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What influences led ansel adams to be a photographer
What influences led ansel adams to be a photographer
What influences led ansel adams to be a photographer
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Madison Bacca
Photographer Study
Ansel Adams
Ansel Adams is a photographer who known best for his black and white landscape photos. Before beginning my photographer study of him, I had a limited amount of knowledge of his photography. Previously I had to write an essay for another class about a form of art. I chose photography and ,I more specifically, wrote about Ansel Adams. This essay was nothing too extensive, the only knowledge that I gained from it was that Adams took photographs mostly in black and white and that he was especially famous for his breathtaking landscape photos. When I set out to being this photographer study, I immediately knew that I wanted to continue learning about Ansel Adams and his type of photography. I think
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Anybody can see a beautiful scene and photograph it but it takes some skill to be able to take a photograph of a scene in a way that makes it beautiful. Adams’ images are so detailed and complex that I am assuming that he used a wide angle lens. With my normal lens I would not be able to fit that much of a scene in frame. The way that he also presented these photos in black and white made them even more interesting. The photographs are more dramatic and intense when in black and white. Black and white photography is something that I have always found very captivating, I just have not experimented with it much. Because of how Adams’ iconic black and white landscape photographs inspired me, I decided to go out and try to imitate his …show more content…
Landscape photos have not been a strong suit of mine, I am more comfortable with close up photographs of one particular thing instead of a whole scene. When photographing a landscape, I have a difficult time keeping the photo interesting enough throughout. I did not have access to national parks and landmarks like Adams did, but I did the best that I could with what I had. I tried to frame images with other landmarks to keep them interesting throughout, and some photos turned out better than others. My first photo turned out well, I kept the frame full without being overly busy. I also included the color version of that same photograph because I found that each photograph had a very different feel to them. Adding the black and white to the photo made it much more dramatic looking. Throughout this study I have learned many different things. I am more comfortable setting up and shooting landscape photographs, before they usually turned out rather plain and boring. I have also seen how the color scheme of a photo, black and white or color, can really change an image. The feeling produced by a photo is dependent on the color scheme. While I was studying Ansel Adams himself, I learned that he worked hard to become as well known as he was. He was very actively putting his work out there for people to see, which is something I hope to do more of in the future. I look forward to experimenting with
For Emerson, the reticent beauty of nature was the motivator. To him, photography should be recognized because its still-life beauty was able to persuade the public’s appreciation of the life and nourishment
The Appalachian Mountains in the nineteenth century landscapes are often depicted in a grand, glorious, and often spiritually uplifting form. The Hudson River School artists painting in the romantic style engages viewers to tell a story through naturally occurring images as well as interior knowledge of the times at hand.
An Example of a landscape sculpture would be Andy Goldsworthy’s work and how it folds into the environment around it; becoming one with it. Let us specifically look at his work “ Dandelions & Hole” . The piece is exactly what it says; it is a ring of dandelions with a hole in the center. To a passerby the piece could easily seem natural, mundane or be overlooked all together. The piece functions with nature and appears to be a part of the landscape. As a piece it cannot function without the landscape, not only would the piece feel out of place but it would cease to exist all together; the flowers would
Adams not only was an excellent photographer, but he even taught himself to play the piano and read music at only twelve years old. Not much after teaching himself how to play, he began to take lessons which became a “substitute for formal schooling” for him (Turnage). He spent twelve years of his life committed to the piano and even planned on making it his profession. Although, he ended up giving up on music, playing the piano brought structure and discipline in his life; the training and craft also helped enlighten his artistic vision. His artistic vision was not only enlightened by his practice of the piano, but by his love of nature as well. His love of nature began by ...
Norman Rockwell is best known for his depictions of dail life of a rural America. Rockwell’s goals in art revolved around his desire to create an ideal America. He said “ I paint life as I would like it to be.”
