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Dracula and comparisons to gothic literature
Analytical essay of the novel dracula
Analysis of draculas character
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A man of the night; a creature of human destruction, Dracula is a force to be reckoned with. Johnathan Harker struggles throughout trying to escape from or stand against the count. Bram Stoker uses his personal styles to create a creature of Transylvanian lore known as Dracula.
Bram uses several different styles to tell his tale of the count and Jonathan. Bram’s novel is written in a gothic style sometimes referred to as a gothic romance (Garen 3). Bram’s use of the supernatural and the vampyric character as the main character. Dracula’s specific attributes underscore Dracula’s inhumanity. “[… After witnessing Dracula scale the castle wall like a lizard” (1). While Jonathan is struggling in the beginning, when he is trapped within the seemingly inescapability is typical of the Gothic style also the various settings including ghostly landscape of Transylvania, graveyards and Lucy’s tomb in London. Bram wrote his Novel in an Epistolary format. Epistolary is a series of letters, and Journal entries. Bram’s novel begins with a journal entry from Mr. Jonathan Harker (Garen 3). “3 May. Bistritz- Left Munich at 8.35 p.m. on 1st May, arriving at Vienna early next morning;” (Stoker 7). Some of the journal entries contain mundane details of his journeys. Bram starts to build suspense; after Jonathan hears warnings from the local residents, Jonathan begins to be concerned for his personal safety (Garen ). “She then rose and dried her eyes, and taking a crucifix from her neck offering it to me” (Stoker 11). When Jonathan finally makes it to the castle seeds of doubt and suspense are planted. They grew while Jonathan discovers more information about the count. As Jonathan stays with the count the reader gets more information about Dracula bu...
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...sh man’s own character. Bram within his beautiful mind took these things and formed them molded them into a Novel, Creature or legend known simply as Dracula.
Works Cited
Carol A. Senf, “DRACULA: The Unseen Face In The Mirror,” in Journal Of Narrative Technique, Vol. 9, No.3, Fall 1979, pp. 160-70
“Dracula.” Novels for Students. Ed. David A Galens. Vol. 18. Detroit: Gale, 2003.
22-50. Gale Virtual Refrence Library. Web. 8 Oct. 2013
Rebecca Scott, “DRACULA: Novel by Bram Stoker, 1897,” in refrence Guide to
English Literature, 2nd Ed., Edited by D.L. Kirkpatrick, Vol.3, St. James Press, 1991, pp. 1554-55
Ryan D. Poquette, Critical Essay on Dracula, In Novels for Students, Gale, 2003
Senf, Carol. DRACULA: Between Tradition and Modernism. New York: Ywayne,
1998. Print.
Stoker, Bram. DRACULA. New York: Simon & Schuster, 2003. Print.
Dracula can turn humans into the Undead. An example is the three women whom he has turned into vampires, creatures of the night. Renfield desires to be made into a creature of the night. He views Dracula as his master and seeks only to serve him. Lucy is made into a vampire by Dracula. However, the most memorable person he has given birth t...
For ages, we have wondered what is the difference between monsters and men that make them who they are. What are the characteristics that define a monster? Typically it’s the bad guy, the person or thing that comes into the story just to cause massacre or stand in the protagonist’s way. On the other Men are just defined as people who are the opposite of evil. There can be multiple people in a story who can be characterized as men. They don’t all necessarily have to be heroic to be considered as men. In the literature pieces of Macbeth, Beowulf and Frankenstein; there are countless instances where one might be able to distinguish between Monsters and Men. But they all fall in different genres. Macbeth is a story about a tragic hero; the fallen one or the man who brought misery upon himself. The monster can be identified as guilt. This guilt built stronger and stronger and led him to be his worst enemy. Beowulf is an epic about a hero (men) who takes on great challenges and adventures. His worst enemies are all the monsters that took place over the course of the story. Like: Grendel and his mother. This epic poem was made around the Anglo Saxon period. And lastly, Frankenstein is about a crazy doctor who created a monster. The monster name wasn’t Frankenstein, the doctor’s name was. That’s why the story is called “Frankenstein’s monster.” All these literary pieces are plotted so intelligently that it takes a moment before one can distinguish the monsters and the men.
