Dynasty, and most notably, Richard Nixon on Laugh-In. Laugh-In was a one-hour television show structured as a television …show more content…

Certain content, such as weather, has remained serious, even while being televised. Postman says that meteorologists have started to make shows out of natural disasters like hurricanes and tornadoes, but he does not consider that the energy shown on the screen at these times may not be a performance, but rather concern and worry. Also, some content was entertaining long before it reached television. Take radio comedy shows, as before television, these were peak entertainment, and with the introduction of television only a visual element was added. Entertainment for this content is not mutually exclusive between radio and television, but its entertaining pieces came from the radio, not television. Nonetheless, television has centered itself on important cultural topics, and “television is at its most trivial and, therefore, most dangerous. . . when it presents itself as a carrier of important cultural conversations,” which it does, now carrying political content as well as emergencies, making itself one of the most used forms of communication

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