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“Ugly” is the most important word in “Identity” by Julio Noboa Polanco because he talks about wanting to be ugly if everyone is considered pretty. The author writes about why he’d rather be a weed if everyone else is considered a flower. How much more he’d rather be unseen and shunned by them. Throughout the poem, Julio Polanco describes how the life of a weed would be in comparison to that of a flower. To start off easily, in these two sections of the poem, the author blatantly says that he’d rather be a weed or be ugly if everyone were beautiful flowers. “I’d rather be a tall ugly weed, clinging on cliffs, like and eagle” “If I could stand alone, strong, and free, I’d rather be a tall, ugly, weed.” Ugly would be the most important word here not only because he says it more than once, but because he’s saying that's how he’d want to feel, or be looked at. In a way, when he says these things it almost sounds like he's making the flowers …show more content…
seem ugly and the weeds seem beautiful, making them opposites of each other. The fact that he uses the word ugly over again is not the only piece of evidence to why it's the most important.
In even more of the poem the author describes objects that are considered ugly and wishes to be with them or a part of them. For instance, he says “ I’d rather smell of musty, green stench than of sweet, fragrant lilac.” and “ I’d rather be unseen, and if shunned by everyone than to be a pleasant-smelling flower.” he also makes some of these things that aren't necessarily ugly, sound very beautiful, like “ To be swayed by the breezes of an ancient sea, carrying my soul, my seed, beyond the mountains of time or into the abyss of the bizarre.” It was long but beautiful, although not the kind of beautiful he makes the flowers to be. A different kind of beautiful. These bits from the poem would make the word ugly important because he makes everything that would be ugly, beautiful in his poem, he changes it's meaning. Makes it different, and to change the meaning of a word into it's opposite would make the word
important. So, in his poem, Julio Polanco is able to change the meaning of a word, and make it it's opposite. He turned ugly into beauty, making it an important part of the whole poem.
In the beginning, the author explains how this young girl, Lizabeth, lived in the culturally deprived neighborhood during the depression. Lizabeth is at the age where she is just beginning to become a young woman and is almost ready to give up her childish ways. Through this time period she was confused and could not quite understand what was happening to her. In the end she rips Miss Lottie’s marigolds among the ugly place in which she lived. The marigolds were the only things that make the place a bit beautiful to the eye. In this scene the marigolds represent the only hope the people had for themselves in this time of depression. This could reveal how the author has experienced a loss of hope in times of need. In her explanation of how Lizabeth had torn up the flowers and destroyed all hope in that time of depression, might explain that she has also destroyed hope in a time of pain and grief. Later she writes, “And I too have planted marigolds.” This could mean she has learned from her experiences and that she has finally found hope and always tries to seek the good within the bad and the ugly. On another note, it could mean she just wants to act out on something, but she can’t, so she writes about her...
Lizabeth associates much of her childhood with the vision of “acid, sterile dust . . . the dry September . . . and grassless yards” (Collier, p. 748). The use of this specific imagery relates the effect that poverty had on Lizabeth’s mentality and the role it played in shaping her perspective. A part of that effect is her inability to understand beauty amongst ugliness. This is exemplified in Miss Lottie’s marigolds. Lizabeth describes the marigolds as “the strangest part of [Miss Lottie’s yard]” because “they did not fit in with the crumbling decay of the rest of her yard” (Collier, p. 751). Lizabeth’s preoccupation and apparent disgust with Miss Lottie’s marigolds is a reflection of her unfamiliarity with beauty. It is not until she is familiarized with the beauty present in the marigolds that she understands the fault in her perspective. As a women looking back on the events of her childhood, an older Lizabeth recognizes her fault, yet also states “one does not have to be ignorant and poor to find that life is as barren as the dusty yards of [her] town” (Collier, p.
