Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of Doll's house by Henrik Ibsen
Symbolism in A Doll's House
Symbolism in A Doll's House
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis of Doll's house by Henrik Ibsen
Strong Women in James Joyce's Eveline, Henrik Ibsen's A Doll's House, and Spera's My Ex-Husband
"My Ex-Husband" by Gabriel Spera, "Eveline" by James Joyce, and A Doll's House by Henrik Ibsen all feature strong women as central characters. These women show their strength by standing up for themselves, making self-sacrifices for the benefit of others, and rebelling against society's stereotypes.
The female persona in Spera's "My Ex-Husband" finds the strength to stand up for herself and her beliefs when faced with a cheating spouse. As the poem begins, the woman is preparing to leave on a date when her new beau notices a picture of the woman's ex-husband. She soon finds herself telling him the story behind their divorce. "He seems like any woman's perfect catch" (Spera 633), but she ultimately discovers that her spouse is disloyal to her, and he doesn't care "how slobbishly he [carries] on his affairs" (Spera 633). "Most women believe that if you love your partner, you wouldn't even be interested in an affair; therefore, if someone has an affair, it means that they don't love their partner and they do love the person they had the affair with" (Glass). The woman in Spera's poem feels that the man to whom she was married betrayed her, therefore she stands up for herself and leaves him behind.
Although it is not easy to pursue your dreams, it is even more difficult to give up those dreams for the interests of others. Eveline, the main character in James Joyce's short story by the same name, is torn between staying in her unhappy home with her father and leaving to find a life with her lover, Frank. Eveline made a promise to her dying mother "to keep the home together as long as she could" (Joyce 6). But because of her unfulfilling job and her verbally abusive alcoholic father, she begins toying with the idea of leaving with Frank. She believes if she goes with Frank, he will "give her life, perhaps love, too" (Joyce 6). Eveline is willing to sacrifice her chance of finding true love just so she can escape the confines of her life with her father. In the end, however, she chooses to keep her promise to her mother, and surrenders her dreams of a life of her own. Even though she desperately desires to leave, she finds the strength to stay in an unhappy situation so she can care for her father.
Throughout history, a woman's role is to be an obedient and respectful wife. Her main obligation is to support, serve, and live for her husband and children. In Henrik Ibsen's A Doll's House and Susan Glaspell's Trifles, two different women make a decision to take matters into their own hands by doing what they want to do, no matter what the outcome may be and in spite of what society thinks. These two women come from different homes and lead very different lives yet, these two women share similar situations--both are victims, both are seeking individuality, and initially, both women end up alone. There are many ways that Nora and Mrs. Wright differ. First of all, both come from completely different households. Nora's home is "tastefully [. . .] furnished" and always "pleasant"(917). She lives in a lavish home eating macaroons, drinking champagne, and hosting banquets. Nora often has guests at the house and there are even maids to watch her children. Her husband, Torvald, is often home and has guests over. On the other hand, Mrs. Wright's home is unpleasant, in an "abandoned farmhouse"(977) in a secluded area. Mrs. Wright seldom has company, nor does she have any children. She does not leave the house very often and her husband, Mr. Wright, wants no outside interference. Mr. Wright refuses to get a "party telephone"(978) because he enjoys his "peace and quiet"(978). It is obvious that these two women lead different lives with different types of people, yet they share similar situations that are not so obvious.
On the other hand, the speaker in Spera’s poem is female. This is a slight variation between the two. The speaker of both the poems is pointing out how the wronged spouse was treated and you see that both marriages come to an end through the imagery provided within both poems, as well as the tone. In the poem “My Last Duchess” quotes such as “Herself be lessened so, nor plainly” (Line 40) and “I gave commands; then all smiles stopped together” (Lines 45-46) The Duke had the Duchess killed, which is the display of how he had wronged his wife because in his eyes the wife didn’t give her all of her attention and gave too much to other men. This implies jealously. Spera’s poems idea of being wronged in betrayed seems to lay within the sign of adultery which in the end ended in divorce. “How slobbishly he carried on affairs” (Line 30) The ex-husband committed adultery, this creating jealousy from women and causing the end of their marriage. You see the end of the betrayal with the following lines “So, I made some calls, filed some claims, All the kisses Stopped together.” (Lines
A Doll House, by Henrik Ibsen, and A Raisin in the Sun, by Lorraine Hansberry, both have central themes of search of self-identity within a social system. This is demonstrated by women characters from both plays breaking away from the social standards of their times and acting on their own terms. In most situations women are to be less dominant than men in society. These two plays are surprisingly different from the views of women in society and of the times and settings that they take place in.
... Jerilyn, and Ellen Silber. Women in Literature: Reading Through the Lens of a Gender.
