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In Michael Poliokoff’s book Combat Sports in the Ancient World: Competition, Violence, and Culture, the author argues against the commonly held belief that the classical Greek agon, or athletic competition was primarily used a means of training soldiers and preparing them for battle. In making this argument, much of his evidence comes form the Homeric epics. While Poliokoff uses these sources to make an entirely valid argument about the function of the agon, he often presents these sources without the level of context and analysis that could have significantly strengthened his argument. Furthermore, Poliokoff occasionally make claims about the nature of sport in ancient Greece without providing sufficient evidence, leaving the reader to doubt …show more content…
their validity and thus the validity of his argument as a whole. The information provided by the Homeric texts can be vital to our understanding of the world of the ancient Greeks.
However, as with evidence form any historical source, modern scholars must be incredibly careful to interoperate and analyze them properly to avoid distorting their meaning. Poliokoff tends to overlook these challenges, leading him to take the evidence form the Homeric texts at face value. For example, he quotes a passage form the Odyssey in which Laodamas tells Odysseus that there is no greater glory than that which comes from one’s own hands and feet via sport(Poliokoff 105). Poliokoff asserts that this passage demonstrates the importance of sport to the ancient Greeks, however he makes no attempt to explain why his readers should believe that athletic competition was of great value to the Greeks of the Classical Period based on the testimony of a character in the Odyssey. There are many reasons that the classical Greeks might have a very different view of the agon to that which Laodamas expresses. Even if the reader is familiar enough with the odyssey to know who Laodamas is and what his motivation for making this statement might be, it is a stretch to assert that people living centuries later in a fundamentally different culture held similar beliefs about sport to a character in the Odyssey. While it is certainly difficult to doubt the fact that athletic competition was incredibly important to the Ancient Greeks, but there is much better evidence to support …show more content…
this assertion than a quote from the Odyssey presented out of context. Poliokoff also uses the Homeric texts to support his central thesis that warfare had been the primary means of achieving individual kleos in the Bronze age and had been replaced in this role by the agones in the Classical Period. This is a valid explanation for the importance of these competitions to the ancient greeks, but Poliokoff’s overreliance on Homeric evidence weakens it. In support of his claim, the author provides quotations from the Illiad and the Odyssey which describe warriors achieving kleos in battle and one inscribed epigram from the Classical Period, which discusses the glory of war going to the city of Athens rather than an individual (Poliokoff 112). While this may be evidence of a shift in warfare from a more individual to a collective act, it is difficult to make such a claim with confidence based upon such a limited number of sources, as it is entirely possible that other sources in the classical period discussed the military prowess of individuals. While it is reasonable to suggest that a less individualistic military in the Classical Period drove men to seek kleos through the agones, the argument would be better supported by discussing the emergence of hoplite warfare and the importance of stephanistic games in greater depth. The quotation from Laodamas is not the only piece of evidence that Poliokoff takes from the Homeric texts, with similar problems accompany the other instances of their use.
For example, in explaining the importance of the Homeric texts to understanding the ancient Greeks, Poliokoff writes that it is no exaggeration to say that the Homeric texts are “the Bible of the Greeks” (Poliokoff 112). This comparison is true in so far as the Homeric texts formed the basis of ancient Greeks’ education and were fundamental to their culture. However, the Bible is taken by many people to be the direct word of god and, in some cases, to be literally true, which is certainly not the case for the Homeric texts. When using the Homeric texts in order to gain an insight into the Ancient Greeks it is important to remember that the Greeks of the Classical period are separated form the Myceneans of the Bronze Age by several centuries, during which time large amounts of Mycenean culture were lost. Therefore, it is difficult to say that the Classical Greek had the same values, ideologies, or practices as those seen in the Homeric texts. Thus, while modern scholars may find Homeric texts to be extremely enlightening but they should also take significant care to ensure that all of the necessary context is included. Treating the Homeric texts as a “Bible” of the ancient Greeks obscures this
nuance. In a similar vain, Poliokoff makes some claims about the Greeks, especially in relation to other peoples, for which he provides little evidence. One such claim suggests that the agones practiced by the Greeks differ from those of the Egyptians because the Egyptian sports were extremely hierarchical, while the Greek games were open to men of any social class. In support of this claim, the author provides a few examples of men from the lower classes competing in the agones, which he describes as having a “mythological quality.” Furthermore, he suggests that the Greeks took steps to make it easier for the lower classes to compete, like subsidizing the athletes’ costs (Poliokoff 107). In reality, while it was theoretically possible for the lower classes to compete in an agon, the costs and barriers to entry would have almost always ensured that they were effectively excluded. Only the extremely had the luxury of the idle time required to achieve the proper physique and training for these events while the poor would be too concerned with basic survival to be able to put in the time required to become a serious competitor. Therefore, it is Perhaps unsurprising that stories about individuals form lower classes competing in the agones remain largely confined to mythology. Throughout this work, Poliokoff makes the valid argument that in the Greek Classical Period the agon replace warfare as the primary means by which men could achieve kleos. However, this thesis is undermined by the over reliance on Homeric texts out of context an some claims about Greek sport which are not sufficiently supported.