The line “ and you’ll be ugly forever,” (225) conveys how people’s first instinct of you is to judge no matter what, they may not even know who you are but that’s the natural instinct. This quote shows how even though someone else may think you’re ugly in someone else's eyes that person could be perfect. Tally Youngblood started to realize this when David, a friend she met at The Smoke, kept complimenting her about the way she looked, but she had never looked at herself in a different way other than an ugly. David sees her as a perfect girl, but even perfect girls have flaws. Tally seems to think that everything about her is a flaw. She's never looked at herself from a different perspective. “... but uglies have an easier time trusting someone like me…”(356) Uglies have an easier time trusting anyone than pretties, because they're uglies and they don’t understand the hardships that the pretties may face, even though they live in the same society. Uglies may think pretties have it easy but they haven’t experienced that life
As Pleasantville progresses more and more objects and people turn to color, but if we look back to the beginning we can identify some key changes. After Jen and Skip go to Lover’s Lane and have sex with each other, Skip drives home and spots a solitary blood red rose. This single rose symbolizes the passion and love that he and Jen just experienced, while sex may not be the most romantic deed it is still filled with passion. Not only is the rose a symbol of passion, it symbolizes growth and knowledge. Flowers are clearly symbols of growth and change, and in this case Skip’s view on the world and what is possible is expanding and growing, just like a flower. Before Jen’s prompting for more, Skip simply wanted to date her, he was even afraid to hold her hand so soon. Yet, after Jen takes him to Lover’s Lane and they have sex he opens up more to new experiences and opportunities, again similar to how
A saying commonly heard is: “Beauty is on the inside.” In the book Uglies by Scott Westerfeld, the main character, Tally, is confronted with the meaning of beauty. All of her life she has grown up thinking she was ugly, because you can only be pretty after your operation on your sixteenth birthday. Tally has lived with the fact that, because she is normal, she is ugly. Tally’s best friend, Peris, is three months older than her.
The imagery, shown in both Shakespeare and Neruda’s poems, contain similarities between negative and positive imagery. To start off, Neruda’s poem is constantly interchanging between negative and positive verses. For example, the first quatrain of Neruda’s poem entirely depicts the mentioned juxtaposition with “My ugly, you’re a messy chestnut./ My beauty, you are pretty as the wind./ Ugly: your mouth is big enough for two mouths./ Beauty: your kisses are as fresh as melons.” This example uses two different types of poetic devices: metaphor and simile. Here, the metaphors are used to describe the ugly, while on the other hand, the simile is used to describe beauty. These two devices add to the understanding that the metaphors for the ugly are meant to make readers realize an over exaggerated view of the speaker’s reality in regards to his lover, and the similes for the beauty are meant for readers to show how the speaker really sees love. In contrast, Shakespeare’s sonnet contains twice as much negative imagery; however, there is h...
Although imagery and symbolism does little to help prepare an expected ending in “The Flowers” by Alice Walker, setting is the singular element that clearly reasons out an ending that correlates with the predominant theme of how innocence disappears as a result of facing a grim realism from the cruel world. Despite the joyous atmosphere of an apparently beautiful world of abundant corn and cotton, death and hatred lies on in the woods just beyond the sharecropper cabin. Myop’s flowers are laid down as she blooms into maturity in the face of her fallen kinsman, and the life of summer dies along with her innocence. Grim realism has never been so cruel to the innocent children.
The narrator, a young girl growing up during the Great Depression, lets herself fall prey to the foolish, childish tricks her impulsive teenager brain instructs her to. Her favorite activity is terrorizing an old woman, Miss Lottie who, oddly enough, tends to a flower bed of marigolds in her barren yard. She and the other children often threw rocks or preformed other cruel acts to interrupt poor Miss Lottie's labor. Towards the end of the story, the narrator has a crockpot of emotions brewing inside of her while she listens to her parents argue over money. Upset, she wakes up her little brother and runs outside to the Miss Lottie's yard. "I leaped furiously into the mounds of marigolds and pulled madly . . . I opened my swollen eyes and saw [Miss Lottie] . . . as I gazed into that immobile face with sad, weary eyes, I gazed upon a kind of reality which is hidden from childhood . . . I know that moment marked the end of innocence" (Collier 148). The marigolds represent joy and purity. They show that even in the hard times of Depression, happiness can bloom in the most unexpected place. However, it usually does not mean anything until the innocence is gone or blemished-- destroyed by one thing or another. Then, the hope it has brought will be
“Beauty is not in the face; beauty is a light in the heart” (Kahlil). People focus more on the outward appearance instead of the inward appearance. One’s inward appearance is comprised of their character, values, morals, and the true nature of their heart. On the other hand, the outward appearance is composed of one’s dress and grooming. The inward and outward appearance determines whether or not a person is ugly or beautiful. The choices that we make also define whether or not one is ugly or beautiful; choices made in the past can sometimes be repeated in the future.
