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Sex for money in Japan
Violence against women in japan essay
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Geisha, Harlot, Strangler, Star: A Woman, Sex, and Morality in Modern Japan by William Johnston is a very informative read that covers the life of Abe Sada in extreme detail from when she was a young girl to the aftermath of the murder and castration of her lover that she committed. Johnston’s stated reason for talking about this particular case is that it, in particular, had detailed records for him to use to discuss the social and political treatment of women in Japan at the time (3). This was emphasized largely in the introduction, but for the most part the book was a biographical account of Abe’s life with cultural background provided by the author and occasional lines drawn between events and the larger social picture. Rather than using …show more content…
To start out his analysis of Abe, Johnston explains how she got her start in the sex industry as the ultimate result of the misogynistic Victorian value placed on virginity (30). When Abe was fifteen, she was raped by an acquaintance of hers, an event that devalued her in the eyes of a society that victim-blamed and did not care that she was raped, but only that she had had sex (Johnston 44-46). She didn’t want to be marginalized to the immoral side of society, but the rape forced her into that category, furthering her trauma and leading to her acting out and participating in risk-seeking behavior (Johnston 48). This eventually led to her being forced into apprenticing as a geisha as a punishment for her promiscuity (Johnston 57). Rather than going back to her family and apologizing for her behavior, she was resigned to being there because she “had a blemished body anyhow” (Johnston 58). In this account, the emphasis is placed on how Abe was affected by the harmful attitudes of the time, rather than using her to expand on what those attitudes meant for other women. She was marginalized, she began to act out, and she internalized the stigma from her rape because of society, but for something that must have been a common trend, the effects of this
Borden in 1893 describes how gender stereotypes can influence the minds of a nation and how the public and media influence, male dominated court hearing, and refute of evidence all lead to Lizzie’s full pardon. Kathryn Jacob’s begins with background on Lizzie Borden; how she was favored by her father as the youngest daughter, how she “had evidently given up hope of marriage, but she led a more active life, centered around good works,” and how “she taught Sunday school class of Chinese children, (and) was active in the Ladies Fruit and Flower Mission, the Women’s Christian Temperance Movement, and the Good Samaritan Charity Hospital” (p.53).The Women’s Christian Temperance Movement (WCTU) was a popular social movement that focused on a “do everything policy” to fix the problems of the community, including problems deeper than just alcohol (Brady Class Lecture,2014). The WCTU was seen as a positive movement for women to maintain their womanly roles while using their moral values to better society. Regardless of the life Lizzie lived, her stepmother and father were both killed
Likewise, regardless of great strides being made for women’s rights, including the passing of the 19th amendment in 1920, women were still battling for legitimacy outside of the household. With both of these truths, it is an amazing feat Georgia Douglas Johnson came to be one of the most influential pioneers of the Harlem Renaissance, as well as one of the most prolific poets and playwrights of her time. Through the use of periodicals and advertisements, one is able to see the parallels between Johnson’s struggles and the characters she creates, specifically in her play
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
In her work, “This is Our World,” Dorothy Allison shares her perspective of how she views the world as we know it. She has a very vivid past with searing memories of her childhood. She lives her life – her reality – because of the past, despite how much she wishes it never happened. She finds little restitution in her writings, but she continues with them to “provoke more questions” (Allison 158) and makes the readers “think about what [they] rarely want to think about at all” (158).
Feminism. Ed. Anne K. Mellor. Bloomington: Indiana UP, 1988. 220-32. Rpt. in Frankenstein. Ed. J. Paul Hunter. Norton Critical Edition. New York: Norton, 1996. 274-86.
Yellin, Jean Fagan, and John C. Horne. The Abolitionist sisterhood: women's political culture in Antebellum America. Ithaca: Cornell University Press, 1994.
In “Disorderly Women: Gender and Labor Militancy in the Appalachian South,” Jacquelyn Hall explains that future generations would need to grapple with the expenses of commercialization and to expound a dream that grasped financial equity and group unanimity and also women’s freedom. I determined the reasons for ladies ' insubordination neither reclassified sexual orientation parts nor overcame financial reliance. I recollected why their craving for the trappings of advancement could obscure into a self-constraining consumerism. I estimated how a belief system of sentiment could end in sexual peril or a wedded lady 's troublesome twofold day. None of that, in any case, should cloud a generation’s legacy. I understand requirements for a standard of female open work, another style of sexual expressiveness, the section of ladies into open space and political battles beforehand cornered by men all these pushed against conventional limitations even as they made new susceptibilities.
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
This paper is a review of the book Japan’s Comfort Women-Sexual slavery and prostitution during WWII and the US occupation by Yuki Tanaka. This book was published in 2002 by Routledge. The book deals with the thousands of Japanese, Korean, Chinese and other Asian and European women who were victims of organized sexual violence and prostitution by means of “comfort stations” setup by the Japanese military during World War II.
Sometimes trying to conform to society’s expectations becomes extremely overwhelming, especially if you’re a woman. Not until recent years have woman become much more independent and to some extent equalized to men. However going back to the 19th century, women were much more restrained. From the beginning we perceive the narrator as an imaginative woman, in tune with her surroundings. The narrator is undoubtedly a very intellectual woman. Conversely, she lives in a society which views women who demonstrate intellectual potential as eccentric, strange, or as in this situation, ill. She is made to believe by her husband and physician that she has “temporary nervous depression --a slight hysterical tendency” and should restrain herself from any intellectual exercises in order to get well (Gilman 487). The narrator was not allowed to write or in any way freely...
As insinuated through her poem’s title, “A Double Standard,” Frances Harper examines a double standard imposed by societal norms during the 19th and 20th centuries, as well as the different effects this standard foisted upon those of different genders. Harper’s poem is narrated by a woman who has been derided by society for her involvement in a sexual scandal, all while her male counterpart experiences no repercussions. By describing how her situation involving the scandal advances, delineating the backlash she receives for her participation, and reflecting on the ludicrously hypocritical nature of the situation, the speaker discloses the lack of control women had over their lives, and allows for the reader to ponder the inequity of female oppression at the turn of the 19th century.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Throughout time women have been written as the lesser sex, weaker, secondary characters. They are portrayed as dumb, stupid, and nothing more than their fading beauty. They are written as if they need to be saved or helped because they cannot help themselves. Women, such as Daisy Buchanan who believes all a woman can be is a “beautiful little fool”, Mrs Mallard who quite died when she lost her freedom from her husband, Eliza Perkins who rights the main character a woman who is a mental health patient who happens to be a woman being locked up by her husband, and then Carlos Andres Gomez who recognizes the sexism problem and wants to change it. Women in The Great Gatsby, “The Story of an Hour,” “The Yellow Wall Paper” and the poem “When” are oppressed because the fundamental concept of equality that America is based on undermines gender equality.
In the Victorian Era of mid nineteen to early twentieth century, a woman’s role in society remained to be in the household, away from the business and cares of men. The feminine side is portrayed as negative, powerless, and lacking (Kileen 49). Society discouraged women from having power in society and neglecting women represented normal in the eyes of most men and women. However, Victorian novels such as The Picture of Dorian Gray illustrate the consequences of disregarding women. In Oscar Wilde’s only novel, the lack of importance surrounding the female characters and their careless treatment from men results in the selfishness of the male characters exemplified through Dorian Gray’s acts of evil.
Some people may believe that the American experience for women was better in Holden’s time than nowadays. They claim that women were more respected then, where in fact, they were in fact treated relatively the same as now. Women are not always treated with respect, in both times; there will always