Storytelling Rhetorical Analysis

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Storytelling has the ability to display the details and and events of war that is not easily depicted in any other way. O’Brien describes the misconceptions and truths that surround the experiences of war and stories about war. O’Brien’s stories are a way of preserving his memories from war, and also a method for soldiers in coping with their situations as well. Stories have the ability to reflect on the grief, struggles, and even satisfying events of war, especially on the front lines of combat. Storytelling is an important way to appeal to emotion and describe important details about the ugly truths that are hidden from the public eye, as well as serving as a coping mechanism in order to deal with one’s life situations.  
Many look at the …show more content…

The military in Iraq specifically banned the photographing of wounded soldiers and coffins, thus sanitizing this terrible and bloody conflict” (Myers). Myers believed that war comes with “wounded soldiers” and “coffins,” and “bloody conflict.” He believed that the many events of war are “covered up” from the public eye. He adds to the idea that many people create their own truths based on their own false perceptions. With this in mind, this adds to the idea that because the war experiences and events are hidden, they can be told through stories to invoke emotion and to conjure up events from the past. Without these stories, no one would know the real events of war and not be able to understand the efforts and struggles of war. Storytelling allows soldiers to give the regular folk back home a first hand experience of what it was like during the war and gives them a better perspective on how they should interpret the war. One can see this when O’Brien describes what a true war story contains: “As a first rule of thumb, therefore, you …show more content…

Laini Taylor, an American young adult fantasy author receiving many awards in American Literature, believes in moving forward in looking at the positives in order to move forward in one’s life: “The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story” (Taylor). Taylor believes that one should change his or her perspective or actions if they are leading themselves down the wrong path. She also understands that one needs to forget the pain and struggles of the past and work to improve one’s life. This connects with O’Brien’s use of storytelling as a healing component in his deployment in the war. He reveals to the reader that he fell in love with Linda when he was nine years old and how viewed her after her death of a brain tumor: “But this too is true: stories can save us … I keep dreaming Linda alive. The thing about a story is that you dream as you tell it, hoping others might then dream along with you, and in this way memory and imagination and language combine to make spirits in the head”(218). O’Brien continues to keep the memories he had with Linda in his mind as a way to cope with the saddening deaths of his comrades. He

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