For this assignment I decided to visit the America Tropical Interpretive Center because for my Chicano class we looked at this mural and I thought it would be cool to visit it in real life. The America Tropical Interpretive Center is a little museum in LA to be exact in Olvera Street. This Museum is filled with artwork that represents what I think is the history of LA. The artwork that I chose is called America Tropical, it is a mural that was finished in 1932 but became famous way after because of controversy. The artist who painted this mural is the Mexican Artist David Alfaro Siqueiros. When you walk in the museum and you go to the second floor there is a balcony whose purpose is for you to be able to stand there to see the real mural. If you go down to the first floor there …show more content…
You can tell that the artist decided to use dull colors. He chose a lot of dark and natural colors. Color has a lot to do with the emotion the artist wants to convey. With the color choice of Siqueiros you can tell that he wanted to convey a sense of sadness and wanted the viewers to feel empathy. The way the artist painted this mural or what I think are his intentions remind me of the artist Francisco Goya, even thought they were in different time periods. Francisco Goya was an artist that did something totally different from what other people artist were doing. That is what Siqueiros did in this mural. Looking at the other work in this museum and then looking at the mural you can tell it is different. Something that Siqueiros did that also reminded me of Francisco Goya is that he painted about social and political problems to raise awareness in a way.
In my opinion the art piece America Tropicana is a dionysian piece. According to the book dionysian means the side of the human personality dominated by feelings, intuition, and freedom from limits. That is what I think
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
At first glance, the painting is very dark and shadowy convening the message of a sinful world. The chiaroscuro represents that we do not live in a perfect world, there is always evil lingering in the shadows. The main light source in the painting
The colors used in the painting are dark and some parts bright illustrating a focal point being the skull in the center as well as the quill, both surrounded by darker colors in comparison.
They might not be very prominent, but they exist the painting and serve as the base for creation. For starters, the window pane contains lines that highlight its simple design. Simplicity remains as the core of this work. Moreover, sill is roughly represented by a thick brown line underneath the window as a boundary in a quietly brilliant fashion. The work has a wonderful color allocation to express the mood. The color is limited within the muted palette color range. Grey—the intermediate color of black and white, is the dominate color for both exterior view and the interior part, as a matter of fact, the observer notices that nearly all colors are mixed instead of natural this work. The cloudy sky corresponds to the grey color of the wall, yet the brightness is not influenced. However, this consistency has successfully created a cold, grave and silent environment for a crowded place such as New York. The whole environment of this painting seems to be surrounded by the negative and depressive
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
...is the focal point with the orthogonal of the gestures of the apostles lining up towards it. Masaccio makes good use of chiaroscuro, since his figures have soft, round edges and their bodies are apparent under their drapery. The drapery shows creases and edges which allow for that to happen. Masaccio also employs directed lighting in which the sun comes from the right and all the figures’ shadows are to the left, which is what would happen in real life. Furthermore, Masaccio uses soft, subdued colors, such as green, blue, and pink. The mood of Massacio’s painting is static with all the figures standing in contrapposto with their one knee sticking out and the individuals in Classical and naturalistic proportions. Masaccio placed his scene in the recognizable Arno Valley. Also, Masaccio’s story has no disguised symbolism and rather depicts a straightforward story.
In conclusion, through his mural paintings full with complexity and depth, Diego Rivera recreates a new reality for the audience. `Zapata con el caballo de Cortés` is one of his most influential art pieces , significant in the process of understanding The Mexican Revolution
Camilla's point that Mexican Americans have had a long constant battle in America is very true. I agree with Camilla' that because Mexican Americans have had to endure so much they have been able to form a strong sense of culture. Growing up in Los Angeles I have always been around Mexican American culture. However, not until the readings did I realize the hardships Mexican Americans have had to face and how those hardships have been represented through their art. It is important for all Americans to be taught the hardships Mexican Americans have faced either through books, videos or art. Once Americans become aware they will realize the beauty of the Mexican American culture.
In addition, the Chicano artists sought to demonstrate pride and air their grievances while empowering the community. The number one aesthetic goal was the continued search an organic unity between art and the real social living. However much the content and styles of the art forms and murals were distinct, there was a constant theme that continued to develop such as the reclamation of the lost indigenous history. The return of the practices, ceremonies, and their ancestral ways gave the Chicano people strength and direction. This can be certainly viewed as the evolution of the Chicano struggle and development of their artistic nature. Through the many art forms created by the Chicano people, they have been able to their history and represent their struggle hoping for a better future (Arreola,
...s face. Masaccio's extrodinary focus on colors adds a new fundamental component to the painting.
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
Another form of expression and bringing awareness was through the way of art. The style of art and representation solely raised from the Chicano movement. Murals played a big part in the activism and progression people wanted to see. Most, if not all murals represented native Mexicans and their struggles of being oppressed. All murals told a story whether it was Mexico’s poverty or the farming industry. Many popular symbols and images were used again in the Chica...
As can be seen throughout history, art is a powerful expressive model that has the capacity to instruct and construct social change within a community. The art born out of the Chicano Movement of the 1960’s is a perfect example of this phenomenon. In response to the struggle for civil rights for Mexican-Americans immigrants, Chicanos and Chicanas created an art aesthetic that embodied the activist spirit of the movement. As Alicia Gaspar de Alba once stated, “the Chicano art movement functioned as the aesthetic representation of the political, historical, cultural and linguistic issues that constituted the agenda of the Chicano civil rights movement.” By taking an activist approach to challenge the stereotypes, economic inequality and xenophobic shortcomings of the dominant mainstream and by promoting awareness of history, culture and community the visual art of the Chicano Movement served as a political tool to enact social change for Mexican-American Immigrants of all generations.
...th color, the way he used color when it was used conveyed what was important in the piece. The body as it hangs lifeless from Saturn’s death grip is dripping with blood and it is even between the white knuckles of Saturn. In having Saturn’s knuckles white it emphasizes his grip that is so strong on the body he is drawing blood from the back. It is showing his passion in that the deed has to be done. His expression is wild and his stance is cowardly showing that he may not have wanted to do what he was doing. The message in the painting is that time consumes us all, and that is by having the god of time eating a faceless body. There is another message in this too, I believe and it is that people will do almost anything to keep their reign in power. I found this painting very stimulating and gave me many emotions. I think just because of that the piece is successful.
... structures. In the Asian Peoples exhibit, I saw that the end of the exhibit was more recent and as things start to become more recent, it was more colorful, musical, and creative. Color and music are synonymous with Asian culture so from an emic perspective, some people within the culture can see the importance of color and music; moreover, from an etic perspective people will continue to see the vibrant colors and musical aspects of Asian cultures to be important. Furthermore, with the Mesoamerican culture you can see the exhibits were huge or centered in certain places for people to show how impressive their culture was. Every turn or corner you can see something huge or eye-catching to show how monumental the he Mesoamerican cultures were. Moreover, from an outsider, or even insider point of view on the culture there is a respect towards these specific cultures.