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Essays on war and trauma
War in literature essay
Vietnam war creative writing
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"Dear Mom and Dad: The war that has taken my life, and many thousands of others before me, is immoral, unlawful, and an atrocity," (letter of anonymous soldier qtd. In Fussell 653).
Tim O'Brien, a Vietnam war vet, had similar experiences as the soldier above. Even though O'Brien didn't die, the war still took away his life because a part of him will never be the same. Even in 1995, almost thirty years after the war, O'Brien wrote, "Last night suicide was on my mind. Not whether, but how. Tonight it will be on my mind again... I sit in my underwear at this unblinking fool of a computer and try to wrap words around a few horrid truths" (Vietnam 560). 1 think that O'Brien is still suffering from what he experienced in Vietnam and he uses his writing to help him deal with his conflicts. In order to deal with war or other traumatic experiences, you sometimes just have to relive the experiences over and over. This is what O'Brien does with his writing; he expresses his emotional truths even if it means he has to change the facts of the literal truth.
The literal truth, or some of the things that happen during war, are so horrible that you don't want to believe that it could've actually have happened. For instance, "[o]ne colonel wanted the hearts cut out of the dead Vietcong to feed to his dog.... Ears were strung together like beads. Parts of Vietnamese bodies were kept as trophies; skulls were a favorite... The Twenty-fifth Infantry Division left a 'visiting card,' a torn off shoulder patch of the division's emblem, stuffed in the mouth of the Vietnamese they killed," (Fussell 655). While we don't want to believe these things because they sound too atrocious, soldi...
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...e who sent the soldiers to war are just as responsible as the soldiers for any acts of war they committed.
Works Cited
Fussell, Paul. "Vietnam." The Bloody Game: An Anthology of Modern War. Ed. Paul Fussell. London: Scribners, 1991. 651-6.
O'Brien, Tim. "How to Tell a True War Story." Writing as Re-Vision. Eds. Beth Alvarado and Barbara Cully. Needham Heights, MA: Simon & Schuster Custom Publishing, 1996. 550-8.
_________. In the Lake of the Woods. New York: Houghton Mifflin, 1994.
__________. "The Lives of the Dead." The Things They Carried. New York: Viking Penguin, 1990. 255-273.
__________. "The Vietnam in Me." Writing as Re-Vision. 559-571.
Schroeder, Eric James. "Tim O'Brien: Maybe So." Vietnam, We've All Been There: Interviews with American Writers. Ed. Eric James Schroeder. Westport, Conn: Praeger, 1992. 125-43.
Anderson, D. (2002). The Columbia guide to the Vietnam War. New York: Columbia University Press.
Appy’s book is valuable to its readers in showing how Vietnam became the template for every American war since, from novelties like the invasion of Grenada to the seemingly never-ending conflicts post-9/11. But before all that, there was Vietnam, and, larger lessons aside, Appy’s book is a fascinating, insightful, infuriating and thought-provoking study of that conflict, from its earliest days
The Vietnam War: A Concise International History is a strong book that portrays a vivid picture of both sides of the war. By getting access to new information and using valid sources, Lawrence’s study deserves credibility. After reading this book, a new light and understanding of the Vietnam war exists.
The Vietnam War has become a focal point of the Sixties. Known as the first televised war, American citizens quickly became consumed with every aspect of the war. In a sense, they could not simply “turn off” the war. A Rumor of War by Philip Caputo is a firsthand account of this horrific war that tore our nation apart. Throughout this autobiography, there were several sections that grabbed my attention. I found Caputo’s use of stark comparisons and vivid imagery, particularly captivating in that, those scenes forced me to reflect on my own feelings about the war. These scenes also caused me to look at the Vietnam War from the perspective of a soldier, which is not a perspective I had previously considered. In particular, Caputo’s account of
Tim O’Brien begins his journey as a young “politically naive” man and has recently graduated out of Macalester College in the United States of America. O’Brien’s plan for the future is steady, but this quickly changes as a call to an adventure ruins his expected path in life. In June of 1968, he receives a draft notice, sharing details about his eventual service in the Vietnam War. He is not against war, but this certain war seemed immoral and insignificant to Tim O’Brien. The “very facts were shrouded in uncertainty”, which indicates that the basis of the war isn’t well known and perceived
An interesting combination of recalled events and editorial commentary, the story is not set up like a traditional short story. One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who might just as well be the author himself. Because “How to Tell a True War Story” is told from a first-person perspective and O’Brien is an actual Vietnam veteran, a certain authenticity to this story is added. He, as the “expert” of war leads the reader through the story. Since O’Brien has experienced the actual war from a soldier’s point of view, he should be able to present the truth about war...
