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Gender roles of romeo and juliet
Gender roles of romeo and juliet
Gender roles of romeo and juliet
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Strength of Men
It is often presumed that men are supposed to be strong; both mentally, and physically. Nonetheless, when there is an inadequacy of masculine traits in a man, he may be viewed as feminine. This prejudgment causes men to carry attributes that may come across as harsh, or arrogant. Throughout William Shakespeare’s tragedy Romeo and Juliet, we are shown from the start how men are characterized with these behaviors. While demonstrating the strength of men, Shakespeare uses the unacceptable display of emotions, degrading of women, and the obligation to physically act in daring situations to imply that men are typically the stronger character.
In this tragedy, we see the use of characterization to portray that the men are supposed
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Men often times put themselves above women in order to feel stronger, even if they physically are not. The play starts with Sampson and Gregory discussing the fight that just happened between the Montague’s and Capulet’s. Sampson then says, “’Tis true, and therefore women, being the /Weaker vessels, are ever thrust to the wall” (1.1. 16-17). Sampson plainly discloses the idea that women are weaker than men, and thus continues to make sexual innuendos. By calling women “weaker”, Sampson is indirectly implying that men are stronger. Furthermore, after Tybalt slays Mercutio in a fight on the streets of Verona, Romeo says “O’ sweet Juliet, /Thy beauty hath made me effeminate /And in my temper softened valor’s steel” (3.1. 118-120). Even though this line is indirect, Romeo blames Juliet for his softened disposition, and claims that because of her, he has become delicate. Therefore, he could not muster the courage to fight for himself, justifying his feminine behavior. While talking to the Friar, Romeo expresses his new love for Juliet. It is clear that the Friar finds this childish of Romeo, and he says, “Women may fall when there’s no strength in men” (2.3. 85). The Friar is saying that without men, women would not have enough independence to proficiently live. Unlike other scenes in this play, this one more directly illustrates that the characters are strongly dependent on the strength of men, and they would not construct a complete story without this feature. Even when men are not showing their strength physically, they use their superiority to show their
Within the text Shakespeare spares no chance to poke fun at the superstructure. The superstructure mocks woman because they are not worthy of such a high stature, they can have money and they can even be in a place of exaggerated power but only because man has gotten them to this point. This is shown within the play during one of Hamlets soliloquies when he exclaims, “Frailty, thy name is woman!” (Shakespeare Act I Scene II, 146). In this line he is referring to his mother Gertrude and her lack of will power to mourn the death of his father. But not only
But on the other side of this masculinity is love. For Elizabethan society believed that a man who loved too much lost his masculinity. Romeo clearly subscribes to that belief when he states that his love for Juliet made him “effeminate.” During Elizabethan times wo...
Romeo develops the theme of gender roles by being an example of society’s view of a male during this time period, Romeo also shows that he is aware of his masculinity when he states that by being around his lover,Juliet, he has become “womanly” and non-masculine, “This gentleman, the Prince 's near ally,My very friend, hath got his mortal hurt In my behalf. My reputation stain 'd With Tybalt 's slander—Tybalt, that an hour Hath been my cousin! O sweet Juliet,Thy beauty hath made me effeminate. And in my temper softened valor 's steel!”(3.1.114-120). In Verona, in Romeo and Juliet, the world of men and the measure of a man was determined by violence, sexual domination, and also conquest, Romeo displayed these characteristics with his first motive to go to the Capulet’s Ball, he went after Rosaline, Juliet’s cousin, whom he was trying to seduce, and this shows that Romeo saw Juliet by accident because he was only at the ball due to his determination to sexually dominate Rosaline and make her his. Romeo has given countless examples of the claim of masculinity through violence, but one example comes from when Romeo kills Tybalt, who had previously killed Romeo 's best friend Mercutio, and restates his masculinity as well as getting revenge on the behalf of his slain friend, “ Alive in triumph, and Mercutio slain!Away to heaven, respective lenity,And fire-eyed fury be my conduct
... many degrading insults himself, Macbeth dishes one out while trying to persuade the murderers to kill Banquo. Macbeth asked the murderers if they were simply going to forgive Banquo for treating them badly, and they responded, “we are men, my liege.” (III,i,93) In response to this, Macbeth explained to them how men are like dogs: some are slow and some are strong, etc. He then challenges them to prove they are the right kind of men. (III,I,94-105) This challenge is what convinces the murderers to kill Banquo. Throughout Macbeth, Shakespeare shows that questioning whether or not someone is a man is highly effective in getting them to do what you want.
Juliet’s weakness to be controlled by love leads her to make unadvised and irresponsible decisions that contribute to her choice of ending her life. Characterized as a young and rash teenager, with no interest in love and marriage at first, Juliet wants to be independent. However, after she first lays eyes on Romeo, Juliet’s perception of love is quick to change. Their strong love easily manipulates and clouds her judgment. Even if she is cautious and realizes their love is too fast, the rush of feelings from having a first love overcomes her. Her soft-spoken words symbolically foreshadow the journey of Romeo and Juliet’s love. “Well, do not swear. Although I joy in thee, / I have no joy of this contract tonight. / It is too rash, too unadvised, too sudden;…/ This bud of love, by summer’s ripening breath, / May prove to be a beauteous flower when next we meet” (2.2. 117-123). The blooming flower is indicative of their growing love, especially Juliet. Being her first experience of true love, her actions become more rash the deeper she falls in, even ...
