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Tennessee Williams essay re. "Streetcar
Tennessee Williams essay re. "Streetcar
Symbolism in the streetcar named desire
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A Streetcar Named Desire is a serious play. Not only difficult in its adult concepts but with important relationships between characters that are hard to capture. My idea for the children’s book was for all the characters to be butterflies with the exception of Blanche Dubois. Blanche, I made into a small white moth, as I felt this fit her character best, which was a flitty, frail, middle aged woman. Tennessee Williams chose the character's names specifically and I wanted to highlight that. Blanche, the name, suggests the color white, she is a character who blends into the background, nervous, lying , so I choose a white moth. Stella suggests a star, yellow, shining bright hence a yellow butterfly. And the other characters I choose what I …show more content…
Alcohol I decided to symbolize with candy, I felt that children would be able to relate to this most. Candy, for children, is something special, understanding why kids sometimes sneak this treat. I took the idea of the “cookie jar” and made a “candy jar”. Blanche, Stanley, Stella take pieces of candy throughout to show each time they drink alcohol. Though children can not quite understand the dangers of this, they know candy is bad, and when they see Blanche eating and stealing pieces of this candy they understand her dangerous, sneaky …show more content…
Mitch who is just a man, ends up playing a very important role and showing the readers/audience how Blanche acts. This is crucial for developing Blanche’s characters, and especially showing her relationship and interaction with men. It shows her flirtatiousness, her reliance and fascination with men, at the same time she is always weary (for a good reason) and builds an awkward tension in . I felt like I could not include this in the children's book. I think that had I included it, it would have taken away from the story with Blanche and Stella and the more important relationship between the two and Stanley, who really tied the whole story together.. So I tried to focus more on the relationship between Stella, Blanche and Stanley. Two scenes that I felt were also hard to included was a scene where Blanche asks Stanley to button her shirt. This was important as foreshadowing the rape or something happening. However since in this version Blanche was not “raped”, I decided to weave the idea of moths wings into it again, and Blanche asked Stanley to “dust off her wings”. Though kids might not pick up on the subtle hint, it was still important to include. Also scenes where we see Stanley abusing Stella, such as “slapping her on her bottom” I did not included, I tried to use “harsh” language instead, such as when Stanley says “I am the king of the
The harsh treatment dealt by Mitch to Blanche near the end of the play is
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
Symbolism is greatly used in the play to emphasize Blanche’s mental instability, this is most evidently found in the use of colors and shading. The first example of this is in both her name Blanche Dubois, which in French means white and her last name woods, this translates to ‘white woods’ and the fact that she dresses entirely in white upon her arrival. The color white symbolizes, purity, health and virginity, which in spite of the irony, this is the image she attempts to exhibit. This is her trying to appear new and fresh. There is noticeable symbolism that metaphorically taints this white purity, such of that in scene five when Blanche spills coke on her white dress. She frantically tries to remove it, she wishes to remove this so it doesn’t stain her. Like she sees how her past has. The fact that she has slept with so many men and this spill shows how she is in fact corrupt and stained with her past. This symbolism is an early suspicion to her insanity and promiscuous past which is only unraveled later in the play. We as such may not intentionally see this from the start. Only the illusory image, which she tries to create for herself, suggests the...
she was told "to take a streetcar named Desire, and then to transfer to one
Some critics may consider Mitch to be two dimensional in the sense that although he was partially to blame for Blanche’s unstable state of mind at the end of the play, he was not the main cause of it. Blanche appears to be slightly mad when Mitch comes to see her in scene nine, however she still has some control and is coherent enough to defend her past actions. However, after Stanley has raped her, she appears to be completely unaware of what is really going on around her ‘she’s got it mixed in her mind with Shep Huntleigh’. This shows that it was the rape which finally destroyed her, not Mitch breaking up with her.
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
Blanche, in particular, is much more of an anachronism than Stella, who has, for the most part, adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters. Where Blanche's marriage, to a man whom she dearly loved (Miller 43), proved catastrophic to her, Stella's marriage seems to be fulfilling her as a woman. Blanche's marriage to a young homosexual, and the subsequent tragedy that resulted from her discovery of her husband's degeneracy and her inability to help him, has been responsible for much of the perversity in her life.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
The use of colours plays an important role in A Streetcar Named Desire. Throughout the play, Williams makes direct use of colours as a means of indicating the characters and the atmosphere of the setting. Colours are used to express emotional moods, human qualities, and hierarchical position. The first apparent use of colour in the play is the symbolic meaning of Blanche’s name. Her name in French means white.
Throughout Tennessee William’s play “A Streetcar Named Desire,” Blanche Dubois exemplified several tragic flaws. She suffered from her haunting past; her inability to overcome; her desire to be someone else; and from the cruel, animalistic treatment she received from Stanley. Sadly, her sister Stella also played a role in her downfall. All of these factors ultimately led to Blanche’s tragic breakdown in the end.
Tennessee Williams was one of the greatest American dramatists of the 20th century. Most of his plays take us to the southern states and show a confused society. In his works he exposes the degeneration of human feelings and relationships. His heroes suffer from broken families and they do not find their place in the society. They tend to be lonely and afraid of much that surrounds them. Among the major themes of his plays are racism, sexism, homophobia and realistic settings filled with loneliness and pain.1 Tennessee Williams characters showed us extremes of human brutality and sexual behavior.2 One of his most popular dramas was written in 1947, and it is called A Streetcar Named Desire.
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
The moment their eyes first meet, there seems to be an immediate attraction between Blanche and Mitch, causing them to take a “certain interest” in one another. After their first close encounter while the poker game is taking place, Blanche notices that Mitch is not like Stanley and the others. Telling Stella, “That one seems—superior to the others…I thought he had a sort of sensitive look” (Williams 52), Blanche takes interest in Mitch’s perceived sensitivity, and is immediately attracted
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...