Landscape painting was extremely important during the middle of the nineteenth century. One of the leading practitioners of landscape painters in America was Thomas Cole. He visited many places seeking the “natural” world to which he might utilize his direct observations to convey the untainted nature by man to his audience. His works resolved to find goodness in American land and to help Americans take pride in their unique geological features created by God. Thomas Cole inspired many with his brilliant works by offering satisfaction to those seeking the “truth” (realism) through the works of others.
Ansel Adams’ was an American photographer who strived to inform people about wilderness preservation throughout his photographs. Each of the artist’s prints, mostly consisting of black and white, showed how each captured moment was an experience into the wilderness and a moment that speaks out about the preservation of the last remaining wilderness landmarks. Throughout his career, Ansel used a variety of cameras including a Hasselblad, a Korona view, a Polaroid Land SX-70, Linhof, Leica, and a 35 mm Zeiss Contax. With his cameras in hand, Ansel set off on many journeys through the wilderness in order to make photographs filled with expression and truth.
However, Moran sided with the “sublime” aspect of Romantic landscape in which he uses the properties of form and color to evocatively paint a landscape meant to push the limit of formal expression. Moran doesn’t use just these techniques of the “sublime” to make the painting overwhelming, but also combined it with the sheer size of the canvas. He utilizes his space very well to make his viewers feel like he did when he found the canyon. He involves an aesthetic attack on our senses as viewers. Moran uses all of these elements to make the viewers feel like they are actually at the canyon. He used other tactics like the expansive sunlit landscape of the valley below, the tiny people that are dwarfed by the enormity of the landscape around them, and the enormous shadowing of the plane in the foreground which is symbolic of the fleetingness of a storm passing overhead. There is a tree that looks to have had barely made it through a powerful storm. All of these elements are meant to communicate just how small humans are in the wake of the destructive elements and splendor of nature. Yellowstone painting signifies the sheer power of nature and what it can bring which Moran uses to his advantage to captivate the masses.
Timothy O’Sullivan was never really famous during his life to the general public because he was around long before it was “cool” to be a photographer but Ansel Adams somehow got a hold of one of Timothy O'Sullivan's albums which led to people realizing how good his photos truly were. Nowadays this album is in the archive of Tucson’s Center for Creative
Inspiration The world has many photographers that anyone can look at. You can call me an amateur or say I don’t really understand the art, but when I look at most of the pictures available, and I have looked at thousands lately, I don’t see anything different in the style of photography. I just saw the pictures. I see pictures of beautiful subjects and pictures of ugly subjects. I never really thought about the difference between being the photographer instead of the subject, until I saw Elliott Erwitt.
How to create an environment suitable for human living when resources are limited is a challenging problem for modern society. My strong interest in photography and art has compelled me to become especially observant toward the relationship between human beings and the environment. I have come to realize that the environment we live in has suffered much damage from pollution and lacks competent planning, making it difficult to find beautiful scenery to photograph or sketch. I began to think that I could make use of my artistic gift, concern about, and interest in the environment by entering the field of landscape design and putting my effort into beautifying our surroundings. Therefore, after graduating from high school, I entered the Department of Landscape Architecture at ABC University.
American landscape painting was founded primarily by European artists like Thomas Birch, Francis Guy, William Groombridge and Joshua Shaw, who came to America to escape the “background of political turbulence” in Europe that was the result of the Napoleonic Wars (Wilmerding 40). The most famous and influential of this first group of painters was Thomas Cole. Although Cole’s influences included European artists like Turner, Poussin, Claude, and Salvator Rosa, he came to create a style of landscape painting that, despite its indebtedness to artists like these, was distinctly America in flavor. It was he who “particularly came to articulate a national consciousness through his paintings, which we now recognize as the beginning of America’s first major landscape style” (Wilmerding 40).
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
The use of multiple images to propel a narrative allows the audience to learn something through the characters that are there. Bloomer (1990)’s study on visual perception also draws upon Newton (1998)’s concern, as he explores the multiple perspectives and views of the event. By using a series of images, the characters mood and tone can be established throughout different elements of what we see. This may be the people, the place itself or the items within the place. By having a narrative of photographs, the audience has an even deeper understanding of the reality of that moment or event as they see more than just the ‘big picture’ as