During their travels the Trojans often played games and had competition, this principle of honor and competition would develop a type of mastery within the nation. But even so competition is a catalyst for anger and hatred that can boil men’s blood, so did it build or break the Roman empire? In either case it happened, which did improve the men’s strength from athletic competitions and grew the culture immensely, but also inspired a competition that had the ability to ruin the people’s love for each-other. In addition this competition has inspired western culture even today with the Olympics and sports. Aeneas’ men were inspired and motivated in their competition which led them to pushing and working harder than their normal capacity would allow, so this competition helped the people work harder than thought possible. Although the side-effects of things like this could be problematic the good that comes from it outweighs the problems, and it is a principle for nations to seek out correctly. In conclusion the competition of the Romans inspired men and women to go beyond their natural capacities and do great things for their nation, proving that it acted as a type of masterful competition against one’s
Civic implications were also apparent in ancient Greek athletics. The ancient world was one of constant conflict and political turmoil, and it was necessary for each city-state to possess a strong military in order to preserve their autonomy.
Geoffrey Canada shares his story about growing up in an inner city neighborhood of the South Bronx in the 1950s and 1960s. Geoffrey Canada is one of four boys who live with his mother after their father left them. Geoffrey Canada talks about the struggles of growing up in the inner city and facing many challenges. As Geoffrey Canada grew up he witnessed a lot of violence which included young children getting their hands on firearms. The prevalence of firearms among children has changed the nature of violence in the United States. Violent acts have transformed from fists, sticks, and knifes to guns. Guns have undermined the street code of honor, the OGs back in the day were ruthless but not killers, this new generation has no developed courage and fighting skills but relied on guns for protection.
In this paper I wanted to get a good general understanding of cultural anthropology and how it related to Ancient Greece, so I made sure that one of my references was an overview of the subject – Cultural Anthropology, The Human Challenge. This would lay the foundation for the research. I then sought out a book on Greek culture in general – The Greeks and Greek Civilization by Jacob Burckhardt – and one about the great war between Sparta and Athens – The Peloponnesian War by Donald Kagan. It was through these two books where I learned most of the cultural details about Sparta, as well as some context in comparison to some of the other Greek states.
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity is revealed in both Odysseus and Achilles: man is a combination of his will, his actions, and his relationship to the divine. This blend allows Homer to divulge all that is human in his characters, and all that is a vehicle for the idyllic aspects of ancient Greek society. Accordingly, the apparent inconsistencies in the characterization of Odysseus can be accounted for by his spiritual distance from the god-like Achilles; Achilles is more coherent because he is the son of a god. This is not to say that Achilles is not at times petty or unimaginative, but that his standards of action are merely more continuous through time. Nevertheless, both of Homer's heroes embody important and admirable facets of ancient Greek culture, though they fracture in the ways they are represented.
The cornerstone of early Greek culture was using strength instead of your mind to get you through dangerous situations. From the statues and the stories Greek heroes were always portrayed as powerful and athletic, and used this to there advantage. The Odyssey written by Homer is an epic poem that shows that it’s not always your strength but your cunning ability to get you through treacherous situations. Throughout The Odyssey there are numerous examples in which characters show this skill including, Odysseus’s escape from Polyphemus, his resistance of the Sirens, and Penelope’s ability to trick her suitors.
