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Divergent series analysis
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A Series Of Unfortunate Events
The series of Unfortunate Events originally written by Daniel Handler and narrated by Lemony Snickett’s. Shows the story of 3 orphans Violet, Klaus, and Sunny Baudelaire who face many obstacles and tragic events throughout the series while trying to unleash and solve their family secrets. The orphans parents died in a mysterious fire, and now the orphans are being passed around from guardian to guardian. They are passed on to a distant relative named Count Olaf, who is a cruel and evil man who treats the children poorly and forces them to perform chores daily. Count loafs main purpose is to steal the Baudelaire’s family fortune. The children finally escape and go live with uncle monty, and then their fearful aunt
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Klaus, the middle child, is very studious, he can remember valuable information and research. Sunny, the baby, can bite.
Count Olaf is the main antagonist of the series, he is the baudelaire’s first guardian, who is trying to steal their family fortune through their adoption and eventually marry Violet. Mr. Poe is a financial banker, who is in charge of the Orphan Affairs. He is quite uneducated most of the time, and easily fooled by Cont Olaf’s disguises, he doesn’t pay much attention and never listens to what the Baudelaire orphans have to say. A series of unfortunate events is gloomy and a dark comedy at times. The show has an 1800’s feel and the civilization looks like a mix of gothic and steampunk.
Episodes 1 and 2 find Violet, Klaus, and Sunny Baudelaire placed in the care of Count Olaf, after their parents have perished in a fire. “Grief, a type of sadness that most often occurs when you have lost someone you love, is a sneaky thing, because it can disappear for a long time, and then pop back up when you least expect it.” (A Series of Unfortunate Events
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Olaf's plan is revealed, although he escapes.
In episodes 3 and 4 the orphans are sent to live with their Uncle, Uncle Monty. He respects the children and treats them kindly as if they are his own the Baudelaires are living happily with him. However, count Olaf reappears as Uncle Monty’s new assistant, Stephano. Olaf kills Uncle Monty, and wants to take the children to Peru, although he is stopped by Mr. Poe. Olaf leaves, and the Baudelaire’s and they are now moved once again to go live with their aunt Josephine.
In episodes 5 and 6, the Baudelaires are now living with Josephine who is scared of everything. Count Olaf appears again as Captain Sham. Olaf persuades aunt Josephine to write a note indicating the orphans to be left to be cared by Olaf. Sham kills aunt Josephine, but Sunny bites through his leg, proving his true identity to Mr. Poe.
In episodes 7 and 8 the children are forced to work at the Lucky Smells Lumbermill. Olaf appears as Shirley, a receptionist working with Georgina Orwell who is an optometrist. Orwell hypnotizes Klaus, into nearly killing a person with a sawing machine, Olaf escapes again and Mr. Po sends the baudelaire’s to a boarding
eat and keep the children healthy. Margaret, the only girl dies and Frankie's mother and
In the document “Doomed to Perish”: George Catlin’s Depictions of the Mandan by Katheryn S. Hight, she analyzes the work of George Catlin while he traveled to the Mandan colony west of the Missouri River. Hight identifies that Catlin created a false and imaginative depiction of the Mandan Indians based on his social and political ideas which ended up creating an entertainment enterprise rather than reporting history. Catlin’s extravagant depictions of the Indians, which did have an impact on the Indian Policy in America, seemingly motivates Hight to write on this subject.
Another example of Olaf's hatred for Jim was after his conversation with Lena. It states in the story "Try as he might, he could not shake off a primitive hate for that black mountain of
...seems to have endured the most in his life. Not only did he spend his youth caring for his sick mother and then wife, but he now must live in the painful memory of how his life could have been if the accident never happened. The end of the book leaves the readers saddened and frustrated. Though the novella began with a plotline seemingly leading to an ending as cheery as that of Snow White, in the end, this beautiful maiden turned sour. In this storybook tragedy, “the lovers do not live happily ever after. The witch wins” (Ammons 1).
In the play Blood Brothers, Willy Russell hangs his story on the superstition that Mrs Lyons uses to trap Mrs Johnstone in silence: that superstition which the is, that should Mickey and Edward discover their brotherhood, they will both die.
They started out not very trusting Mr.Pignati, but then they found out he wasn’t such a bad guy. They started to visit him more often and became good friends with him. They went shopping and to the zoo and played memory games with each other. They went roller balding together and Mr.
Although when we are young, we commonly find ourselves gravitating to books with predictable endings that leave the protagonist and us with what we want, as we mature we develop a hunger for different, more thoughtful or realistic solutions. This is not to say, however, that we can be satisfied solely through the reading of any story that concludes with mere tragedy. The reason why the book Ethan Frome is so widely read is because there is a great deal of technique behind the element of mere tragedy. Edith Wharton is able to distinguish her novel through the use of irony. Irony has been the defining element of many great pieces of literature throughout time. The use of irony dates back all the way to ancient Greece when it was used by Sophocles in the play Oedipus Rex. Irony was also a key element in many of Shakespeare's works and appears in many famous short stories. In Ethan Frome, Ethan ends up falling in love with Mattie who at the time seems young and effervescent in comparison to his sickly, deteriorating wife. In attempting to free himself and Mattie from his commitment to Zeena, Ethan ends up causing Mattie to become paralyzed, taking with it her previous, lively characteristics. All the household responsibilities then fall into the hands of Zeena who is ultimately the most vivacious of the three.