The poem being in sonnet form, is ironic as naturally sonnets are about love and its emotions, “In the park” however, highlights the absence of love within the protagonist and portrays a certain harshness of character emotion from change that has already taken place. The beginning of the poem presents the audience with a woman seamlessly trapped by domesticity, suffocated with motherhood and the role given to it by society. Her children “whine and bicker”, draw “aimless patterns in the dirt” - the patterns symbolising the woman’s life and showing her internal and honest thoughts. Bringing attention away from the so called ‘maternal love’, the second stanza links to the first by enjambment in which a person whom was once meaningful in her life as more of a romantic love, is now nothing but ‘someone’ who gives her just a ‘casual nod’. They converse in such a clichéd manner with language of no meaning or emotion using phrases such as “how nice” and “et cetera” which puts across the façade being held, the tone making it clear to the reader she regrets not being able to avoid it as she’s clearly ashamed and embarrassed of what she has become – of how motherhood has consumed her. This external superficial appearance being upheld continues in the last stanza as they both mouth hypocritical statements – the woman’s in particular completely juxtaposing her initial thoughts about her three children in the first stanza. The man enquires about the names and age of her children in whom he evidently has no interest in, and the woman replies with “It’s so sweet…to watch them grow”, her pride leading her to give her past lover a positive impression of her life trying to hide how consumed she really feels by her role and identity loss. The resolution of the poems form, “They have eaten me
Lottie doesn’t have anything wrong with her on the outside for she isn’t in a very low class citizen. She isn't rich, but shes ok. Her son is mentally retarded so that bond between them is lost because of his condition. Her source of happiness is planting marigold flowers because they represent hope and happiness. They grow for her and look beautiful, they are so lively that people notice. Then there’s Lizabeth, a young teen living the life of a poor, depressed, and underestimated child. She can’t handle her life anymore, so she rages uncontrollably towards the marigolds in Miss Lottie's yard. Before that incident which made her more mature, Lizabeth explained to us, “Miss Lottie’s marigolds were perhaps the strangest part of the picture.. Certainly didn't fit in with the crumbling decay of the rest of her yard.”(p.79) This gives the reader a visual on how those flowers were perhaps the only good thing physically around Lizabeth and Miss Lottie. Lizabeth's motive was to make everything else feel the same sad way she felt, but her end result was more regretful. Miss Lottie was already sad, she was already depressed, and those marigolds being destroyed put her farther back in her life. Her loneliness was more noticeable than ever, making her relate to Mayella and Crooks
Beauty is dangerous, especially when you lack it. In the book "The Bluest Eye" by Toni Morrison, we witness the effects that beauty brings. Specifically the collapse of Pecola Breedlove, due to her belief that she did not hold beauty. The media in the 1940's as well as today imposes standards in which beauty is measured up to; but in reality beauty dwells within us all whether it's visible or not there's beauty in all; that beauty is unworthy if society brands you with the label of being ugly.
...that suspends the boundaries of man and nature, the way in which she structures the last image to be one of hostility indicates the unsustainable nature of the garden.
...e ability to achieve anything in life. Hopefully, readers would learn from this novel that beauty is not the most important aspect in life. Society today emphasizes the beauty of one's outer facade. The external appearance of a person is the first thing that is noticed. People should look for a person's inner beauty and love the person for the beauty inside. Beauty, a powerful aspect of life, can draw attention but at the same time it can hide things that one does not want disclosed. Beauty can be used in a variety of ways to affect one's status in culture, politics, and society. Beauty most certainly should not be used to excuse punishment for bad deeds. Beauty is associated with goodness, but that it is not always the case. This story describes how the external attractiveness of a person can influence people's behavior and can corrupt their inner beauty.
Thou art more lovely and more temperate" (18.1-2). The first few lines of this sonnet place vivid images in the readers mind about a beautiful and sweet tempered person. Most readers believe this person to be a beautiful woman because of the preconceived notions about the dynamics of love.... ... middle of paper ...