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Strange Fruit is a song that was written by Abel Meeropol and performed by Billie Holiday in 1939. A dark and meaningful ballad with an underlying message about the grim reality of most black people in the 1930’s. At this time, slavery was at its worst, and a wildfire of torture and slaughter was rapidly consuming America and poisoned the impressionable minds of civilians. When I listened to Strange Fruit a couple of times and began to investigate the song at a deeper level, I came to a startling realization that the main prosecutors of the black races in America, were not even armed military- they were normal people gone rogue. As we have seen in history, humans bond over shared interests and we rally together to unite against a common enemy. …show more content…
The next verse is “Blood on the leaves, and blood at the root.” This piques my interest, and I can discern that this song is going to have a dark theme, because of the ominous wording of the second line in the song. “Black body swinging, in the southern breeze,” at this point we realise it is clear what the song is talking about, and it is revealed with a shock which I think the composer intended, as to reveal the brutality of the hangings to us with no beating around the bush. I really admire this piece of music because it was so open and honest about the major issue and problems with the allegations and behaviour towards black people. This song was written and performed in the late 1930’s, meaning this song certainly wasn’t the first protest song, but it was the introduction of the truth to the wealthy patrons of the clubs in which the song was sung. It was sung it blues style, so it was haunting and serious, and it had a slow tempo, so people could properly absorb the words and the meaning. The way Billie Holiday sung it, which was mournful and rich, made it extremely powerful and moving. Her voice combined with the grisly words made an impact on people and opened their eyes to see two sides of the story: the white people with a sense of power, and the black people who were suffering and dropping like flies. She and the composer Abel were extremely brave performing it and taking credit for the song, because if you were seen associating with or supporting the black people, your reputation could become tarnished. I could relate to this because I know how hard it is to step out of your comfort zone and stick up for something you believe in, but it is very admirable and selfless because you are speaking for those who cannot speak for themselves and voicing
Poems and other readings with strong racial undertones such as Strange Fruit allow me to reflect back on the role race plays in my life as a black young woman and analysis if much has changed in terms of racism in the American society today.
The poem is a perfect example of how form and message come together in a uniquely black aesthetic that can be measured to, the three criteria that Karenga sets as qualification for black art. It is functional in the sense that the main message of the poem is to galvanize black people to support the revolution and wake them up to the message that the revolution will wait for no one nor will it be something that they can ignore. This view is further supported by Karenga who states “black art must expose the enemy, praise the people and support the revolution.” Within the poem we see NBC and famous white people being quoted and identified as people who will not support or stand up to for revolution for black people. This further supports the authors view and message to his audience that revolution is something that they have to seize themselves because if they don’t stand up for themselves no one else
This song is connected to this historical event because Gil Scott-Heron also included into this song of how African Americans are not given any credit. Furthermore, many treat them as even if they do not exist, especially the government and the media. Nevertheless, Scoot-Heron showed the world thru this song how African Americans were not even notice, or received an accomplishment for anything by the media or the government. Therefore, throughout this song it can be seen how Scott-Heron includes the historical event of the Black Power
The movie Lady Day: The Many Faces Of Billie Holiday paints an interesting, and thought provoking portrait of one of jazz and blues most charismatic, and influential artists. The incomparable talent of Billie Holiday, both truth and legend are immortalized in this one-hour documentary film. The film follows Holiday, also referred to as “Lady Day” or “Lady”, through the many triumphs and trials of her career, and does it’s very best to separate the facts from fiction. Her autobiography Lady Sings The Blues is used as a rough guide of how she desired her life story to be viewed by her public. Those who knew her, worked with her, and loved her paint a different picture than this popular, and mostly fictional autobiography.