1. Caroline Noble- She is the protagonist/hero and her plausible motivation for not wanting to build the new summer house was her musical past and how the garden lodge reminded her of that. She quickly says to how it would be “ almost a shame, doesn't it, after d'Esquerre has used it”(Cather 3) as a good excuse for not replacing the lodge. She eventually changes her mind after she had “slept over it”(6). Caroline is a static and is a round character being described as “paramountly cool-headed, slow of impulse, and disgustingly practical” (1) and musical with even more characterization that makes her stand out more than the other characters.
Veronica is a very poor and weak person, this is a big problem for Veronica because she can't afford to go to school. She is the eldest child of the family, she has lots of responsibility for bringing up the other children in her family. Veronica lives no where near her school. Every night Veronica is beaten by her father who is a 'morbidly suspicious man' who hates all visitors except for his 'drinking companions'. Everyday Veronica has to go into the woods to collect the fire wood, so her family can keep warm and stay alive.
The youngest Pevensie brother, Edmund, is the mischievous child among his siblings in The Lion, the Witch and the Wardrobe. He is a representation of the possibility of what can go wrong when a child is not properly taught and does not follow set boundaries. Edmund’s subversion of set standards is the cause of a great deal of the troubles the Pevensies face in Narnia. For example, when he goes to the White Witch’s castle instead of listening to the others when they say Aslan is the true leader. In order to redeem himself, he must first be renewed and return to an earlier state. He is not allowed to stay indignant, but is reformed when he learns that Aslan is really the true ruler, and Jadis is not. He is allowed to do so because of his status as a child who is still developing. Edmund’s corruption and later redemption show that he is not really wicked, but has an innate goodness.
This initiates, in both children, a maturity and side of reality that they are, considerably, too young to experience. On the contrary, Mr. Pignati, an eccentric quinquagenarian that is subconsciously grieving over the death of his wife, seems to lack a sense of reality, and finds life much more enjoyable through the games and practices of a child. He spends his time isolated from the world, and despite being rather lonely, finds comfort in visits to a local zoo, roller blading throughout his house, and constantly searching for someone with which he can share his endless jokes and tricks. These characters all lack of moderation in regards to different aspects of their maturity: John and Lorraine accept reality, but still refuse to accept blame and lie with hope of creating provocation. Mr. Pignati, forgives the children and society for their moral violations and possesses an optimistic attitude, yet represses his grievance for the death of his wife and refuses to accept his life and age for what it is or is expected to
Piggy rambles about eating candies in his aunt’s store. Even Jack first appears as a choir
I unwilllingly walked through the entrance of regret and guilt. With teary eyes from what happened the night before, I didn’t know what I could say. All I thought was ‘It was an accident’ but that didn’t matter anymore.
In the articles, “Are These Stories True? (Nope.)” by Kristin Lewis and “The Story That Got Away” by Debby Waldman, the appeal of fake news and counterfeit stories is explained. One reason why people may find it interesting is because they are re-telling stories that they have heard before, but with a slight twist to make it seem worse than it was. For example, in the folktale “The Story That Got Away”, it gives an illustration of why it is appealing by saying, “At the schoolyard, Yankel told his friends his latest story. ‘Reb Wulff put salt in the rugelach. Not sugar! Salt! Imagine that!’ Yankel said. ‘Those rugelach tasted like stones!’” (Waldman, 14). The boy, Yankel, was recounting what he heard in his father’s shop, which may have seemed
Constance's family life is a major point of interest in the book and is really what the story revolves around. Coming from a broken family, with her dad leaving Constance, otherwise known as Clare with 5 other brothers and sisters and her mum. The Father was hardly around only to bring Christmas presents and food. Clare was abused by her mother everyday, terrible physical abuse was inflicted on the growing body of Clare, benign cancer of the breasts caused by constant punches and squeezing from her mother. Emotionally shut out and neglected by her mother, taunted and teased all the time by her mother and her new husband, frequently called UGLY and told she was not welcome and unwanted. Home life was so bad Clare took herself off to social services and asked to be put into a home but was refused, feeling helpless and life was not living she attempted suicide by swallowing a bottle of bleach. "I felt sick, happy and sad. I was happy because tonight if the bleach worked I would die. No more Tomorrows. Hip, Hip hooray." This quote shows the extent of the abuse her mother used on Constance, her home life was unbearable. It is very sad to think that many children and teenagers are stuck in abusive families with no escape.