The first chapter of Strauss’ work, titled “The Gladiator”, explores both Spartacus’ background as a gladiator and Rome’s fascination with the sport. Strauss outlines how a gladiator match worked in Rome, usually in carefully chosen pairs starting with a practice match with wooden weapons followed by the real officiated match that was generally to the death unless the crowd decided that the wounded deserved to live. The attention is then turned to where the Spartacus legend begins, Capua. Strauss gives a sweeping view of Capua’s history in the Roman Empire, from being punished for allying itself with Hannibal to returning to some prominence as a slave center, in particular for gladiators. Gladiators were usually slaves, and much like Spartacus, were foreign. Spartacus was a Thracian, feared by Romans for their fierceness on hors...
This epic poem by the ancient Greek poet Homer, recounts some of the significant events of the final weeks of the Trojan War and the Greek siege of the city of Troy. All of the places where Homer’s stories took place were in areas that had been significant in the Bronze Age of Ancient Greece. Excavations at Troy and Mycenae have revealed that affluent kingdoms did indeed exist there. The Iliad provides examples of the culture and traditions that took place in Ancient Greece. The warrior culture that is presented in The Iliad is based on honor and bravery, a good example of this is when Diomedes is trying to rally his fellow warriors in says, “I know only cowards depart from battle. A real warrior stands his ground. Whether he is hit or hits another.” This society was strongly against cowardice; bravery was the only option in these times. The Iliad preserves the Ancient Greek’s views on masculinity and what it meant to be a “real warrior” in their times. The evolution of what people consider honorable and brave is evident, for The Iliad has conserved past views that can be juxtaposed with more modern
Kennell, Nigel M. The Gymnasium of Virtue: Education & Culture in Ancient Sparta. Chapel Hill: University of North Carolina, 1995. Print.
The Gladiators – History’s Most Deadly Sport. New York: St. Martin’s Press/Thomas Dunne Books, 2003. Potter, David S. and David J. Mattingly, eds. Life, Death and Entertainment in the Roman Empire. Ann Arbor, MI: University of Michigan Press, 1998.
“No man ever proves himself a good man in war unless he can endure to face the blood and the slaughter, go against the enemy and fight with his hands.” The preceding was quoted from “The Spartan creed” by the poet Tyrtaeus. There are two authors in this primary resource reading which include Tyrtaeus as well as Xenophon, whom authored “The laws and customs of the Spartans”. These two works give great detail to the Spartan society. As history has presented it, Sparta was a smaller polis and yet was one of the most, if not most, influential societies in history. What we know of this culture comes to us from excavation of its heritage as well as literary works such as these. But are these “eyes” into history factual and creditable enough to base our own interpretations of such a masterful race? These writings are great resources for Spartan’s war enhanced values and societal customs, but lack in evidence of governmental affairs and religion. This lacking may have been due to both writer’s motives for their work.
Farris, Dale. "Shutt, Timothy B.: A History of Ancient Sparta." Library Journal 15 May 2009: 45.
From this evaluation and historical representations given by philosophers and historians during approximately the same era that is represented within 300. It is argued that the popular culture incarnations of Sparta as the ‘Noble, selfless fighters with a warrior mentality’ and the Persians as the ‘Evil, tyrannical, overindulgent, oppressors’ were not entirely historically accurate.
Because of the tranquil times, the civilization’s society had more time to focus on writing, math, astronomy, and artistic fields, as well as trade and metallurgy. Out of all the city-states of Greece, two excelled over all the rest, Sparta and Athens. Even though they were the most advanced and strong civilizations, they were bitter enemies. While Athens focused mainly on the people’s democracy and citizen rights, Sparta were ferocious and enslaved its original inhabitants, making them unable to leave and kept under a close eye to prevent insurgence (History of Greece:The Golden Age of Greece). Additionally, Sparta had strict and trained soldiers that underwent intense physical exercising and instruction.
Violence. Just mentioning the word conjures up many images of assault, abuse, and even murder. Violence is a broad subject with many categories. Some types of violence are terrorist violence and domestic violence. Violence can arise from many different sources; these sources whether biological, cultural, and social all can evoke violent behavior. All cultures experience some sort of violence, and this paper considers violence as a cultural phenomenon across a range of various settings. Violence plays a part in both Islamic and Indian cultures according to the articles “Understanding Islam” and “Rising Dowry Deaths” by Kenneth Jost and Amanda Hitchcock, respectively. From an anthropological perspective, violence emphasizes concerns of meaning, representation and symbolism.