Anyone who has ever seen one of the several adaptations of Dracula as a movie will know that it was intended to be a horror story. Stoker goes to great lengths in order to create an atmosphere of terror and villainy, while hinting at exciting things to come. Straight from the beginning of the book, foreshadowing is utilized to hint at horrifying future events. As Jonathan Harker was about to depart for Castle Dracula, an old lady accosted him and said, "It is the eve of St. George's Day. Do you not know that to-night when the clock strikes midnight, all the evil things in the world will have full sway?" (Stoker, 4). However Harker leaves anyway, despite the warning. Thus the reader is fully aware that something awful is going to happen to him. This quote makes one's mind think of possible future events, thus creating imagery. Every writer aspires to create good imagery, and Bram Stoker is particularly good at doing so.
Religion was the core of his tale, and modeled it. On one side were the humans and on the other Dracula. Through their struggles to defeat the monster, they experienced changes in gender roles, which was also present in real time.
Throughout ‘Dracula’, Stoker presents the idea of ‘foreigner’ through the characterisation of Count Dracula and Professor Van Helsing, who are the two main outsiders in the novel. Dracula, being a supernatural creature, is of Transylvanian descent which makes him such a poignant character. On the other hand, Van Helsing is a Roman Catholic, and is of a Dutch background, which also highlights him as a foreigner within ‘Dracula.’ In this essay I will explore how these two characters are represented and the intention behind the idea of ‘foreigner.’
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
While Bram Stoker’s Dracula has been described as the “quintessence of evil creatures we meet in our everyday lives” and “the Darkness” in the hearts of men (Herbert, 2004, pp. 62), Stephanie Meyer’s Twilight
Stoker chooses to lay some clues out for the readers in order to help them interpret Dracula. The distinct warning presented on the page before the introduction saying the narrators wrote to the best of their knowledge the facts that they witnessed. Next is the chapter where Jonathan Harker openly questions the group’s interpretations of the unsettling events that occur from meeting Dracula, and the sanity of the whole. Several characters could be considered emotionally unstable. Senf suggests that Stoker made the central normal characters hunting Dracula ill-equipped to judge the extraordinary events with which they were faced. The central characters were made two dimensional and had no distinguishing characteristics other then the...
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
A monster is usually viewed to be a supernatural creature that humans judge based on looks and not necessarily on personality. In the novel, Frankenstein written by Mary Shelley, the monster is a creature Victor creates but abandons immediately because he is horrified by his own creation. Due to the monster’s appearance, society does not give the creature a chance to show his true self. Therefore, the monster faces an external conflict because of Frankenstein’s and society's rejection, making it difficult for him to blend into his new life. Victor creates the monster because of his unusual compulsion of aspiring to be like God. However, Victor does not know how to treat or be responsible for his creature. Victor Frankenstein is the true monster
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
In present day, hundreds of thousands of people reference the monster Frankenstein and his pitiable story. A name which, while typically mistakenly assigned to the monster, was actually name of the creator. Victor Frankenstein was the scientist who found a way to bring life into the non-living flesh of the monster. A monster which, contrary to popular misconception, has no name of his own. The name of Franke...
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
Thesis Statement: Bram Stoker’s novel, Dracula, is filled to the brim with gothic elements which gives the reader an atmosphere of mystery and horror.
If someone were to ask people who Frankenstein is they would probably describe a tall, hideous monster with bolts sticking out of its neck. But long before movies reinvented their version of the monster, there was a novel by Mary Shelley entitled Frankenstein. In her novel, the monster is shown as child-like and uneducated. But what really makes someone a monster? Who is the true monster of Mary Shelley’s novel? Victor and the Creature present similarities and differences in their action and character throughout the novel.