One permeating aspect of Shakespeare’s depiction of masculinity is its dominance over femininity. Lady Macbeth is a vital contributor to this mindset throughout the plot. As a means of obtaining power, Lady Macbeth sees her femininity as an obstacle and obtaining masculine attributes as a step toward the throne. We see this when she says, “Come, you spirits that tend on mortal thoughts, unsex me here, and full me from the crown to the toe top-full of direst cruelty” (33). In this quote she is literally asking to replace her feminine attributes with masculine ones, which she perceives as cruelty and aggression. She continues to emphasize this ideal when she states “Come to my woman’s breasts, and take my milk for gall” (33). This line is a blatant reference ...
... Since masculinity is very prominent, men thought that they had to display strength. Since women were thought to be unknowledgable, women were lower on the social status list. When Capulet says he will throw out Juliet, he is saying that he owns Juliet. Women being less important and weaker is etched into Romeo and Juliet so much, that women seem to accept it.
However, throughout Romeo and Juliet, Romeo possessed little to none of these traits. “Men in Renaissance society were expected to engage in public affairs in the way of soldiers, politicians, and other leaders; to be talkers, decision makers, and move events forward. Their lives were duty-bound to the state and were aggressive and self-satisfying.” (Leann Pettit 1). When Romeo is upset about having to be away from Juliet, he goes to friar Lawrence for help. When Friar Lawrence is talking to Romeo, he says that he is being preposterous and not acting like a man for sulking around and crying. Men were supposed to be valiant, and it was not very brave of Romeo to talk about attempting suicide as Friar Lawrence points out. Friar Lawrence says “Hold thy desperate hand! Art thou a man? Thy form cries out thou art.Thy tears are womanish; thy wild acts denote the unreasonable fury of a beast. Unseemly woman in a seeming man,Or ill-beseeming beast in seeming both!” (3.3.118-123). Friar Lawrence tells Romeo he is being very feminine, and that instead he should be brave and act how an Elizabethan man should. Another way in which Romeo breaks gender roles is when he blames Juliet for his lost manhood. Prior to meeting Juliet he has always been feminine, yet he blames it on the fact that because he was hanging out with Juliet all the time he became womanly. Romeo cries “O sweet Juliet. / Thy beauty
William Shakespeare is known to be the greatest writer in the English language, and till this day Shakespeare upholds the title of being the start of English literature. Something every reader has possibly observed is how Shakespeare portrays women. The majority of William Shakespeare’s plays objectifies women and in some ways shows his underline feelings towards women, and their roles in society. This is clearly shown through out Shakespeare’s play ‘Othello’. The society of Othello is completely controlled by men who are the military and political leaders of their homeland. Furthermore women are seen as powerless second-class citizens, who are in place for nothing more than to serve their men. But the horrendous actions and intense downfall of the men in Othello show how men are not nearly as authoritative and powerful as they seem. The boldness of the female characters proves that they are much more capable of just serving. Furthermore, by the end of the play, I admit the men of Othello are not the ones who perform courage and power instead; this title is given to the women in the play.
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
For instance, Hamlet insults himself by comparing himself to a woman. After Hamlet complaining about how quickly others got over the death of his father, Claudius tries to get Hamlet to join in the merriment of his wedding by advising Hamlet: “Tis sweet and commendable … to give these mourning duties to your father but … tis unmanly grief” (Shakespeare 1.2.87-94). After reflecting on this in one of his many speeches about his flaws, Hamlet proclaims “Fragility, thy name is woman” (1.2.146). Hamlet compares his moment of weakness to women because he thinks all women are weak and by not getting over his father’s death so is he. Not only does Hamlet insult himself a woman but he also insults others in the same manner. An example of this is when he insults Claudius by referring to as “dear mother” (4.3.50). Hamlet does this to compare Claudius to his mother, because he is convinced that Claudius is deceitful much like his mother, who quickly remarried after only two months after her husband’s death. Also, by doing this Hamlet is projecting his insecurities onto someone else so that he feels better about his own doubts of his masculinity. In contrast to his views on women; he thinks all men are strong. Hamlet praises men like Fortinbras for being brave and “made with … large discours [and being] rightly to be great…even for an egg-shell” (4.4.35-52). Hamlet has to associate
In this play, the manhood is symbolized as the weakness. The weakness and lack of braveness Macbeth has to stand up for himself when he is constantly back-stabbed by Lady Macbeth.
"(Act II, Scene 2, Lines 71-74) Romeo is saying love will make a man try anything and even a stone wall couldn't keep him out. Love had the authority to make Romeo fearlessly climb the walls risking getting caught. Love seized Juliet’s actions. Juliet was so in love that she was willing to drink the potion and appear to be dead all to be with the banished Romeo in the end.
As Shakespeare wrote Hamlet, the fiction was set in the Renaissance era and therefore the persona of women was reflective of that period. The natural stereotype of that time viewed women as weak, fickle, and dependent of the men in their society and subject to the decisions that men make for them. It was an exceedingly common depiction and very rarely was it proven wrong to the men of that time. Women’s rights were nonexistent in this time period so it wasn’t unusual for the portrayal of women to be so negative and offensive. Given that women of that age had known nothing else they attempted to fit the stereotype to please the ‘natural order’.
7. Kahn, Coppe`lia. Man's Estate: Masculinity Identity in Shakespeare. Berkeley, Los Angeles: University of California Press. 1981.