Billie Holiday’s “Strange Fruit “is probably one of the greatest songs composed telling the chilling story about lynching. A little unknown fact is that it was written by a Jewish man by the name of Abel Meeropol. Initially “Strange Fruit” originated as a poem written by Abel Meeropol, as a protest against lynching of African Americans. Meeropol meet Holiday in a bar, where she read the poem, and decided to make the poem into a song. The record made it to No. 16 on the charts in July 1939. This song is probably Holiday’s most famous song she ever sung throughout her whole life. In the end Strange fruit forces listeners to relive the tragic horrors of living in America as an African American. The vivid lyrics paints a picture that causes a person
“Strange Fruit” by Billie Holiday conveys the inhumane, gory lynchings of African-Americans in the American South, and how this highly unnatural act had entrenched itself into the society and culture of the South, almost as if it were an agricultural crop. Although the song did not originate from Holiday, her first performance of it in 1939 in New York City and successive recording of the song became highly popular for their emotional power (“Strange fruit,” 2017). The lyrics in the song highlight the contrast between the natural beauty and apparent sophistication of the agricultural South with the brutal violence of lynchings. Holiday communicates these rather disturbing lyrics through a peculiarly serene vocal delivery, accompanied by a hymn-like
the enemies in a war because we know that it is the only way to make secure and safeguard
A major situation in which the music was used was massive protests on public property called sit-ins. Sit-ins were protesting strategies by African Americans during the Civil Rights Era where they would sit in on diners, bathrooms and “public” locations that they weren’t allowed and wouldn’t leave until they were given equality or service. During these protests, African Americans would sing songs of freedom and good times ahead and would adapt these songs from past songs of slavery and inequality were revived and reused from before (Stewart). Many white Americans would discriminate those doing this to try to diminish their morale on the right, but as a response the African Americans would continue to sit and sing s...
When the piece was originally written for the Hot Chocolates, it was considered to be “America’s first `racial protest song`… [and] certainly Razaf’s lyric stripped bare essences of racial discontent that had very rarely if ever been addressed by any African American musically” (Singer 219). The music was created to express the hardships of the black community and the intra-racial discrimination, evident by the line: Browns and yellers all have fellers, gentlemen prefer them right. This illustrates that within the black community, those of fairer complexion were preferred. In Armstrong’s performance, the piece was removed from its original context of a Broadway show and placed as a stand-alone piece. In doing this, the emotion created by the Broadway performance and the stage scene were lost and “Black and Blue” became just another bluesy piece. Further, his “recitativo vocal style underscore[d] the song’s plaintive quality, while his exuberant embellished trumpet solos at the beginning and the end … counteract[ed] despair” (Meckna 38). However, Armstrong dropped the verse about intra-racial prejudice and made the chorus a “threnody for blacks of every shade” (Teachout 139). In doing this, he altered the music from being just about intra-racial issues to a global of scale of the battle between black and whites and the prejudices.
The content is written in the style of the blues not only in the music but in the social perspective of the times in Harlem in respect to the sufferings and struggles of the African-American past and present experiences, and what they were going to encount...
Schoettler, Carl. "Tinged with Sorrow but Sung with Love; Blues: `Strange Fruit,' the Mournful Dirge about Lynching, is Forever Linked with Billie Holiday. A New Book about the Singer from Baltimore Recalls the Moment She Introduced it." The Baltimore Sun Jun 13 2000: 1.F. ProQuest Central. 16 Nov. 2011
It's because the simple duple meter pulse that is played with a percussion instrument (hammer strikes) was constant and I felt being dragged throughout the song. I feel like the message of this song was to further explain and define who and what a hard-working African American man is in those times, with the line "a man ain't nothin' but a man". That line is essential saying that John Henry is a true man and drastic variations from his characteristics is not seen as a true man. This could reflect on the overall theme of cause and effect in music and in this case, is the lives of black labors being restraint as slaves which effected the songs to be restrained on its creativity. The only thing that these individuals can grasp their identity over is their biological components and gender normative
... lines of each stanza and the “Yes” before most lines. This makes the words really stick to you. I think the song is very affective because all of the comparisons he makes are all so true. I also think because he made the song from different perspectives including the blacks, whites, and the government makes a big difference too. It makes it so that you can rather see what it feels like to be in the different people’s shoes.
The last stanza of “Blacker the Berry”, mold perfectly with the incidents of the black on black crimes in Native Son. In Native Son, Bigger tries to convince his friends to step out of their comfort
That song was sung by enslaved Africans. The audience connects jazz music with living in the jungle and being uncivilized.