Although Ibsen has alluded to the fact that he was not a part of the women's movement, his brave portrayal of women in their socially confined positions can earn him the title of 'feminist writer.' In two of Ibsen's most famous works, A Doll's House and Hedda Gabler, the main characters are females who strive to be self-motivated beings. Because of the male-oriented society that dominates their lives, which resembles the world women had to deal with at the time when Ibsen created his works, the confined characters demonstrate their socially imposed roles. "Ibsen's Nora is not just a woman arguing for female liberation; she is much more. She embodies the comedy as well as the tragedy of modern life," insisted Einar Haugen, a doyen of American Scandinavian studies, over twenty years later, after feminism has resurfaced as an international movement (Templeton 111).
"Eveline" is the story of a young teenager facing a dilemma where she has to choose between living with her father or escaping with Frank, a sailor which she has been courting for some time. The story is one of fifteen stories written by James Joyce in a collection called "Dubliners". These stories follow a certain pattern that Joyce uses to express his ideas: "Joyce's focus in Dubliners is almost exclusively on the middle-class Catholics known to himself and his family"(the Gale Group). Joyce's early life, family background, and his catholic background appear in the way he writes these stories. "Where Joyce usually relates his stories to events in his life, there are some stories which are actually events that took place in his life" (Joyce, Stanislaus). James Joyce in his letter to Grant Richard writes:
Rogers, Katharine M. (1985): ‘‘A Doll House in a Course on Women in Literature,’’ in Approaches to Teaching Ibsen’s A Doll House, Shafer, Yvonne (ed.). New York: Modern Language Association, p.82.
than all the films that have came in prior to it in several ways. An
Phylogeny versus misogyny, arguable one of the greatest binary oppositions in a work of literature, is present in Henrik Ibsen’s 1879 Norwegian play A Doll’s House. The title itself suggests a misogynist view, while the work mainly consists of feminist ideology, as Ibsen was a supporter of the female as an independent, rather than a dependent on a male. Nora knew herself that her husband did not fully respect her, and this became a major conflict in the play as Nora progressively became more self-reliant in the play. Ibsen created Nora to give an example for all women, showing that they are more than what their husbands make of them. The misogynistic views in the play can be seen through Nora’s husband Torvald, due to the fact that he believed, as the majority of males did at the time, that women were not equal to them socially. This opposition caused a major conflict between the couple that progressed throughout the stage production.
In the plays A Doll's House, by Henrik Ibsen, and Trifles, by Susan Glaspell, the male characters propagate stereotypes and make assumptions concerning the female characters. These assumptions deal with the way in which the male characters see the female characters, on a purely stereotypical, gender-related level. The stereotypes and assumptions made in A Doll's House are manifest in the way Torvald Helmer treats his wife, Nora, and in the way Nora acts to please her husband. These include the beliefs that women are lesser people, childlike in their actions and in need of being controlled. Nora knows as long as she acts in accordance with the way she is expected, she will get what she wants from Torvald. The stereotypes and assumptions made in Trifles are those of the women being concerned only with trifling things, that they are loyal to the feminine gender, and that women are subservient to their spouses.
English A1 Oral Presentation Transcript Portrayal of Sexism in Henrik Ibsen’s ‘The Doll’s House’ Ibsen was a pioneer of the realistic social drama. Unlike playwrights who came before him, he was very concerned with portraying realistic social settings and illustrating a conflict resulting from social pressures and mores. Ibsen also endeavors to show the blatant sexism rampant in the country at the time. This is shown In part by the unequal nature of Torvald and Nora’s marriage.
Eveline has always felt lonely ever since her mother’s death but especially now when there is nothing more she can do with her life but find someone to take her away and love her. Eveline’s desire for a better life seems like it may come true when she meets Frank who she thinks will take her away to Buenos Aires. When her chance comes along for her to leave with Frank she too pushes her chance away. She thinks that she no longer deserves a better life other than fulfilling her duties to her family and chooses to be alone for eternity.
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with woman and others during this time period.
In the short story “Eveline “ by James Joyce, Eveline, the protagonist is given the opportunity to escape from her hard unendurable life at home and live a life of true happiness at Buenos Ayres with Frank, her lover. Throughout the story, Eveline is faced with a few good memories of her past from her childhood and her mother, but she also faces the horrible flashbacks of her mother’s illness and her father’s violence. In the end, she does not leave with Frank, Eveline’s indecisiveness and the burden of her family’s duties makes her stay.
"She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her." (Joyce 32) Although Eveline knew that her life could be beautiful with Frank, she just can not build up the courage to get on that ship to leave with Frank. The chains that bind Eveline such as her family, her fears of the unknown and her lack of response to love are extremely corroded, but no matter how much they are consumed, there was indeed no easy way for her to break away from this bondage.