Storytelling in a Painting

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It is believed, in the beginning humans actually had a form of language where they were able to pass down stories or knowledge from generation to generation. In fact, one of the earliest forms of storytelling had little to no words to describe what exactly one was trying to say. In our society today, we as humans still use the form of being able to tell a story within a painting or any work of art which does not incorporate words.
Knowing this must lead many to ponder with the question: “Is it true a painting can tell a story?” By focusing and evaluating the rhetorical appeals of both paintings and text, we can determine the effectiveness and the value of pictures telling a story.
One of the oldest aged books of stories known to man happens to be the Bible. Inside of this book are words put together by gnostic men to form stories which are believed by numerous believers. Two stories which stick out, but are not known to the general population of religious people is the story of the David defeating Goliath and the Crucifixion of Christ. The significance of David was, he was the young Sheppard boy who went up against Goliath in battle. Keep in mind Goliath was amongst the Philistine and was a giant compared the normal teenage sized David. The story is known to be phenomenal, because David had defeated Goliath with only a stone, however he Did have God on his side; so he feared nothing. On the other hand we have the more disheartened story of the crucifixion of Jesus. This story can be found in the book of John chapter 19. It begins with how the process started, “Then Pilate took Jesus, and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe and went up t...

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...story it has the appeals to summarize and gives the reader the actual visual of what has been read. Both paintings and text share the appeal of logos by the organization of everything as well as the detail given either. In a like manner, the two genres share the characteristics of emotiveness whether it be visual, like a bloodied Jesus pinned onto a cross, or written in great detail, like "And I went out after him, and smote him, and delivered it out of his mouth: and when he arose against me, I caught him by his beard, and smote him, and slew him"(1Samuel, 17.35). Both have the ethos appeal by asserting people of authority or popularity. Granite the fact, one may need to know the story behind the painting in order to get the effect of the picture, the painting still equally shares a purpose and a goal to persuade the audience of what it is being portrayed.

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