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Masculinity in streetcar named desire
Essay about stanley in streetcar
Violence symbolism in literature
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How does Williams present Stanley’s ever-growing violence?
Stanley seems to be introduced as a provocative character, but throughout the play Stanley’s violent behaviour crescendos from being argumentative, to violating.
When we are first introduced to Stanley, the audience could perceive him to be slightly argumentative but ultimately harmless. When Stanley first meets Blanche he says “H’llo” which seems to be slightly too informal for a first meeting. Even though it could be seen as a little bit rude it is not an act of aggression. Furthermore, when talking to Blanche he asks lots of questions like “You’re a teacher aren’t you?” and “What do you teach?”
Stanley also does not let Blanche give too long an answer and even goes as far as interrupting
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her. At one point in scene one Blanche is thinking of an answer to Stanley’s statement (“I-uh”) only to be cut off by Stanley who asks “Where you from Blanche?” Finally, the types of questions Stanley asks Blanche could be perceived to be too personal for a first meeting, which again could be seen as rude.
Stanley asks about Blanche’s marriage to which Blanche confesses that “the boy died.” This interaction upsets Blanche as she lets “her head fall into her arms.”
Ultimately Stanley, at worst is presented as an aggravating uncaring character but not what most would describe as violent. However, Stanley’s mannerisms clash with Blanche’s which could be indicative of a future confrontation.
In the second scene of the play Stanley’s behaviour increases from provocative to argumentative, with Stanley overstepping more and more barriers throughout the scene.
The scene begins with Stanley arguing or at the very least speaking with little respect for Stella. He consistently uses a sarcastic tone (“So that’s the deal-huh? Sister Blanche cannot be annoyed” and “Well isn’t that just dandy!”) and refuses to let the subject of the Belle-Rue go, even though Stella makes it clear that it is not a subject that is ready to be talked about.
Later on in the scene Stanley goes through Blanche’s belongings in a very careless manner as seen when he “pulls open the wardrobe trunk” and “jerks out an armful of dresses.” He becomes increasingly violent with his actions as he “hurls” and “kicks” Blanche’s
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possessions. Further on in the scene there is an interaction with Blanche that despite Blanche’s best efforts to maintain light-hearted turns out to be aggressive and upsetting.
Blanche “playfully sprays him” with her atomiser to which he reacts by seizing it and slamming it on the dresser. In addition to this Blanche makes a joke about paper being the “first anniversary gift” in response to Stanley’s belittling statement of “Papers! That stuff people write on!” The interaction hits an aggressive peak when Stanley “snatches” Blanche’s love letters to which she responds by speaking “fiercely” which is uncharacteristic of Blanche.
At this point in the play the audience might feel more wary of Stanley and could see that his behaviour is more than aggravating but argumentative and to an extent
violent. For me, Stanley’s aggression peaks at scene three and scene ten where his behaviour crescendos dramatically from being argumentative to assault and violation. Scene three starts with Stanley being in a characteristic bad mood and seemingly trying to start an argument. We see him speak rudely and inconsiderately to Mitch who after saying he has a “sick mother” Stanley retorts with “why don’t you stay at home with her?” Stanley interrupts Steve’s story which we see in the stage directions when Stanley becomes “impatient with the story.” We see Stanley’s violence intensifies through stage directions which shows Stanley “bellowing” and “yelling” and shows how he “jerks roughly at curtains” and “tosses the instrument out of the window.” This section of the scene ends with physical aggression the audience hearing “the sound of a blow” and Stella cry out. In scene ten we see a familiar exchange between Stanley and Blanche; slowly increasing in tension and aggression. The scene ends with Stanley “overturning the table” and carrying Blanche to bed. Stanley’s aggression hits its pinnacle when he rapes Blanche, completely violating and humiliating her.
