Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Impact of domestic violence on family and family life
Streetcar named desire character analysis
Criticisms of battered woman syndrome
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The information provided by Paper masters, women and news help understand how many women were involved by domestic violence and how men were the cause of the problem. The 1940’s normalized the idea of violence towards women by men. Although, it was the desire that made them stay with the abuser. Masculinity plays a big role in the play and is the main cause to the violence. In the entire play of Streetcar Named Desire William is showing that domestic violence and desire go hand in hand. It is showing how the society of men and women live in a romantic relationship in the 1940’s. The violent behaviors in romantic relationships are highly unhealthy for mostly the women in the relationship, but yet they stay together because of the strong desire. …show more content…
Instead of leaving the life of violence, these woman stay but there is a reason. Woman can be affected by Battered Woman Syndrome (BWS). It is a mental disorder that involves victims of abuse for a long period of time (Mifflin). Stella has shown some of the stages of BWS, such as denial. This is when a woman refuses to believe that here is a problem and will think the act of violence wasn’t on purpose (FOUR PSYCHOLOGICAL STAGES OF THE BWS). It is seen many times that Stella is going through a violent relationship, but she still stays with Stanley. Even after the abuse she still feels love towards Stanley. When he becomes violent with Stella she is in a state of denial and fear but afterwards he will show affection, making her dependant on her abuser. Her lack of confidence is gone because Stanley is making her feel worthless. Stanley makes Stella feel as if she needs him but in reality she is better off without him. There are 3 more stages of BWS but Stella doesn’t show any signs of them. They continue with the victim realising the problem and confronting it. But Stella is still in the state of refusal to believe she doesn’t deserve the abuse. She can’t leave because when Stanley shows affection Stella believes he is still in love with him, that he won’t do it again. But it won’t stop until Stella takes
Today, if a man hits a woman, he is less of a man and a disgrace, not praised and admired as in the past. Although Janie endures the beatings from her husbands, it is the denial of her self-expression that affects Janie the most; this oppression is nearly unheard of today.... ... middle of paper ... ...
At the end of A Streetcar Named Desire, Stella ‘sobs with inhuman abandon’ and Stanley kneels beside her, unsure what to do. Stella feels incredibly guilty for letting her sister, Blanche, be taken to the mental hospital, she feels as though its her duty, as her sister, to look after her. However this is impossible because Stanley raped her and Stella refuse to believe it, so, she does nothing and the play ends with Stanley's fingers finding ‘the opening of her blouse’. ………………..other reading…………….
With Streetcar, Stella Kowalski tries to gain some more with from her husband Stanley. After Blanche arrived Stella started defending herself more and telling Stanley what to do. For example, in the poker night scene, Stella says “Drunk- drunk-animal think, you! All of you- please go home! If any of you have one spark of decency in you-” (Williams
...sed, Stella used the same defense mechanism Blanche resorted to, to help Stella endure the pain in her life. The emotional response was to believe how life should be and not as it actually was resulted in a fairytale like expectation of their own world.
The young and beautiful Stella Kowalski-DuBois is carefree and overall a happy woman. But sometimes, things get in the way of her happiness, whether it be her husband, Stanley, going on about how he dislikes her sister, Blanche, or Stanley continuously putting his hands on Stella. The question here is, why does Stella stay with such a manipulative man? Is it Stanley who won't let Stella leave? Or is it Stella who doesn't make an attempt to leave? By Stella constantly forgiving Stanley for hitting her and not attempting to leave, she is allowing Stanley to believe she'll take him back no matter what, making it harder every time for her to escape. Stella is ultimately responsible for the abusive and unstable relationship.
In Stella’s case, she chose her relationship with Stanley over her sister.
She has been behind bars for 13 years. She claims for her situation to be a “Kill or Get Kill” situation. She describes herself as a survivor. Not only is this affecting Stella but it also affects her family. She discuss how hard is to give her grandchildren a reason for committing the crime. Stella is having mental problems and suffering from many illnesses. Not be able to be with her family when and where she desires affects her health. Stella expectations of coming out of prison soon are very high.
Stella Kowalski’s character, parallels to Stanley’s and represents the ego in the play. herself from her hometown and start a life in this vigorous world made by Stanley. she stands for the ego who wants to create a balance between desires and ideas, between body and soul, heart and mind to have a normal life. Blanche is the only one who wants to warn her of what she does. Loving Blanche, she also dislikes her and at the same time fears her. She hopes Blanche marry Mitch for her sister’s sake and for herself too. Actually she wants to get rid of
In contrast, Stella is overly mild-tempered and always striving to please. Generally, she is able to adapt to all situations. This ability to adapt proves to be useful, as both her husband and her sister, Blanche, have such strong personalities. From the beginning, it is apparent that Stella often plays the peacemaker. She was able to foresee that Stanley and her visiting sister would clash. In hopes of avoiding any confrontation, she warned them both to be on their best behaviour. Stella is soft-spoken, speaking only when it is needed, and expressing her grief only when it overwhelms her, whereas Blanche is the opposite: an outspoken woman, with many opinions.
Stella represents an important part in this drama by providing a contrast to how life can change people when they go down different paths. In Contrast to her sister, Stella is bound to love. Although she fell in love with a primitive, common man, she most definitely loves him. Stella desires only to make Stanley happy and live a beautiful life together. She wants to find peace between her sister and her husband yet instead she finds conflict afflicting her on both sides. Blanche uses her dilutions and tries to sway Stella away from Stanley yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
She turns from soft persuasion to sharp denunciation. Part with anger and confusion. Blanche presses hard to make Stella take action. Worse, she is financially striated: she is destitute and helpless. Thus, she can only use the power of language to divert her inner discomfort is fear. Blanche is intended to avoid naming Stanley. She points her finger at a direction to refer to this ‘hateful’ man with anger and contempt. She thought Stanley was not at home. She loses composure and needs to release of emotional outburst. She hugs Stella in the end of her remark. After all, Stella is her only hope. The hugging clams Blanche down. But a sense of fragility and vulnerabilities is still visible. Stella’s love is her last resort.
At the beginning of the play, there is an equilibrium, Stanley and Stella have been living happily together in Elysian Fields, however the arrival of Blanche acts as a catalyst and immediately she begins to challenge their way of life with her values.
As Stella is continuously manipulated by her husband. Stanley’s forced masculinity is highlighted on page 115 where he says “Now let’s cut the re-bop!” Stanley’s manliness is expressed through loud noises, whether it be ‘bellowing’ or ‘booming’, the onomatopoeia is always present and takes its toll on the somewhat ‘delicate’ women in this story. It is almost as if Stanley has possession over Stella and even Blanche at some points. If they ever question his motives, he will corrupt the area like a child.
Stanley (Stella's husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his "opponent" Stella's sister Blanche.
At one point in the play, Stella and and Stanely get in a fight over Blanche’s honesty about the Belle Reve situation, and coincidentally, soon after, we see the first occurrence of Stanley using physical violence towards Stella. Stanley gets mad at Stella for playing music, after he had previously asked her to shut it off. Out of anger, and a state of uncontrollable drunkenness, Stanley throws the radio out of the window, and then proceeds to lunge at Stella, and hit her, leaving behind a trail of screams and cries heard by the guests of the house. However, it can be inferred that Stanley is only using this music incident as an excuse to re-establish his possession over Stella, since he is worried that their conversation earlier regarding Blanche may have caused Stella to be closer to