Passaro, Vince. "The Things They Carried (Review)." Harper's Magazine. 299.1791 (1999): 80. Expanded Academic ASAP.
Neilson, Jim. Warring Fictions: American Literary Culture and the Vietnam War Narrative. Jackson: Mississippi UP, 1998
"War is hell . . . war is mystery terror and adventure and courage and discovery and despair and . . . war is nasty (80)." When it all happened it was not like "a movie you aren't a hero and all you can do is whimper and wait (211)." O'Brien and the rest of the solders were just ordinary people thrust into extraordinary situations. They needed to tell blatant lies" to "bring the body and soul back together (239)." They needed to eliminate the reality of death. As ordinary people they were not capable of dealing with the engulfing realities of death and war therefore they needed to create coping skills. O'Brien approaches the loss of his childhood friend, Linda, in the same way he approaches the loss of his comrades in the war as this is the only way he knows how to deal with death. A skill he learned, and needed, in the Vietnam War.
Raymond, Michael W. "Imagined Responses to Vietnam: Tim O'Brien's Going After Cacciato. Critique 24 (Winter 1983).
In “How to Tell a True War Story” by Tim O’Brien, Orwell’s ideas are questioned and the competition between the truth and the underlying meaning of a story is discussed. O’Brien’s story depicts that the truth isn’t always a simple concept; and that not every piece of literature or story told can follow Orwell’s list of rules (Orwell 285). The story is told through an unnamed narrator as he re-encounters memories from his past as a soldier in the Vietnam War. With his recollection of past encounters, the narrator also offers us segments of didactic explanation about what a “true war story” is and the power it has on the human body (O’Brien 65). O’Brien uses fictional literature and the narration of past experiences to raise a question; to what extent should the lack of precision, under all circumstances, be allowed? In reality, no story is ever really truthful, and even if it is, we have no proof of it. The reader never feels secure in what they are being told. The reliability of the source, the author, and the narrator are always being questioned, but the importance of a story isn’t about the truth or the accuracy in which it is told, but about the “sunlight” it carries (O’Brien 81).
This literary critique was found on the Bryant Library database. It talks about how well Maya conveys her message to her readers as well as portraying vivid scenes in her reader’s minds’. Maya’s sense of story and her passionate desire to overcome obstacles and strive for greatness and self-appreciation is what makes Maya an outlier. Living in America, Angelou believed that African American as a whole must find emotional, intellectual, and spiritual sustenance through reverting back to their “home” of Africa. According to Maya, “Home” was the best place to capture a sense of family, past, and tradition. When it comes to Maya’s works of literature, her novels seems to be more critically acclaimed then her poetry. With that being said, Angelou pursues harsh social and political issues involving African American in her poems. Some of these themes are the struggle for civil rights in America and Africa, the feminist movement, Maya’s relationship with her son, and her awareness of the difficulties of living in America's struggling classes. Nevertheless, in all of Maya’s works of literature she is able to “harness the power of the word” through an extraordinary understanding of the language and events she uses and went through. Reading this critique made me have a better understanding of the process Maya went through in order to illustrate her life to her readers. It was not just sitting down with a pen and paper and just writing thoughts down. It was really, Maya being able to perfect something that she c...
The impact of the Vietnam War upon the soldiers who fought there was huge. The experience forever changed how they would think and act for the rest of their lives. One of the main reasons for this was there was little to no understanding by the soldiers as to why they were fighting this war. They felt they were killing innocent people, farmers, poor hard working people, women, and children were among their victims. Many of the returning soldiers could not fall back in to their old life styles. First they felt guilt for surviving many of their brothers in arms. Second they were haunted by the atrocities of war. Some soldiers could not go back to the mental state of peacetime. Then there were soldiers Tim O’Brien meant while in the war that he wrote the book “The Things They Carried,” that showed how important the role of story telling was to soldiers. The role of stories was important because it gave them an outlet and that outlet was needed both inside and outside the war in order to keep their metal state in check.
Passaro, Vince. "The Things They Carried (Review)." Harper's Magazine. 299.1791 (1999): 80. Expanded Academic ASAP.
Maya Angelou’s I Know Why the Caged Bird Sings is an autobiography that describes the coming of age of a Southern black girl who overcomes society’s cruelty as she grows up. Taking place in Stamps, Kansas during the 1930s, the autobiography captures Marguerite Ann Johnson’s, or Maya’s, battle of finding herself and coming to terms with who she is while growing up in a time period comprised of oppression and discrimination. Furthermore, Maya endures many childhood hardships due to her race, and she defeats these obstacles with her intelligence and fortitude. Thus, Maya Angelou utilizes her vividly detailed experiences of racism’s impact on her and her resistance to racism to demonstrate the struggle of the Southern black girl who grows up in a society overwhelmed with white superiority.