In this passage, Williams’ emphasises the nature of Blanche’s demise through the contrapuntal mode of the scene juxtaposing Blanche’s bathing with Stanley and Stella’s conversation. Williams wrote in a letter to Elia Kazan, who was to direct the film production of the play, that ‘It is a thing (misunderstanding) not a person (Stanley) that destroys (Blanche) in the ends’. This passage is significant as it shows the extent of Stanley’s misunderstanding of Blanche and his stubbornness to ascertain his condemnations to Stella. Furthermore, the use of colloquial lexis shows the true feebleness of Stanley’s claim because his judicial façade is diminished and shows the dangerous influence of claims as he sways Mitch away from Blanche. Stella’s character
In the beginning of the play it is clear to see how Stanley has higher
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
The syllable of the syllable. At this point, he is very drunk. Blanche, distracting Stanley by listening to the radio, instigates him to grab it off the table and toss it out the window. Stella, in a state of panic, tells everyone to go home, which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship.
Stanley oftenly abuses Stella whenever he is drunk. One night, Stanley brings his friends over for a poker night. Mitch leaves the table in order to talk to Blanche. Stanley begins to get furious since Mitch is no longer playing. As more and more interruptions keep occurring, Stanley is furious and breaks the radio Blanche and Mitch were using. Stella then calls Stanley an animal. “He advances and disappears. There is a sound of a blow. Stella cries out.”(57) Stanley is usually abusive when he's either drunk or frustrated. After Stanley strikes her, Stella leaves the house and goes to her neighbors house. Blanche follows her sister upstairs to support Stella so she does not feel alone. Stanley then calms down and calls for Stella to come back. She returns and falls into Stanley's arms. Stella is very loyal to Stanley, she stays with him because he is her husband and does not want to change that. This is why she ignores her sister's pleas. Stanleys actions prove to the reader that he is an abusive husband to Stella and that Stella tolerates
He said “Pig-Polack-disgusting-vulgar-greasy…Remember what Heuy Long said-“Every Man is a King!” And I am the King around here, so don’t forget it! My place is cleared! You want me to clear your places?”(Williams131). This proves that Stanley has a violent and disrespectful character. He claims that he is the man of the house and no one else can take his place even temporarily. Every time his dominance is doubted by someone else he feels challenged and impulsive. Especially with women, he gives them no respect but expects their respect and shows a deep desire for control. This relates to the thesis because he talks and acts with women in a very violent way, which makes them emotionally hurt. This scene is also very ironic because Stanley states that he is not an animal and that he is a hundred percent perfect American but in reality he has an inhuman behavior and he is savage, which is portrayed in the way he talks, eats , and acts with
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
Also, the repetitive comparison of him to an animal or ape is the perfect image not the id as it is the instinctive part of your psyche. The way this passage leaves the reader is very powerful saying that “maybe he’ll strike you” is a good example of Stanley’s aggressive nature, and when Blanche says “or maybe grunt and kiss you” is a very good example of his sexual nature.
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
Stanley rape Blanche, so she can not reclaim her purity anymore. Her only solution is by living in her imaginary world which she can create free of adversity. She no longer survive in the harsh world of reality . Stanley decided to send her away to a mental institution. When Blanche is told that she will be leaving. Blanche further expand her imagination to Shep Huntleigh. She believed that Shep Huntleigh will take her away. The only thing that she can conquer her adversity is by using her imagination ,which result her a complete loss of identity. She is send away to her last exile and entrapment. Having proven unable to adapt her identity in order to overcome
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
During the confrontation during the poker game, which immediately ends it, readers are exposed to the reality of Stella and Stanley’s
You know that, don’t you? Just to make sure I bought her ticket myself. A bus ticket” (Williams 137). After spilling the details of Blanche’s history to Stella and displaying no sympathy for Blanche during her time of need, it is clear that Williams’ is using Stanley’s character to display the male desire for power. It is he who makes final decisions, even if they are at the expense of others since “Blanche comes to live with Stella at a point in her life when she has been rendered a destitute, after the loss of her parental home ‘Belle Reve’ and the death of her husband” (Hooti 21). Later on, during a dinner, Stella calls Stanley out for having greasy fingers which completely infuriates him. Stanley retaliates, “What do you think you are? A pair of queens? Remember what Huey Long said—‘Every Man is a King!’ And I am the king around here, so don’t forget it!” (Williams 138-39). Once again, Williams’ has Stanley reiterating his power strictly due to his being a man. He even does so in a way that belittles the female characters—Stella and
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?